by Michel Ruppli (in MGM/Decca discography), with acknowledgements to Rene Pavlik
SESSIONS
22 December 1948 E. T. Herzog Recording Studio, 811 Race St., Cincinnati, OH - Hank Williams & Drifting Cowboys Audrey Williams [vcl- *], Zeke Turner [el gt], Louis Innis [rhy gt], Clyde Baum [mandolin], Jerry Byrd [steel], Willie Thawl [bass], Tommy Jackson [fiddle])
001 49-S-6059 I HEARD MY MOTHER PRAYING FOR ME -* K10813
1 March 1949 Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Hank Williams & Drifting Cowboys (Audrey Williams [vcl-*], Zeb Turner [el gt], Jack Shook [rhy gt], Don Davis [steel], Clyde Baum [mandolin], Ernie Newton [bass], Dale Potter [fiddle])
002 49-S-6031 JESUS REMEMBERED ME -* K10813/E-3955
28 March 1950 Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Audrey Williams (Hank Williams [gt], Jack Shook [rh gt], Bob McNett [gt], Don Helms [steel], Hillous Buttrum [bass], Jerry Rivers [fiddle], Hugh Cherry [recitation]. Producer: Paul Cohen)
003 76046 MY TIGHT WAD DADDY 9-46264 /BFX-15346
004 76047 MODEL T LOVE unissued /BFX-15346
005 76048 HELP ME UNDERSTAND 9-46275/BFX-15346
006 76049 HOW CAN YOU REFUSE HIM NOW 9-46275/BFX-15346
1 April 1950 Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Audrey Williams (Hank Williams [gt], Jack Shook [rh gt], Bob McNett [gt], Don Helms [steel], Hillous Buttrum [bass], Jerry Rivers [fiddle] + Driofting Cowboys [vocal chorus]. Producer: Paul Cohen)
007 76066/NA 2089 WHAT PUT THE PEP IN GRANDMA 9-46233/BFX-15346
008 76067/NA 2090 I LIKE THAT KIND OF LOVIN‘ 9-46264/BFX-15346
009 76065/NA 2091 HONKY TONKIN¢ 9-46233/BFX-15346
23 March 1951 [19:00-22:30] Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Audrey Williams/* & Hank Williams as by Luke The Drifter
010 51-S-6012 LEAVE US WOMEN ALONE K11083
011 51-S-6013 IF YOU SEE MY BABY K11083
012 51-S-6014 THE PALE HORSE AND HIS RIDER* K12394/E-3955
013 51-S-6015 A HOME IN HEAVEN* K12394/E-3955
11 August 1953 Castle Studio At the Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Audrey Williams (Jack Shook [gt], Sammy Pruett [gt], Don Helms [steel], Howard Watts [bass], Jerry Rivers [fiddle]. Producer: Paul Cohen)
014 85208/NA 3113 RAMBLIN' GAL unissued /Bear Family BFX 15346
015 85209/NA 3114 I FORGOT MORE THAN YOU'LL EVER KNOW unissued /Bear Family BFX 15346
016 85210/NA 3115 TO MY PAL, BOSEPHUS unissued /Bear Family BFX 15346
23 February 1954 Castle Studio At the Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Audrey Williams
017 85937/NA 3254 SLOWLY YOU TAUGHT ME unissued/BFX-15346
018 85938/NA 3255 DON'T BE TOO QUICK TO JUDGE unissued/BFX-15346
mid January 1955 Nashville, TN – Audrey Williams
019 55-S-242/55-XY-170 THAT¢S ALL I WANT FROM YOU K11935
020 55-S-243/55-XY-171 MAKING BELIEVE K11935
27 July 1955 [19:00-22:00] RCA Victor Studio, Methodist Television, Radio & Film Commission, 1525 McGavock St., Nashville, TN – Audrey Williams
021 55-S-590/55-XY-472 LITTLE BOSEPHUS K12082
022 55-S-591/55-XY-473 WINDOWS OF THE PAST K12082
023 55-S-592/55-XY-474 LIVIN’ IT UP AND HAVIN’ A BALL K12210
024 55-S-593/55-XY-475 AIN'T NOTHIN' GONNA BE ALL RIGHT NO HOW K12210
6 July 1956 [19:30-23:00] Music City Recording, 804 16th Ave. South, Nashville 3, TN - Audrey Williams
025 56-S-461/56-XY-350 I’LL LET THE TELPHONE RING K12426
026 56-S-462/56-XY-351 TORNADO OF LOVE K12426
027 56-S-463/56-XY-352 LET ME SIT ALONE AND THINK K12314
028 56-S-464/56-XY-353 PARAKEET POLKA K12314
12 April 1961 [overdub session] Bradley Film & Recording Studio, 804 16th Ave. South, Nashville 3, TN – Hank Williams, * & Audrey Williams
029 61-XY-571 JESUS DIED FOR ME LONG AGO* E-3955
10 September 1965 Nashville, TN – Audrey Williams
030 65-XY-642 OCEANS OF LOVE K13409
031 65-XY-643 THEY'RE BEGGING YOU TO STAY K13409
August 1966 Nashville – Audrey Williams
032 N-50087 ALMOST PERSUADED K13583
033 N-50088 HAD YOU ON MY MIND TODAY K13583
ALBUMS
Bear Family [GER] BFX-15346 Ramblin' Gal:What Put The Pep In Grandma; I Like That Kind; My Tight Wad Daddy; Model T Love; Don't Be Too Quick To Judge; How Can You Refuse Him Now; Honky Tonkin'; I Forgot More Than You'll Ever Know; Slowly You Taught Me; Help Me Understand (w. Hugh Cherry); Ramblin' Gal; To My Pal Bosephus - 88
SINGLES
MGM (1948)
K 10813 6059 I Heard My Mother Praying For Me / Jesus Remembered M
Decca (1950, 1953-54)
9-46233 What Put The Pep In Grandma / Honky Tonkin' - 04-50
9-46264 My Tight Wad Daddy / I Like That Kind Of Lovin' - 07-50
9-46275 Help Me Understand / How Can You Refuse Him Now - 12-50
MGM (1951-66)
K 11083 Leave Us Women Alone / If You See My Baby – 10-51
K 11935 Making Believe / That's All I Want From You - 02-55
K 12082 Windows Of The Past / Little Bosephus - 10-55
K 12210 Livin' It Up And Havin' A Ball / Ain't Nothin' Gonna Be All Right No How - 04-56
K 12314 Let Me Sit Alone And Think / Parakeet Polka - 08-56
K 12394 The Pale Horse And His Rider / A Home In Heaven - 11-56 w. Hank Williams
K 12426 I'll Let The Telephone Ring / Tornado Of Love - 02-57
K 13359 Cold, Cold Heart / The Pale Horse And His Rider - 05-65 w. Hank Williams
K 13409 Oceans Of Love / They're Begging You To Stay - 10-65
K 13583 Almost Persuaded / Had You On My Mind Today - 08-66
Bonanza (unknown)
B 102 No Man Can Love Two Women / You Put It There
úterý, 23. března 2010
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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