SESSIONS
by Praguefrank, Michel Ruppli, Mario Manciotti, Lillies Ohlsson
December 1947 poss. Hollywood, CA - Billy Gray's Band Box
001 D 606 LET'S SPEND A NIGHT AT THE CANOGA Deluxe 8160 Miltone1160 No. 27
002 D 607 HOLLYWOOD U.S.A. Deluxe 8160 Miltone1160 No. 27
003 D 608 EVERYBODY WANTS A LITTLE PEACE Deluxe 8161 Miltone1161 No. 27
004 D 609 THE KELLYS, THE MORELLIS AND THE LIPSHITZES Deluxe 8161 Miltone1161 No. 27
005 D 610 ATTA CONGA Deluxe 8162 Miltone1162 No. 27
006 D 611 MUTTLE IS SUBTLE TODAY unissued
007 D 624 FRAILACH TANTZ Deluxe 8162 Miltone1162 No. 27
set N° 27 entitled: Let's Spend a Night at The Band Box (78 RPM)
ca. 24 March 1954 Decca Recording Studio, 5505 Melrose Ave., Hollywood, CA - Billy Gray & His Westerm Oakies
008 L 7604 WHO’LL BUY MY TACOS 9-29120/ Cactus
009 L 7605 PIN-UP GIRL 9-29120/ Cactus
010 L 7606 WE JUST DON’T SEE THINGS ALIKE ANYMORE 9-29271/ Cactus
011 L 7607 FARTHER ON DOWN THE ROAD 9-29271/ Cactus
012 L 7608 HARBOR OF LOVE 9-29678/ Cactus
24 March 1954 [18:20-21:50] Decca Recording Studio, 5505 Melrose Ave., Hollywood, CA - Wanda Jackson (Billy Gray [gt/recitation], Billy Strange [gt], Billy Stewart [bass], Roy Harte [drums], Amos Hedrick [fiddle], Gilbert Baca [piano]. Producer: Tom Mack)
000 L 7609 IF YOU KNEW WHAT I KNOW 9-29253/DL 4224
000 L 7610 LOVIN' COUNTRY STYLE 9-29140/DL 4224 VL 73861
000 L 7611 THE HEART YOU COULD HAVE HAD 9-30153/DL 4224 VL 73861
000 L 7612 THE RIGHT TO LOVE 9-29253/DL 4224 VL 73861
000 L 7613 YOU CAN'T HAVE MY LOVE 9-29140/ Cactus
19 August 1954 Hank Thompson's House, 8308 N. May, Oklahoma City, OK - Billy Gray, * & Wanda Jackson (? [gt], Bobby White [steel], Billy Stewart [bass], Roy Harte [drums], Amos Hedricks [fiddle], Gilbert Baca [piano])
013 86690/OK 100 IF YOU DON'T, SOMEBODY ELSE WILL* 9-29267/[va] DL 4201 Cactus
014 86691/OK 101 YOU'D BE THE FIRST ONE TO KNOW* 9-29267/DL 4224
015 86692/OK 102 TALK OF THE TOWN unissued
1 March 1955 Castle Studio At the Tulane Hotel, 206 8th Ave. North, Nashville 3, TN - Billy Gray
016 87501/NA 3438 I’M MAD AT MY HEART 9-29489/ Cactus
017 87502/NA 3439 OKIE BLONDIE 9-29489/ Cactus
018 87503/NA 3440 GIRLS, GIRLS, GIRLS 9-29678/
2 March 1955 Bradley Studio, 804 16th Ave. South, Nashville, TN - Bill Gray and His Western Oakies (Billy Gray [gt], Bobby Koefer [steel], Billy Carson [bass gt], Wayne Foster [drums], Joe Hendrix [fiddle], Leon Boulandger [fiddle], Arthur "Art" McNuilty [piano])
019 87633/BR 9056 THE BANDERA SHUFFLE ED-2235/DL-5567 DL-8730 Cactus020 87634/BR 9057 TIPPIN' IN ED-2233 DL-5567 Cactus
021 87635/BR 9058 SNOW DEER ED-2233/DL-5567 DL-8730 Cactus
022 87636/BR 9059 TUXEDO JUNCTION ED-2234/DL-5567 DL-8730 Cactus
023 87637/BR 9060 CURTAIN CALL ED-2233/DL-5567 Cactus
024 87638/BR 9061 JOHNSON RAG ED-2234/DL-5567 Cactus
025 87639/BR 9062 TENNESSEE STOMP ED-2234/DL-5567 Cactus
026 87640/BR 9063 MOONLIGHT COCKTAIL ED-2233/DL-5567 Cactus
Decca DL-8730 WESTERN SWING IN HI-FI (August 11,1958) (see various artists file)
12 December 1955 Fort Worth, TX - Billy Gray & His Western Oakies
027 89045/FT 17000 GOLDEN GOOSE unissued
028 89046/FT 17001 LOVIN' ANGEL WITHOUT MY HEART unissued
19 December 1955 Bradley Studio, 804 16th Ave. South, Nashville 3, TN - Billy Gray & His Oakies (unknown musicians)
029 89047/NA 9263 IT COULD HAVE BEEN ME 9-29800/ Cactus
030 89048/NA 9264 TENNESSEE TODDY 9-29800/Bear Family BCD-15733 [va] Cactus
8 November 1956 Music City Recordings, 804 16th Ave. South, Nashville 3, TN - Mimi Roman, * & Billy Gray
031 101076/NA 9543 WE'RE TAKING CHANCES* 9-30389/ Cactus
032 101077/NA 9544 YES I WILL* unissued
