By Praguefrank, Hillbilly Researcher
SESSIONS
1952 unknown, MI – Bill & Mary Reid & The Shenenadoah Valley Sweethearts
001 101A THE BLOOM HAS LEFT THE ROSES Silver Bell 101
002 101B THE HONEYMOON WALTZ Silver Bell 101
8 November 1955 Castle Studio, The Tulane Hotel, 206 8th Ave. North, Nashville, TN - Bill Reid & Mary Reid & The Melody Mountaineers (Bill Reid [vcl/gt], Mary Reid [vcl/gt], Sammy Pruett [gt], Johnny Sibert [steel], Curley Lambert [mandolin], Swanson Walker [banjo], George Shuffler [bass], Les Woodie [fiddle]. Producer: Don Law)
003 CO 54297/NASH-1993/JZSP-37441 BLUE RIDGE WALTZ Columbia 4-21497
004 CO 54298/NASH-1994/JZSP-37442 IN MY HEART I LOVE YOU YET 4-21497
005 CO 54299/NASH-1995/JZSP-37443 I’LL NEVER BE LONESOME AGAIN 4-21529
006 CO 54300/NASH-1996/JZSP-37444 GET DOWN ON YOUR KNEES AND PRAY 4-21529
17 July 1956 Music City Recording, 804 16th Ave. South, Nashville, TN – Bill Reid & Mary Reid & The Melody Mountaineers
007 CO 56816/OB 1154? I LOVE HIM TOO 4-21557
008 CO 56817/OB 1155?/JZSP-38985 YOU’RE STEPPING OUT OF ME 4-40837
009 CO 56818/OB 1156? YOUR SWEET LOVING MAN 4-21557
010 CO 56819/OB 1157? WHO KNOWS RIGHT FROM WRONG 4-40837
29 August 1957 RCA Victor Studio, Methodist Television, Radio & Film Commission, 1525 McGavock St., Nashville, TN - Bill Reid & Mary Reid (Bill Reid [vcl/gt], Mary Reid [vcl/gt], Robert Garner [gt], Jimmy Self [rh gt], Swanson Walker [banjo], Curley Lambert [mandolin], Junior Huskey [bass], Benny Martin [fiddle])
011 ST-2651 IN THE VALLEY Starday 45-325
012 ST-2652 I WANT TO BE WANTED 45-343
013 ST-2653 SHE CAN'T STAND THE LIGHT OF DAY 45-325
014 ST-2654 BEAUTIE CUTIE 45-343
ALBUMS
Old Homestead OHCD-4011 Early Radio Favorites: Katy Hill; Want To Be Loved; Down In The Valley; In My Heart I Love You Yet; Wildwood Flower; I Want To Be Wanted; She Can't Stand The Light Of Day; Take Up Thy Cross; Beautie Cutie; Blue Ridge Waltz; I'll Never Be Lonesome Again; Love Him Too; Sweet Lovin' Man; You're Steppin' Out On Me; Who Knows Right From Wrong; Or Didn't You Know; Except In Dreams; Bloom Has Left The Roses; Honeymoon Waltz; Get Down On Your Knees And Pray; Foggy Mountain Breakdown – ca 95 (radio shows, recorded probably in mid 1950s)
SINGLES
Silver Bell (1952)
101 The Bloom Has Left The Roses / The Honeymoon Waltz – 52
Columbia (1956-57)
4-21497 Blue Ridge Waltz / In My Heart I Love You Yet – 10-02-56
4-21529 I'll Never Be Lonesome Again / Get Down On Your Knees And Pray – ca. 04-06-56
4-21557 Your Sweet Loving Man / I Love Him Too - 09-56
4-40837-c You're Stepping Out On Me / Who Knows Right From Wrong - 01-57
Starday (1957-58)
45-325 In The Valley / She Can't Stand The Light Of Day - 10-57
45-343 I Want To Be Wanted / Beautie Cutie – ca. 01-58
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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