SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
hillbilly@centrum.cz
praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Tuesday, September 18, 2012

Mimi Roman

Miriam Lapolito Rothman, *20-04-1934 Salinas, CA
2nd version
by Richard Weize, Praguefrank, Thieu Van De Vorst
SESSIONS
8 October 1954 [10:30-14:00] Ryman Auditorium Stage, 116 5th Ave. North, Nashville, TN - Mimi Roman (Mimi Roman [vcl], Chet Arkins [gt], Jerry Byrd [gt], Jack Shook [gt], Ernie Newton [bass], Douglas Kirkham [drums], Owen Bradley [piano], Karl R. Garvin [trumpet]. Producer: Paul Cohen)
001 86926/BR 9039 JAMAICA JITNEY unissued/BCD 17274
002 86927/BR 9040 OH! I LIKE IT Decca 9-29326/BCD 17274
003 86928/BR 9041 I‘LL LEAVE THE DOOR OPEN unissued/BCD 17274
004 86929/BR 9042 WEARY BLUES FROM WAITIN‘ 9-29326/BCD 17274
13 October 1955 [20:45-00:15] Bradley Studio, 804 16th Ave. South, Nashville, TN - Mimi Roman (Mimi Roman [vcl], Chet Atkins [gt], Harold Bradley [gt], Bob Foster [gt], Bob Moore [bass], Farris Coursey [drums], Tommy Jackson [fiddle], Anita Kerr [piano]. Producer: Owen Bradley)
005 88782/NA 9188 DARLIN‘ (COME BACK TO ME) 9-29858/BCD 17274
006 88783/NA 9189 ANOTHER WOMAN’S MAN 9-29858/BCD 17274
007 88784/NA 9190 WRAP IT UP AND SAVE IT 9-29732/BCD 17274
008 88785/NA 9191 MY TEARS ARE BEGINNING TO SHOW 9-29732
20 April 1956 [14:30-17:30] Music City Recordings, 804 16th Ave. South, Nashville, TN - Mimi Roman (Mimi Roman [vcl], Harold Bradley [gt], Grady Martin [gt], Jerry Byrd [steel], Bob Moore [bass], Farris Coursey [drums], Papa John Gordy [piano]. Producer: Owen Bradley)
009 89789/NA 9338 TONIGHT, I MADE YOU MINE 9-30128/BCD 17274
010 89790/NA 9339 LITTLE LOVIN‘ 9-29930/Bear Family BCD-15971 BCD 17274
011 89791/NA 9340 CHEATER‘S LUCK 9-30128/BCD 17274
012 89792/NA 9341 I’M READY IF YOU’RE WILLING 9-29930/BCD 17274 BCD 17117
BEAR FAMILY BCD 17117 JUKEBOX PEARLS MEET THE PEARLS (GER, 2012)

8 November 1956 [14:10-17:30] Music City Recordings, 804 16th Ave. South, Nashville, TN - Mimi Roman, * and Billy Gray (Mimi Roman [vcl], Billy Gray [duet vcl*], Harold Bradley [gt], Buddy Emmons [gt], Grady Martin [gt], Bob Moore [bass], Farris Coursey [drums], Tommy Jackson [fiddle], Dale Potter [fiddle], Owen Bradley [piano]. Producer: Owen Bradley)
013 101076/NA 9543 WE‘RE TAKING CHANCES* 9-30389/BCD 17274
014 101077/NA 9544 YES I WILL* unissued
015 101078/NA 9545 MR. OPPORTUNITY* 9-30389/BCD 17274
016 101079/NA 9546 HONKY TONK GIRL 9-30246/BCD 17274
017 101080/NA 9547 THE WIND-UP 9-30246/BCD 17274
13 April 1957 [15:00-19:00] Bradley Film and Recording Studio, 804 16th Ave. South, Nashville, TN - Mimi Roman (Mimi Roman [vcl], Harold Bradley [gt], Hank Garland [gt], Grady Martin [vcl], Johnny Siebert [gt], Bob Moore [bass], Farris Coursey [drums], Owen Bradley [piano] + Anita Kerr Singers*. Producer: Owen Bradley)
018 102351/NA 9781 CRYIN‘ MYSELF TO SLEEP* 9-30480
019 102352/NA 9782 THRU WITH THE BLUES* 9-30480
020 102353/NA 9783 TWENTY-ONE unissued/BCD 17274
021 102354/NA 9784 I‘LL ALWAYS WONDER unissued/BCD 17274
27 June 1957 [19:00-22:00] Bradley Film and Recording Studio, 804 16th Ave. South, Nashville, TN – Mimi Roman (Mimi Roman [vcl], Sammy Pruett [gt], Johnny Sibert [steel], Junior Huskey [bass], Bun Wilson [drums], Dale Potter [fiddle]. Producer: Don Law)
022 CO 58481/OB 1387 MIDNITE BLUE Columbia CL 1048


