Country and crossover since 1920s and my favorite artists of all genres too...
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Continuation of the blog on address

Wednesday, January 27, 2010

Billy Large

*Roswell, NM
By Michel Ruppli

17 May 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Billy Large
001 NCO 80268 THE GOODIE WAGON Columbia 4-43741
002 NCO 80269 BIG YELLOW PEACHES Columbia 4-43741
16 December 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Billy Large
003 NCO 120331 A NEW STREET TO WALK ON 4-44002
004 NCO 120332 MY $3.98 PLASTER MAIL ORDER GUITAR 4-44002
21 April 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Billy Large
005 NCO 120187 (WHEN YOU'RE) SEVENTEEN 4-44179
006 NCO 120188 unknown title unissued
007 NCO 120189 LITTLE THINGS 4-44179
11 September 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Billy Large
009 NCO 120281 DIRTY OLD EGG-SUCKIN' DOG 4-44530
Prob. same date:
010 NCO 120282 PRETTY GIRLS 4-44315
011 NCO 120283 GYPSY ROSE AND I (DON'T GIVE A CURSE) 4-44315
ca February 1969 poss. Columbia Recording Studio, 804 16th Ave. South, Nashville, TN - Billy Large (Billy Large [vcl], Lloyd Green [steel/leader] + unknown musicians. Producer: Dick Heard)
013 RA 284B DO IT, DO IT, DO IT Royal American RA-284

Columbia (1966-68)
4-43741 The Goodie Wagon / Big Yellow Peaches – 01-08-66
4-44002 My $3.98 Plaster Mail Order Guitar / A New Street To Walk On – 02-67
4-44179 (When You're) Seventeen / Little Things – 05-67
4-44315 Pretty Girls / Gypsy Rose And I (Don't Give A Curse)  – 21-09-67
4-44530 Dirty Old Egg-Suckin' Dog / I'm Going Back To Where I Came From – 30-04-68
Royal American (1969)
RA-284 They're Writing her Name on The Wall / Do It, Do It, Do It – ca. 04-69

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Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.