by Praguefrank, Michel Ruppli
SESSIONS
ca July 1965 unknown – Bob Morrison
001 LET HER GO, LITTLE HEART Columbia 4-43368
002 LOVE THEME FROM THE SANDPIPER Columbia 4-43368
003 HEY, PUPPET MAN 4-43451
004 I LOOKED IN THE MIRROR 4-43451
ca February 1966 unknown – Bob Morrison
005 I FALL TO YOU 4-43565
006 THEN SUDDENLY 4-43565
007 WAIT 4-43726
008 I'M THE PLACE 4-43726
ca September 1966 unknown – Bob Morrison
009 SANTA MOUSE 4-43786
010 IT'S CHRISTMAS 4-43786
ca January 1967 unknown – Bob Morrison
011 GO AWAY 4-44009
012 WORK SONG 4-44009
February 1968 unknown - Contrasts featuring Bob Morrison
013 G2W-2240 LONELY CHILD Monument 45-1058
014 G2W-2241 WHAT A DAY 45-1058
ca February 1970 unknown – Bob Morrison
015 KIND WORD Barnaby ZS7-2010
016 I'LL ALWAYS TAKE THE TIME Barnaby ZS7-2010
ca early 1971 [no 16508] poss. New York City – Bob Morrison [purchased masters]
017 27678 TELL THE RIVERBOAT CAPTAIN Capitol ST-743
018 27679 SHE'S GONNA BE A FRIEND OF MINE Capitol ST-743
019 27680 LILA Capitol ST-743
020 27681 LAZY LADY JANE Capitol ST-743
021 27682 I'M GONNA MOVE ON Capitol ST-743
022 27683 IF YOU'D LIKE TO BE A LADY Capitol ST-743
023 27684 SONG FOR WENDY Capitol ST-743
024 27685 IT'S NOT EASY Capitol ST-743
025 27686 SWEET SOUNDS OF SEPTEMBER Capitol ST-743
026 27687 YOU'RE THE ONE Capitol ST-743
November 1977 Nashville, TN – Bob Morrison (Producer: Johnny MacRae)
027 JUST ONE LOOK Monument 45-233/MG 7618
028 Q11S-4733 NEVER SAY NEVER Monument 45-268/MG 7618
029 IT COULD'VE BEEN NASHVILLE Monument 45-233/MG 7618
030 THAT'S WHAT YOU DO TO ME Monument 45-251/MG 7618
031 GEORGIANA Monument MG 7618
032 ROLL ON SWEET MISSISSIPPI Monument MG 7618
033 Q11S-4738 YOU DECORATED MY LIFE Monument 45-251/MG 7618
034 DIAMONDS AND TEARDROPS Monument MG 7618
035 WILD AND WOOLEY WAYS Monument MG 7618
036 ALL THE GOOD THINGS ARE GONE Monument MG 7618
037 YOU'RE THE ONE Monument 45-268/MG 7618
ALBUMS
Capitol ST-743 Friends Of Mine: Tell The Riverboat Captain; She's Gonna Be A Friend Of Mine; Lila; Lazy Lady Jane; I'm Gonna Move On; If You'd Like To Be A Lady; Song For Wendy; It's Not Easy; Sweet Sounds Of September; You're The One - 71
Monument MG-7618 Home Again: Just One Look; Never Say Never; It Could've Been Nashville; That's What You Do To Me; Georgiana; Roll On Sweet Mississippi; Diamonds And Teardrops; Wild And Wooley Ways; All The Good Things Are Gone; You're The One - ca 02-78
SINGLES
Columbia (1965)
4-43368 Let Her Go, Little Heart / Love Theme From The Sandpiper -08-65
4-43451 Hey, Puppet Man / I Looked In The Mirror - 12-65
4-43565 I Fall To You / Then Suddenly - 03-66
4-43726 Wait / I'm The Place - 07-66
4-43786 Santa Mouse / It's Christmas - 11-66
4-44009 Go Away / Work Song - 02-67
Monument (1968) Contrasts Feat Bob Morrison
45-1058 What A Day / Lonely Child - 68
Barnaby (1970)
ZS7-2010 Kind Word / I'll Always Take The Time - 04-70
Capitol (1971)
3104 If You'd Like To Be A Lad / Tell The Riverboat Captain - 05-71
Monument (1977-78)
45-233 It Could've Been Nashville / Just One Look - 10-77
45-251 That's What You Do To Me / You Decorated My Life - 05-78
45-268 Never Say Never / You're The One - 10-78
čtvrtek, 30. září 2010
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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