Country and crossover since 1920s and my favorite artists of all genres too...
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Wednesday, June 27, 2012

Barbara Clawson

2nd version
By Praguefrank, Kent Heineman

ca June 1968 prob. Music City Recorders, 821 19th Ave. South, Nashville,  TN Nashville, TN – Barbara Clawson (Producer: Pete Drake)
003 ST-5303 ONE IN A MILLION  ST 289/STLP-1019
004 ST-5304 THE RIGHT TO LOVE WHAT’S LEFT ST 200  ST-1581/STLP 1019 
ca November 1968 prob. Music City Recorders, 821 19th Ave. South, Nashville,  TN Nashville, TN – Barbara Clawson (Producer: Pete Drake)
005 ST 5439 OLD MOLLY BROWN ST 242/STLP 1019
007 ST-5441 SAD, SAD PLACE ST 1567/STLP 1019
ca October 1969 prob. Music City Recorders, 821 19th Ave. South, Nashville,  TN Nashville, TN – Barbara Clawson (Producer: Pete Drake)
009 THE EASY WAY ST 1527/STLP 1019
010 ST-6940 MAD MUMMY ST 1567/STLP 1019
011 ST-6941 MOONBEAM/ ST 1581/STLP-1019
ca January 1971 Music City Recorders, 821 19th Ave. South,  Nashville, TN – Barbara Clawson (Producer: Tommy Hill)
012 ST-7251 PART OF MYSELF FOR ME ST 1606/STLP 1019 
1971 Nashville, TN – Barbara Clawson (Producer: Bob Clawson)
013 ST-7308/SoN 98722  YELLOW PAGES ST 1639
014 Unknown title ST 1639
1971 Music City Recorders, 821 19th Ave. South,  Nashville, TN – Barbara Clawson (Producer: Tommy Hill)
015 ST-7322/SoN 97311 I'LL BE YOUR BABY TONIGHT ST 1623
016 Unknown title ST 1623
1975 unknown, TX - Barbara Clawson
017 LH 15916 YOU CALL IT FUN, I CALL IT SIN  Easy Way No. 512
1975 unknown, TX - Barbara Clawson
018 RUNNING FREE Easy Way 526

Stop STLP 1019 One In A Million: One Mr. Budweiser; The Easy Way; Mad Mummy; A Part Of Myself For Me; The Right To Love What’s Left; Moon Beam; Out No. 3; One In A Million; Sad Sad Place; Old Molly Brown; Turn Your World Around; Men Have Been The Ruin Of Me - 71


Stop (1968-71)
ST 200 Out Number Three / Right To Love What's Left – 08-68
ST 242 Men Have Been The Ruin Of Me / Old Molly Brown – 01-69
ST 289 One In A Million / Turn Your World Around – Ca 06-69
ST 1527 Mister Bud Wiser / Easy Way - 69
ST 1567 Sad, Sad Place / Mad Mummy - 70
ST 1581 The Right To Love What's Left / Moon Beam – 71
ST 1606 Part Of Myself For Me / ? - 71
ST 1623 I'll Be Your Baby Tonight / ? - 71
ST 1639 Yellow Pages / ? – 71
Easy Way (1975)
No. 512  You Call It Fun, I Call It Sin (Stereo) / You Call It Fun, I Call It Sin (Mono) - 75 (DJ single)
526 Running Free / ? – ca 76


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Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
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Thanks to Dick Grant for many artists files
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Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
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Thanks to Tony Middleton for RCA session info.
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Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
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