By Praguefrank & Michel Ruppli
SESSIONS
ca April 1965 prob. New York City - Linda Gayle
001 CO 86341 GOODNIGHT, IRENE Columbia 4-43359
002 CO 86342 GOT MY MOJO WORKING Columbia 4-43462
003 CO 86343 unknown title - unissued
004 CO 83344 STOP, LOOK, LISTEN Columbia 4-43359
15 October 1965 prob. New York City - Linda Gayle
005 CO 87239 MAGGIE’S FARM Columbia 4-43462
some unissued tracks possibly recorded at this session
2 March 1966 prob. New York City - Linda Gayle
006 CO 89350 FLY AWAY 4-43659
007 CO 89353 WISHING IT WAS YOU 4-43659
22 March 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN - Linda Gayle
008 NCO 120472 BABY, DON’T DO 4-44140
009 NCO 120473 WOULD IT MAKE ANY DIFFERENCE TO YOU 4-44140
ca 26 August 1968 poss. Nashville, TN - Linda Gayle (Producer: Darrell Glenn)
010 PP-15043 I RIDE A LITTLE HORSEY Pompeii 45-66685
011 PP-15044 TILL THE VIOLINS PLAY Pompeii 45-66685
ca 10 March 1969 Nashville, TN - Linda Gayle (Producer: Darrell Glenn)
012 PP-16471 TRUE LOVE LIKE DADDY’S LOVE Pompeii 45-66699
013 PP-16472 THE ONE THAT STANDS BY ME Pompeii 45-66699
ca. August 1971 Nashville, TN - Linda Gayle (Producer: Larry Rogers)
014 M1QS-1294 WAITIN' AT THE END OF YOUR RUN Mega 615-0047
015 M1QS-1295 I WISH I DIDN'T LOVE YOU 615-0059
016 M1QS-1296 DON'T BLOW NO SMOKE ON ME 615-0047
017 M1QS-1297 CHAPTER 33: THE PILGRIM 615-0059
SINGLES
Columbia (1965-67)
4-43359 Stop, Look, Listen / Goodnight, Irene - 09-65
4-43462 Got My Mojo Working / Maggie’s Farm - 12-65
4-43659 Fly Away / Wishing It Was You - 05-66
4-44140 Baby, Don’t Do / Would It Make Any Difference To You - Ca 06-67
Pompeii (1968)
45-66685 Till The Violins Play / Ride A Little Horsey - 68
45-66699 One That Stands By Me / True Love Like Daddy’s Love - 69
Mega (1971)
615-0047 Waitin' At The End Of Your Run / Don't Blow No Smoke On Me - Ca 10-71
615-0059 I Wish I Didn't Love You / Chapter 33: The Pilgrim - Ca 02-72
neděle, 28. února 2010
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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