2nd version
By Michel Ruppli, Praguefrank, Mario Manciotti, Dick Grant
SESSIONS
ca. November 1961 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN - Pete Drake (Producer: Tommy Hill)
001 ST-5182 THE SPOOK Starday 575/SLP-180
ca. November 1961 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN - Pete Drake (Producer: Tommy Hill)
002 ST-5194 PLEADING 575/SLP-180
003 FOR PETE'S SAKE SLP-180
004 ORIENTAL TWIST SLP-180
005 TIL TOMORROW SLP-180
006 SOUTHERN SUNDAY SLP-180
007 STAR GAZING SLP-180
008 TEARING DOWN THE TEE PEE SLP-180
009 KICK OFF SLP-180
010 LOVES I'VE KNOWN SLP-180
011 GALAXIE SLP-180
012 AFTER HOURS SLP-180
26 June 1963 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN – Pete Drake
013 2-29650 FOR PETE'S SAKE Cumberland SRC-69503
014 2-29651 STEEL AFTER HOURS Cumberland SRC-69503
015 2-29652 PANHANDLE RAG Cumberland SRC-69503
016 2-29653 BOOT HEEL RAG Cumberland SRC-69503
017 2-29654? PLEADING Cumberland SRC-69503
19 July 1963 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN – Pete Drake
018 2-29719 MIDNIGHT IN AMARILLO Smash S-1888/ Cumberland SRC-69503
019 2-29720 FOREVER Cumberland SRC-69503
020 2-29721 STEEL GUITAR RAG Cumberland SRC-69503
021 2-29722 KENTUCKY WALTZ Cumberland SRC-69503
022 2-29723 WILD SIDE OF LIFE Cumberland SRC-69503
18 November 1963 Columbia Recording Studio, 804 16th Ave. South, Nashvile 3, TN – Pete Drake
023 2-30206 DANNY BOY Smash SRS-67053
024 2-30207 FOREVER Smash S-1867/SRS-67053
025 2-30208 SLEEPWALK Smash S-1867/ SRS-67053
17 February 1964 Columbia Recording Studio, 804 16th Ave. South, Nashvile 3, TN – Pete Drake (Producer: Shelby Singleton)
026 2-30342 RED SAILS IN THE SUNSET SRS-67053
027 2-30343 I'M JUST A GUITAR (EVERYBODY PICKS ON ME) S-1910/SRS-67053
028 2-30344 PARADISE SRS-67053
029 2-30345 THE SPOOK SRS-67053
030 2-30346 MY BLUEST DAY SRS-67053
031 2-30347 FOR THOSE THAT CRY SRS-67053
032 2-30348 MELODY OF LOVE SRS-67053
033 2-30349 MAKING BELIEVE SRS-67053
034 2-30350 STILL SRS-67053
ca. April 1964 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN - Joe Maphis & Pete Drake
035 ST-6969 HOT ROD GUITAR Starday 683/SLP 316
May 1964 Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN - Pete Drake (Producer: Jerry Kennedy)
036 2-30477 GONE SRS-67060
037 2-30478 ARE YOU SINCERE S-1935/SRS-67060
038 2-30479 I¢M SORRY S-1910/SRS-67060
June 1964 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN – Pete Drake aka Dean Dallas And The Doughboys
039 2-30483 SLOWLY SRS-67064
040 2-30484 HALF A MIND SRC-69516
041 2-30485 WHEN TWO WORLDS COLLIDESRC-69516
042 2-30486 LONG BLACK VEIL SRC-69516
043 2-30487 A FALLEN STAR SRC-69516
June 1964 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN – Pete Drake aka Dean Dallas And The Doughboys
044 2-30510 AM I THAT EASY TO FORGET rejected
045 2-30511 I MISS YOU ALREDY
046 2-30512 IT MAKES NO DIFFERENCE NOW Cumberland SRC-69516
047 2-30513 RELEASE ME (AND LET ME LOVE AGAIN) Cumberland SRC-69516
048 2-30514 A SATISFIED MIND Cumberland SRC-69516
049 2-30515 WHEN YOUR HOUSE IS NOT A HOME Cumberland SRC-69516
