SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
hillbilly@centrum.cz
praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Friday, April 9, 2010

Jeanette Hicks

by Praguefrank, Phil Watson, Richard Weize, Rick
SESSIONS

February 1953 poss. Dallas, TX - Jeanette Hicks
001 CO 48952/ZSP-13209 I THINK OF YOU AND ME OKeh 4-18008
002 CO 48953?/ZSP-13210? HE KNOWS WHY OKeh 4-18021
003 CO 48954/ZSP-13211 STILL I LOST YOU OKeh 4-18008
004 CO 48955?/ZSP-13212? ALL I CARE ABOUT OKeh 4-18021
September 1953 poss. Jim Beck Studio, 1101 Ross Ave., Dallas, TX - Johnny Hicks, *Jeanette Hicks
005 CO 49984/JB 78? YOU ALL COME* Columbia 4-21177
006 CO 49985/JB 79? SIPPIN‘ CIDER 4-21177
July 1954 poss. Jim Beck Studio, 1914 Forest Ave., Dallas, TX - Jeanette Hicks
007 CO 51810/JB 212? JUST LIKE IN THE MOVIES 4-21374
008 CO 51812/JB 214?/ZSP-32723 SUCH A WONDERFUL FEELING 4-21374
009 LIPSTICK ON A GLASS OKeh 4-18055
010 RINGLESS HAND OKeh 4-18055
22 March 1955 [11:00-14:00] Jim Beck Studio, 1914 Forest Ave., Dallas, TX - Billy Walker & Jeanette Hicks (Paul Buskirk [lead gt], Bobby Williamson [rh gt], Jimmy Kelley [steel], Harold Giersdorf [bass], Johnny Gimble [fiddle]. Producer: Don Law)
011 CO 53163/JB 278/ZSP-35996 WHICH ONE OF US IS TO BLAME* 4-21392
012 CO 53164/JB 279/ZSP-35997 LET'S MAKE MEMORIES TONIGHT* 4-21392
18 October 1955 [19:00-23:00] Jim Beck Studio, 1914 Forest Ave., Dallas, TX - Billy Walker & Jeanette Hicks (Paul Niswanger [gt], Bobby Penton [steel], Francis Mounce [bass], Bill Mounce [drums], Buddy Brady [fiddle], Carroll Hubbard [fiddle]. Producer: Don Law)
013 CO 54127/JB 329/JZSP-37260? BLUE MOUNTAIN WALTZ 4-21471
014 CO 54128/JB 330/JZSP-37261? WHY DOES IT HAVE TO BE 4-21471
ca. July 1956 Gold Star Studio, 5628 Brock St., Houston, TX - George Jones, & Jeanette Hicks (Hal Harris [gt], Benny Barnes [rh gt], Herb Remington [steel], Buck Henson [bass], Link Davis [fiddle], ? [fiddle], Doc Lewis [piano].. Producer: Pappy Daily)
015 ST-2470/YW-14725* YEARNING 45-279/SLP-101 *71061 MG-20282
016 I'LL TAKE THE CHANCE Tops 288/SLP-102 SLP-151
017 CAUSE I LOVE YOU SLP-102 SLP-125
September 1956 Gold Star Recording Studio, 5628 Brock St., Houston, TX- Jeanette Hicks
018 ST-2492 EXTRA-EXTRA 45-271
019 ST-2493/YW-14725* CRY CRY (IT’S GOOD FOR YOU) 45-271 71061X45*
020 ST-2494 SO NEAR (YET SO FAR AWAY) 45-279
possibly from this session:
021 SEARCHING SLP-102
022 REPENTING Dixie 518*
*on Dixie 518 uncredited
December 1957 Gold Star Studio, 5628 Brock St., Houston, TX - George Jones & Jeanette Hicks (Producer: Pappy Daily)
023 YW-15039/PBE 1420 I’M WITH THE WRONG ONE* 71339x45/MG-20360 MG-20477 SR-60990 [alt.] CDCH 912

SINGLES


4-18008* I Think Of You / Still I Lost You – 05-53  (rev. May 16)
4-18021* He Knows Why / All I Care About - 53
4-21177 You All Come / (Johnny Hicks:) Sippin' Cider - 11-53
4-18055* Lipstick On A Glass (And A Half-Smoked Cigarette) / Ringless Hand - 54 (released on OKeh)
4-21374 Just Like In The Movies / Such A Wonderful Feeling - ca. 11-02-55 (
4-21392 Which One Of Us Is To Blame / Let's Make Memories Tonight - ca. 02-05-55 w. Billy Walker (rev. May 14)
4-21471 Blue Mountain Waltz / Why Does It Have To Be - 11-55 w. Billy Walker
Starday (1956)
45-271 Extra, Extra / Cry, Cry (It's Good For You) - 10-56 (rev. Oct. 20)
45-279 Yearning (w. George Jones) / So Near (Yet So Far Away) – 12-56 (rev. Dec. 8)
71061X45 Yearning (w. George Jones) / Cry, Cry (It's Good For You) - 57 (reissue, released on Starday-Mercury)
 

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.