033 101078/NA 9545 MR. OPPORTUNITY* 9-30389/ Cactus
000 101079/NA 9546 HONKY TONK GIRL 9-30246
000 101080/NA 9547 THE WIND-UP 9-30246
12 December 1956 Fort Worth, TX - Billy Gray
034 102856/FT 17000 FREE LOVE MAMA BOOGIE rejected
035 102857/FT 17001 YOU'RE A LOVING ANGEL WITHOUT MY HEART rejected
1960 unknown, TX - Billy Gray
036 I'LL FIND A WAY Longhorn LH 505/ Cactus
037 I'LL GO BROKE LOVING YOU Longhorn LH 505 / Cactus
ca May 1963 poss. Hollywood, CA - Billy Gray (Producer: Tommy Allsup)
038 I'LL NEVER LIVE LONG ENOUGH Liberty 55599
039 LB 1678 I LEFT MY HEART IN SAN FRANCISCO Liberty 55599
ca May 1964 unknown - Billy Gray
040 THE LAST CALL FOR ALCOHOL Liberty 55712
041 LATE LAST NIGHT Liberty 55712
Mid 1964 unknown, TX - Billy Gray
042 THE FUNNY WAY OF HURTING ME Vandan 8472
043 ONE BROKEN HEART AGO Vandan 8472
ca September 1965 unknown, TX - Billy Gray
044 SoN 25711 ROTTEN LOVE Longhorn LH 565 / Cactus
045 SoN 25712? FOR NO REASON Longhorn LH 565/ Cactus
1960s unknown, TX - Billy Gray
046 I DON'T WANT TO EVER FEEL THIS WAY AGAIN Toro 105
047 NEON LIGHTS Toro 105
ALBUMS
Decca DL-5567 Country & Western Dance-O-Rama, Vol. 7 - Billy Gray: Moonlight Cocktail; Curtain Call; Snow Deer; Tippin' In; The Bandera Shuffle; Tuxedo Junction; Tennessee Stomp; Johnson Rag - 55 (10“ LP)
Cactus [EUR] ? Billy Gray - Hillbilly Stars Of Decca Records: Tennessee Toddy; It Should Have Been Me; Farther On Down The Road; We Just Don't See Things Alike; Okie Blondie; I'm Mad At My Baby; Girls Girls Girls; Harbor Of Love; Mr. Opportunity; We're Taking Chances; If You Don't Somebody Else Will (w. Wanda Jackson); You Can't Have My love (w. Wanda Jackson); Who'll Buy My Tacos?; Pin Up Girl; Moonlight Cocktail; Curtain Call; Snow Deer; Tippin' In; The Bandera Shuffle; Tuxedo Junction; Tennessee Stomp; Johnson Rag; I'll Go Broke Loving You; I'll Find A Way; Rotten Love; For No Reason
SINGLES
Deluxe (1947)
8160 Let’s Spend The Night At The Canaga / Hollywood, U.S.A. - 48 (also on Miltone 1160)
8161 Everybody Wants A Little Peace / The Kellys, The Morellis's And The Lipshitzes - 48 (also on Miltone 1161)
8162 Atta Conga / Frailach Tantz - 48 (also on Miltone 1162)
No. 27 Let's Spend a Night at The Band Box – set of 3 78 RPM records incl. 8160, 8161, 8162/ Frailach Tanty - 48
Decca (1954-57)
9-29120 Pin-Up Girl / Who'll Buy My Tacos - 04-54
9-29140 Lovin' Country Style / You Can't Have My Love - 05-54 w. Wanda Jackson
9-29267 If You Don't, Somebody Else Will / You'd Be The First One To Know - 09-54 w. Wanda Jackson
9-29271 Farther On Down The Road / We Just Don't See Things Alike Anymore - 09-54
9-29489 Okie Blondie / I'm Mad At My Heart - 03-55
9-29678 Harbor Of Love / Girls, Girls, Girls - 10-55
9-29800 It Could Have Been Me / Tennessee Today - 01-56
9-30389 Mister Opportunity / We're Taking Chances - 07-57
(EPs)
ED 2233 "Country Music Dance-O-Rama, Vol.7, part 1": The Bandera Shuffle; Tippin' In; Snow Deer; Curtain Call - 55
ED 2234 "Country Music Dance-O-Rama, Vol.7, part 2": Moonlight Cocktail; Tuxedo Junction; Tennessee Stomp; Johnson Rag - 55
Longhorn (1960)
LH-505 I'll Find A Way / I'll Go Broke Loving You - 60
Liberty (1963-64)
55599 I'll Never Live Long Enough / I Left My Heart In San Francisco - 07-63
55712 The Last Call For Alcohol / Late Last Night - 07-64
Vandan (1964)
8472 The Funny Way Of Hurting Me / One Broken Heart Ago - 64
Longhorn (1960)
LH-565 For No Reason / Rotten Love - 11-65
Toro (unknown, 60's)
105 I Don't Want To Ever Feel This Way Again / Neon Lights
čtvrtek, 28. ledna 2010
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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