ca. June 1964 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN – Pete Drake, * & Roy Wiggins
050 ST-7262 INVITATION TO THE BLUES 706/SLP-319
051 ST-7263 MY ABILENE 751/SLP-319 56-13
052 Y'ALL COME 751/SLP-319
053 THE ALLEY SLP-319
054 7266 RICK-A-SHAY 706/SLP-319
055 HOT ROD GUITAR SLP-319
056 COLOR OF THE BLUES SLP-319
057 IDA SLP-319
058 JUST ANOTHER SONG SLP-319
059 PLEADING* SLP-319
060 GALAXIE SLP-319
061 A SATISFIED MIND SLP-319
062 STARBUST * SEP-236
063 COWTOWN SEP-239
064 PEQUIN STRUT SEP-239
July 1964 Columbia Recording Studio, 804 16th Ave. South, Nashvile 3, TN – Pete Drake
065 2-30578 BLUE GUITAR SRS-67060
066 2-30579 THIS IS OUR LAST NIGHT TOGETHER SRS-67060
August 1964 Columbia Recording Studio, 804 16th Ave. South, Nashvile 3, TN – Pete Drake
067 2-33250 FUNNY HOW TIME SLIPS AWAY SRS-67060
068 2-33251 ALWAYS SRS-67060
069 2-33252 AIN'T SHE SWEET SRS-67060
070 2-33253 PLEADING SRS-67060
071 2-33254 I’M WALKIN‘ S-1935/SRS-67060
072 2-33255 LITTLE BITTY BROKEN HEART SRS-67060
073 2-33256 I'M BLUE SRS-67060
18 January 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Pete Drake (Producer: Jerry Kennedy, Shelby Singleton)
074 2-33383 ONLY YOU AND YOU ALONE Smash SRS-67064
075 2-33384 LET IT BE ME Smash SRS- SRS-67064
076 2-33385 TAMMY Smash SRS- SRS-67064
077 2-33386 ROSES ARE RED (MY LOVE) SRS-67064
19 January 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Pete Drake (Producer: Jerry Kennedy, Shelby Singleton)
078 2-33387 UNCHAINED MELODY SRS-67064
079 2-33388 WELCOME TO MY WORLD SRS-67064
080 2-33389 NEAR YOU S-1978/ SRS-67064
081 2-33390 DREAM S-1978/SRS-67064
27 January 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Pete Drake (Producer: Jerry Kennedy, Shelby Singleton)
082 2-33401 AM I THAT EASY TO FORGET S-1978/SRS-67064
083 2-33402 CLINGING VINE SRS-67064
084 2-33403 LONELY STREET SRS-67064
085 2-33404 BLUE VELVET SRS-67064
late June 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Pete Drake
086 2-38314 I'M A FOOL TO CARE Smash S-2046
087 2-38315 MYSTIC DREAM Smash S-2046
088 2-38316 FUNNY BONE unissued
1966 Nashville, TN – Pete Drake
089 STEEL AWAY Canaan CAS-9640
090 HAPPY TRACKS Canaan CAS-9640
091 IN THE GARDEN Canaan CAS-9640
092 WHAT A FRIEND Canaan CAS-9640
093 WHEN THEY RING THOSE GOLDEN BELLS Canaan CAS-9640 57-20
094 THE EYES OF JESUS Canaan CAS-9640
095 BEYOND THE SUNSET Canaan CAS-9640
096 HOW GREAT THOU ART Canaan CAS-9640
097 STAIRWAY TO HEAVEN Canaan CAS-9640 57-13
098 WHISPERING HOPE Canaan CAS-9640 56-22
ca. November 1966 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN – Nashville Cats (Pete Drake, Jerry Shook, Jimmy Richardson, Boots Randolph, Sugarfoot Garland, Tommy Hill's Nashville String Band, Phil Baugh, And Joe Maphis)
099 SPOOK SLP-399
100 PENGUIN WATUSI SLP-399
101 ALLEY SLP-399
102 MAKIN' OUT SLP-399
103 COFFEE EXPRESSO SLP-399
104 FRANKIE AND JOHNNY SLP-399
105 COUNTRY GUITAR SLP-399
106 DRIVE SLP-399
107 ORIENTAL FRUG SLP-399
108 HOT ROD GUITAR SLP-399
109 AFTER HOURS SLP-399
110 STAR GAZING SLP-399
c. 1966/1967 Nashville, TN - Pete Drake
