James Willie Stallard, *30-12-1913 near Weslyville, KY, +04-06-1981
by Praguefrank, Michel Ruppli, Hillbilly Researcher, also using www.45rpm.com
SESSIONS
1947 unknown – Billy Starr
001 TRUCK DRIVER’S BLUES
002 unknown title
003 unknown title
004 unknown title
Probably Town & Country recordings
Mid 1949 Hollywooc, CA – Billy Starr
005 A-100 BLUE PACIFIC WALTZ Clarion 102 London 16001
006 A-110 DANGER ZONE Clarion 102 London 16001
007 A-120 A MILLION LONELY YEARS Clarion 101
008 A-130 AT THE END OF THE WAY Clarion 101
1949 unknown – Billy Starr
009 DLG 50065 THE NOT YOU LEFT 16003
010 DLG 50066 MY BLUE EYED BABY (IS A BLACK EYED BABY NOW) 16003
Early 1950 Hollywood, CA or WREN Radio Station, Topeka, KS – Billy Starr
011 DLG 50124 STEPPIN’ OUT London 16009 CD-16955
012 DLG 50125 WRITE ME A LETTER London 16009
Between 21/24 November 1950 poss. Castle Studio, The Tulane Hotel, 206 8th Ave. North, Nashville, TN – Billy Starr
013 HCO 4364/NASH 968? THE LAST TIME Columbia 4-20784
014 HCO 4365/NASH 969? STEPPIN‘ OUT AGAIN 4-20784
015 HCO 4366/NASH 970? DON’T BE ANGRY, DARLING 4-20821
016 HCO 4367/NASH 971? YOU’RE BACK A-CHATIN‘ 4-20821
ca. April 1951 poss. Castle Studio, The Tulane Hotel, 206 8th Ave. North, Nashville, TN – Billy Starr
017 CO 45804/ZSP-7133 CRUEL COLD HEART 4-20855
018 CO 45805/ZSP-7134 IF YOU COME HOME AND FIND ME GONE 4-20855
019 CO 45806/ZSP-7135 OH YES, I’M LONELY 4-20891
020 CO 45807/ZSP-7136 WHERE YOU GO, MY HEART GOES TOO 4-20891
January 1952 unknown – Billy Starr
021 CO 47617 THERE’S AN ACHE IN MY HEART 4-20983
022 CO 47618 ANGEL IN PERSON 4-20928
023 CO 47619 TOMORROW YOU’LL BE FREE 4-20983
024 CO 47620 BABY, DON’T CRY 4-20928
October 1952 unknown – Billy Starr
025 IF-406 IF ONLY I HAD YOUR HEART AND DARLIN" YOU HAD MINE Imperial 45-8170
026 IF-407 LONELY LONESOME WORLD 45-8175
027 IF-408 I'M GONNA PLAY THE FIELD 45-8170
028 IF-409 ANGELS 45-8175
March 1953 unknown – Billy Starr
029 IF 452 HOUD DOG 45-8186
030 IF 453 BORROWED HEART 45-8186
1963 Cincinnati, OH – Billy Starr
031 10901 STEPPIN‘ OUT Ark 285
032 10902 THE OLD TOWN GOT LONESOME Ark 285
1965 poss. Cincinnati, OH – Billy Starr
033 1226-45-11A I WON’T DRINK NO MORE Master M-11
034 1226-45-11B MIGGIE Master M-11
SINGLES
Town & Country (1947)
unknown issues
Clarion (1949)
C-102 Blue Pacific Waltz / Danger Zone – 49 (reissued on London 16001)
London (1950)
16003 The Not You Left / My Blue Eyed Baby (Is A Black Eyed Baby Now) - 49
16009 Steppin‘ Out / Write Me A Letter - 50
Columbia (1950-52)
4-20784 The Last Time / Steppin' Out Again – 02-51
4-20821 Don't Be Angry, Darling / You're Back A-Cheatin' - 05-51
4-20855 If You Come Home And Find Me Gone / Cruel Cold Heart – 08-51
4-20891 Where You Go, My Heart Goes Too / Oh Yes, I'm Lonely – 12-51
4-20928 Baby, Don't Cry / Angel In Person – 04-52
4-20983 There's An Ache In My Heart / Tomorrow You'll Be Free – 07-52
Imperial (1952)
45-8170 Gonna Play The Field / If Only I Had Your Heart – ca. 10-52
45-8175 Lonely Lonesome World / Angels – 12-52
45-8186 Hound Dog / Borrowed Heart – 04-53
Ark (1963)
No. 285 Steppin Out / The Old Town Got Lonesome – 63
Master (1965)
M-11 I Won't Drink No More / Miggie - 65
Twi-lite
unknown issued
pondělí, 21. února 2011
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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