by Praguefrank, Mario Manciotti
SESSIONS
ca February 1947 New York City – Ray Smith
001 3676 THE LEAF OF LOVE Continental 8019/CCD-271
002 3677 SO ROUND, SO FIRM, SO FULLY PACKED Continental 8019/CCD-271
003 HEARTACHES 8021
004 HONEY, BE MY HONEY BEE 8021
March 1948 New York City – Ray Smith (Ray Smith [vcl], Vaughn Horton [steel] + unknown musicians])
005 NSC 364 BORN TO LOSE National 5019/CCD-271
006 NSC 365 WHEN MY DAY ROLLS AROUND National 5016 /CCD-271
007 NSC 366 WABASH CANNONBALL unissued
008 NSC 367 ONE GOLDEN CURL unissued
009 NSC 368 REMEMBER ME National 5016 /CCD-271
010 NSC 369 THE LETTER EDGED IN BLACK unissued
011 NSC 370 WAITING FOR A TRAIN unissued
012 NSC 371 WHEN MY BLUE MOON TURNS TO GOLD AGAIN unissued
013 NSC-372 HELL'S FIRE National 5019/CCD-271
014 NSC 373 TILL THE END OF THE WORLD unissued
015 NSC 374 I'M A FOOL TO CARE National 5020 /CCD-271
016 NSC 375 MY DADDY IS ONLY A PICTURE National 5020/CCD-271
1 April 1949 Columbia Recording Studio, 207E 30th St., New York City – Ray Smith
017 CO 40599 WALTZ OF THE ALAMO Columbia 20583/CCD-271
018 CO 40600 RAINBOW 20583/ CCD-271
019 CO 40601 SNOWDEER 20597/ CCD-271
020 CO 40602 ROLL ALONG KENTUCKY MOON 20597/ CCD-271
8 July 1949 Columbia Recording Studio, 207E 30th St., New York City – Ray Smith
021 CO 40945-1-2 JOLLY OLD SAINT NICHOLAS 20604/HL-9012 CCD-271
022 CO 40946-1 AN OLD CHRISTMAS CARD 20604/HL-9012 CCD-271
023 CO 40947-1 PRETTY LITTLE EYES OF BLUE 20606/ CCD-271
024 CO 40948-1 WEDDING BELLS 20605/ CCD-271
025 CO 40949 I‘M THROWING RICE )AT THE GIRL I LOVE 20605/HL-9011 CCD-271
026 CO 40950-1-2 TENNESSEE POLKA 20606/ CCD-271
Columbia HL-9011 CURRENT COUNTRY HITS, NO. 2 (1949); Columbia HL-9012 COUNTRY CHRISTMAS SONGS (1949)
18 January 1950 Columbia Recording Studio, 30th St., New York City – Ray Smith
027 CO 42656 I‘M SAVING MY MOTHER‘S WEDDING RING 20672/ CCD-271
028 CO 42657 NO TRESPASSING 20691/ CCD-271
029 CO 42658 DADDY’S LITTLE GIRL 20670
030 CO 42659 UNFAITHFUL ONE 20670
031 CO 42660 MOMMY, CAN I TAKE MY DOLL TO HEAVEN? 20672/ CCD-271
032 CO 42661 THE SUN HAS GONE DOWN (ON THE ONLY ONE I LOVE 20691/ CCD-271
Spring 1951 New York City– Ray Smith
033 DLG-50664 I’M GLAD FOR YOU SAKE (BUT I’M SORRY FOR MINE) London 953
034 DLG-50665 YOU’RE THE ONLY STAR (IN MY BLUE HEAVEN) London 953
14 May 1951 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City - Pinetoppers (vcl: Marlin Sisters & Ray Smith)
035 81023 LONELY LITTLE ROBIN Coral 9-60508/CRL-570487
036 81024 HOMETOWN JUBILEE Coral 9-60508
14 May 1951 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City - Ray Smith
037 81025 ROSE OF OLD MONTEREY Coral 9-60509
038 81026 JUST A FEW MILES FROM HOME Coral 9-60509
2 August 1951 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City - Ray Smith & The Pinetoppers
039 81333 LONESOME TRUCK DRIVERS BLUES Coral 9-64104
040 81334? ROCK ALL YOUR BABIES TO SLEEP 9-64104
6 November 1951 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City - Ray Smith
041 81831 THESE THINGS SHALL PASS 9-64113
042 81832 IS HE SATISFIED 64113
043 81833 NO LETTER TODAY unissued
044 81834 WABASH CANNONBALL unissued
ALBUMS
Cattle Compact [GER] CCD-271 Hell’s Fire: Born To Lose;When My Day Rolls Around; Remember Me; Hell's Fire; I'm A Fool To Care; My Daddy Is Only A Picture; The Leaf Of Love; So Round, So Firm, So Fully Packed; Ray Smith - Waltz Of The Alamo; Rainbow; Snowdear; Roll Along Kentucky Moon; Jolly Old Saint Nicholas; An Old Christmas Card; Pretty Little Eyes Of Blue; I'm Throwing Rice (At The Girl I Love); Tennessee Polka; I'm Saving Mother's Wedding Ring For You;No Trespassing; Mommy Can I Take My Doll To Heaven; The Sun Has Gone Down (On The Only One I Love); Rose Of Old Monterey; Just A Few Miles From Home;You're The Only Star (In My Blue Heaven); I'm Glad For Your Sake (But I'm Sorry For Mine); Wedding Bells - 02
SINGLES
Continental (1947)
8019 The Leaf Of Love /So Round, So Firm, So Fully Packed – 47 (rev. April 19)
8021 Heartaches / Honey, Be My Honey Bee – 47 (rev. April 19)
National (1948)
5016 When My Day Rolls Around / Remember Me - 48
5019 Born To Lose / Hell's Fire – 48
5020 My Daddy Is A Picture / I'm A Fool To Care – 48
Columbia (1949-1950)
20583/2-221 Waltz Of The Alamo / Rainbow – 05-49
20597/2-277 Snowdeer / Roll Along Kentucky Moon – 07-49
20605/2-305 Wedding Bells / I'm Throwing Rice – 08-07-49
20606/2-306 Pretty Little Eyes Of Blue / Tennessee Polka – 08-49
20604/2-304 An Old Christmas Card / Jolly Old Saint Nicholas – ca 10-49
20670 Unfaithful One / Daddy's Little Girl – 02-50
20672 I'm Saving My Mother's Wedding Ring / Mommy, Can I Take My Doll To Heaven? – 02-50
20691 No Trespassing / The Sun Has Gone Down – 04-50
London (1951)
953 You're The Only Star (In My Blue Heaven) / I'm Glad For Your Sake (But I'm Sorry For Mine) - 51
Coral (1951)
9-60509 Rose Of Old Monterey / Just A Few Miles From Home – 14-05-51
9-64104 Lonesome Truck Driver’s Blues / Rock All Our Babies To Sleep – 11-51
9-64113 These Things Shall Pass / Is He Satisfied - 52
úterý, 12. července 2011
Přihlásit se k odběru:
Komentáře k příspěvku (Atom)
Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
0 komentářů:
Okomentovat