111 GREEN GREEN GRASS OF HOME Mountain Dew S-7042 Ambassador S-98061
112 ALMOST PERSUADED Mountain Dew S-7042 Ambassador S-98061
112 TIPPY TOEING Mountain Dew S-7042 Ambassador S-98061
114 DON'T LET ME CROSS OVER Mountain Dew S-7042 Ambassador S-98061
115 STILL Mountain Dew S-7042 Ambassador S-98061
116 THERE GOES MY EVERYTHING Mountain Dew S-7042 Ambassador S-98061
117 ANYMORE Mountain Dew S-7042 Ambassador S-98061
118 BEAR WITH ME A LITTLE LONGER Mountain Dew S-7042 Ambassador S-98061
119 THE END OF THE WORLD Mountain Dew S-7042 Ambassador S-98061
120 MAY THE BIRD OF PARADISE FLY UP YOUR NOSE Mountain Dew S-7042 Ambassador S-98061
ca September 1968 Nashville, TN – Pete Drake & Mavericks
121 ST-5386 JOGGIN' Stop ST-222
122 ST-5387 MAMA'S TALKING GUITAR ST-222
Mid 1969 Nashville, TN – Pete Drake
123 LAY LADY LAY ST-349
124 FOR PETE'S SAKE ST-349/ST-10011
125 I'M WALKIN' ST-10011
126 FOREVER ST-10011
127 TODAY I STARTED LOVIN' YOU AGAIN ST-10011
128 FUGITIVE ST-10011
129 SAN ANTONIO ROSE ST-10011
130 ORANGE BLOSSOM SPECIAL ST-10011
131 HIGH HEEL SNEAKERS ST-10011
132 YOU AIN'T WOMAN ENOUGH ST-10011
133 A THING CALLED SADNESS ST-10011
134 THE NIGHT BEFORE ST-10011
135 SHAME ON ME ST-10011
136 OLDIES BUT GOODIES ST-10011
ALBUMS
Starday SLP-180 The Fabulous Steel Guitar Sounds Of Pete Drake: For Pete's Sake; Pleading; Oriental Twist; After Hours; Southern Sunday; Loves I've Known; The Spook; Till Tomorrow; Kick Off; Star Gazing; Tearing Down The Tee Pee; Galaxie (w. Little Roy Wiggins) – 62
Cumberland MGC-29503/SRC-69503 Country Steel Guitar: Steel Guitar Rag; Pleading; Panhandle Rag; Steel After Hours; Boot Heel Rag; For Pete's Sake; Am I That Easy To Forget; Kentucky Waltz; Midnight In Amarilla; Wild Side Of Life - 63
Smash MGS-27053/SRS-67053 Forever: Forever; The Spook; Sleep Walk; Melody Of Love; My Bluest Day; For Those That Cry; I'm Just A Guitar (Everybody Picks On Me); Danny Boy; Red Sails In The Sunset; Still; Making Believe; Paradise – 05-64
Smash MGS-27060/SRS-67060 Talking Steel Guitar: Blue Guitar; I'm Walking; Always; This Is Our Last Night Together; Gone; Little Bitty Broken Heart; I'm Sorry; Ain't She Sweet; Are You Sincere; Pleading; Funny How Time Slips Away; I'm Blue – 11-64 (reissued in 1968 on Hilltop JS-6052 The Greatest Steel Guitar In The World with 2 songs omited)
Cumberland MGC-29516/SRC-69516 Golden Country Hits: Slowly; Half A Mind; When Two Worlds Collide; Long Black Veil; A Fallen Star; I Miss You Already; It Makes No Difference Now; Release Me (And Let Me Love Again); A Satisfied Mind; When Your House Is Not A Home – 65 As by Dean Dallas And The Doughboys
Smash MGS-27064/SRS-67064 Talking Steel And Singing Strings: Dream; Only You (And You Alone); Let It Be Me; Roses Are Red (My Love); Lonely Street; Unchained Melody; Welcome To My World; Tammy; Clinging Vine; Blue Velvet; Near You; Am I That Easy To Forget – 04-65
Starday SLP-319 The Amazing And Incredible Pete Drake: Y'all Come; Alley; Hot Rod Guitar; Color Of The Blues; Ida; Abilene; Invitation To The Blues; Just Another Song; Rick-A-Shay; Pleading; Galaxie; A Satisfied Mind - 65