1957 or 1958 poss. Nashville, TN – Mimi Roman
022A OAKIE BOOGIE Cotton Town Jubilee CTJ 3
audience applause dubbed
26 January 1958 [20:00-23:00] Bradley Film and Recording Studio, 804 16th Ave. South, Nashville, TN - Mimi Roman (Mimi Roman [vcl], Harold Bradley [gt], Hank Garland [gt], Grady Martin [gt], Bob Moore [bass], Farris Coursey [drums], Owen Bradley [piano]. Producer: Owen Bradley)
023 104274/NA 10105 I AM THE HEART 9-30585/BCD 17274
024 104275/NA 10106 HAVE A HEART unissued/BCD 17274
025 104276/NA 10107 DANCE WITH ME 9-30585/BCD 17274
15 July 1958 [20:15-23:45] Bradley Film and Recording Studio, 804 16th Ave. South, Nashville, TN - Mimi Roman (Mimi Roman [vcl], Harold Bradley [gt], Hank Garland [gt], Grady Martin [gt], Bob Moore [bass], Buddy Harman [drums], Marvin Hughes [piano], Robert E. Bays [French horn], Don Cassel [oboe] + vocal chorus. Producer: Owen Bradley)
026 105376/NA 10322 THROUGH! (HOW CAN YOU SAY WE’RE THROUGH) 9-30728/BCD 17274
027 105377/NA 10323 MAMA SAYS 9-30728/BCD 17274
028 105378/NA 10324 THE LADY AND THE ARAB unissued/BCD 17274
029 105379/NA 10325 LOVE BELLS unissued/BCD 17274
4 June 1959 Capitol Recording Studio, 151 W, 46th St., New York City - Mimi Roman (David Hill [vcl*] + unknown musicians)030 K-3826 UNTIL MY HEART FOUND YOU Kapp K-285x
031 K-3827 UP TO MY HEART IN LOVE Kapp K-285x
032 K-3828 DRY THOSE TEARS unissued
2 December 1959 [16:00-19:00] Fine Recording Inc., 118 W 57th St., New York City - Mimi Roman (orchestra directed by Richard Wolfe. Producer: Dock Wolf)
033 K-4211 KEEP IT A SECRET Kapp K-316X
034 K-4212 ROUND ABOUT MIDNIGHT Kapp K-316X
Fall 1961 poss. Associated Recording Studio, 723 7th Ave., New York City – Mimi Roman (Mimi Roman [vcl], Paul Evans [gt], Al Gorgoni [gt], Charley Macey [gt], Dick Romoff [bass], Buddy Saltzman [drums], Frank Owens [piano])
035 DK 12284 (OR) JOHNNY WILL Warner 5245
036 DK 12285 LET IT BE ME Warner 5245
ca March 1962 poss. Associated Recording Studio, 723 7th Ave., New York City – Mimi Roman (Mimi Roman [vcl], Paul Evans [gt], Al Gorgoni [gt], Charley Macey [gt], Dick Romoff [bass], Buddy Saltzman [drums], Frank Owens [piano])
037 EX 12486 FOUR FEET DEEP IN TEARDROPS unissued
038 EX 12487 I MIGHT AS WELL LIVE UP TO MY NAME Warner 5281
039 EX 12488 IF I COULD BE WITH YOU Warner 5281
040 EX 12489 DIX-A-BILLY unissued
15 February 1963 Mira Sound Studio, 145 W 47th St., New York City – Mimi Roman (*track only) (Producer: Allan Stanton)
041 K-6891 JIMMY’S EYES Kapp K 537
042 K-6904 FORGIVE AND FORGT K 537
000 K-6905 NEVER YOU MIND* unissued

ALBUMS
Bear Family [GER] BCD 17274 I’m Ready If You’re Willing: I'm Ready If You're Willing; Honky Tonk Girl; Twenty-One; I Am the Heart (of a Teenage Girl); Through (How Can You Say We're Through); Mama Says; Little Lovin'; Cheater's Luck; Love Bells; Mr. Opportunity; I'll Leave the Door Open; Tonight I Made You Mine; Oh I Like It; We're Taking Chances; The Wind Up; I'll Always Wonder; Darling (Come Back To Me); Another Woman's Man; Wrap It Up and Save It; Have a Heart; Jamaica Jitney; Weary Blues From Waitin'; Dance With Me; The Lady and the Arab; My Tears Are Beginning To Show – 15-07-12

SINGLES
Decca (1954-58)
9-29327 Oh! I Like It / Weary Blues From Waitin' – 11-54
9-29732 My Tears Are Beginning To Show / Wrap It Up And Save It – 11-55
9-29858 Darlin' / Another Woman's Man – 03-56
9-29930 Little Lovin' / I'm Ready If You're Willing – 05-56 (rev. May 26)
9-30128 Tonight, I Made You Mine / Cheater's Luck – 11-56
9-30480 Cryin' Myself To Sleep / Thru With The Blues – 10-57
9-30585 I Am The Heart / Dance With Me – 02-58
9-30728 Through! (How Can You Say We're Through)? / Mama Says – 08-58
Kapp (1959)
K-285x Until My Heart Found You / Up To My Heart In Love – 08-59 (rev. Jan. 24)
K-316x Keep It A Secret / Round About Midnight – 01-60
Warner Brothers (1961)
5245 Johnny Will / Let It Be Me – 12-61
5281 I Might As Well Live Up To My Name / If I Could Be With You – 62
Kapp (1963)
K 537 Jimmy’s Eyes / Forgive And Forgt - 63

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.