Starday SLP-399 The Fabulous Sounds Of Those Nashville Cats: The Spook; Penguin Watusi; The Alley; Makin' Out; Coffee Expresso; Frankie And Johnny; Country Guitar; The Drive; Oriental Frug; Hot Rod Guitar; After Hours; Star Gazing – 67 Pete Drake, Jerry Shook, Jimmy Richardson, Boots Randolph, Sugarfoot Garland, Tommy Hill's Nashville String Band, Phil Baugh, And Joe Maphis as by The Nashville Cats
Canaan CA-4640/CAS-9640 Steel Away: Steel Away; Happy Tracks; In The Garden; What A Friend; When They Ring Those Golden Bells; The Eyes Of Jesus; Beyond The Sunset; How Great Thou Art; Stairway To Heaven; Whispering Hope – 68
Hilltop JS-6052 The Greatest Steel Guitar In The World: Are You Sincere; I'm Walking; This Is Our Last Night Together; I'm Sorry; Little Bitty Broken Heart; Pleading; Blue Guitar; Gone; Funny How Time Slips Away; I'm Blue - ca 68 (all tracks from SRS-67060)
Stop LP-10011 Pete Drake Show: I'm Walkin'; Forever; For Pete's Sake; Today I Started Lovin' You Again; Fugitive; San Antonio Rose; Orange Blossom Special; High Heel Sneakers; You Ain't Woman Enough; A Thing Called Sadness; The Night Before; Shame On Me; Oldies But Goodies - 69
Mountain Dew S-7042 Pete Drake And His Steel Guitar: Green Green Grass Of Home; Almost Persuaded; Tippy Toeing; Don't Let Me Cross Over; Still; There Goes My Everything; Anymore; Bear With Me A Little Longer; End Of The World; May The Bird Of Paradise Fly Up Your Nose – ca. 71 (reissued on Ambassador S-98061 Hits I Played On)
Smash 422-836 903-2 Sleepwalk & Other Steel Guitar Classics: Forever; Melody Of Love; Blue Guitar; Are You Sincere; Sleep Walk; I'm Sorry; Making Believe; I'm Just A Guitar (Everybody Picks On Me); Red Sails In The Sunset – 89 (sampler)
First Generation FGCD-107 Pete Drake: Something; Hey Jude; Lay Lady Lay; Isn't It A Pity; Behind That Locked Door; Yesterday; Get Back; Mighty Quinn (Quinn The Eskimo); Country Pie; Funny Bone; Pleading; Talking Steel Guitar – 12-10-99
King KMCD-6111 For Pete's Sake: For Pete's Sake; Pleading; Oriental Twist; Satisfied Mind; Alley; Loves I've Known; Color Of The Blues; After Hours; Till Tomorrow; Y'all Come; Rick-A-Shay; Galaxie; Abilene; Kick Off ; Invitation To The Blues; Star Gazing; Lay Lady Lay*; Spook; Southern Sunday; Tearing Down The Tee Pee – 21-11-00 (*previously unissued on album)
SINGLES
Starday (1961-62)
45-575 Spook / Pleading - 01-62
Smash (1963-66)
S-1867 Forever / Sleepwalk - 01-64
S-1888 Forever / Midnight In Amarillo - 04-64
S-1910 I'm Just A Guitar / I'm Sorry - 07-64
S-1935 Are You Sincere / I'm Walkin' - 11-64
S-1978 Dream / Am I That Easy To Forget? - 03-65
S-2046 Mystic Dream / I'm A Fool To Care - 06-66
Starday (1964-65)
706 Invitation To The Blues / Rick-A-Shay - 01-65
751 Y'all Come / Abilene - 12-65
Stop (1968-69)
ST-222 Joggin' / Mama's Talkin' Guitar - 10-68
ST-349 Lay Lady Lay / For Pete's Sake - 10-69
úterý, 20. července 2010
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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