SESSIONS
5 November 1937 San Antonio, TX – Anglin Twins (Jack Anglin [vcl/gt], Jim Anglin [vcl], Red Anglin [vcl])
001 SA 2903 WHEN IT’S TIME FOR A WHIPOORWILL TO SING unissued
002 SA 2904 SEE THEM PINE TREES WAVING unissued
003 SA 2905 JUST INSIDE THE PEARLY GATES Vocalion 04078/OHCS-122
004 SA 2906 TAKE ME BACK TO ALABAMA unissued
005 SA 2907 COLUMBUS STOCKADE BLUES unissued
006 SA 2908 DON'T SAY GOODBYE WHEN YOU GO Conqueror 8985 Vocalion 02963 ARC 80452/OHCS-122
007 SA 2909 LOST ON THE OCEAN unissued
008 SA 2910 SHORT LIFE OF TROUBLE unissued
009 SA 2911 NO DRUNKARDS CAN ENTER THERE Vocalion 04078/OHCS-122
010 SA 2912 UNCLE EPH'S GOT THE COON Vocalion 03904 ARC 80252/OHCS-122
011 SA 2913 BYE AND BYE YOU'LL SOON FORGET ME Vocalion 03904 ARC 80252/OHCS-122
6 November 1937 San Antonio, TX – Anglin Twins (Jack Anglin [vcl/gt], Jim Anglin [vcl], Red Anglin [vcl])
012 SA 2914 THE BROKEN HEARTED FAMILY unissued
013 SA 2915 IN THE LAND WHERE SHE’S AT REST unissued
014 SA 2916 THEY ARE ALL GOING HOME BUT ONE Conqueror 8985 Vocalion 02963 ARC 80452/OHCS-122
015 SA 2917 A MOTHER’S ANSWER (TO ALL GOING HOME BUT ONE) unissued
016 SA 2918 NOBODY KNOWS THE TROUBLE I’VE SEEN unissued
017 SA 2919 BLOW THAT LONESOME WHISTLE unissued
018 SA 2920 YOU GIVE ME YOUR LOVE (AND I`LL GIVE YOU MINE) unissued
019 SA 2921 NO PLACE TO PILLOW MY HEAD unissued
020 SA 2922 I’VE GOT TO BE GITTIN‘ AWAY unissued
12 November 1938 Columbia Hotel, Columbia, SC – Anglin Brothers (Jack Anglin [vcl/gt], Jim Anglin [vc], Red Anglin [vcl])
021 SC 155 LEAVING ON THAT TRAIN unissued
022 SC 156 WHEN YOU DON'T, OTHERS DO Vocalion 04774/OHCS-122
023 SC 157 MONEY CANNOT BUY YOUR SOUL Vocalion 04579/OHCS-122
024 SC 158 SOUTHERN WHOOPIE SONG Vocalion 04774/OHCS-122
025 SC 159 I LOVED YOU BETTER THAN YOU KNOW Vocalion 04896/OHCS-122
026 SC 160 WHERE THE SOUL OF MAN NEVER DIES Conqueror 9243/OHCS-122
027 SC 161 BLOW THAT LONESOME WHISTLE unissued
028 SC 162 TAKE ME BACK unissued
029 SC 165 IT'S AN UNFRIENDLY WORLD Vocalion 04579/OHCS-122
030 SC 166 BUT NOW IT`S ONLY A DREAM unissued
031 SC 167 YOU GIVE ME YOUR LOVE (AND I¢LL GIVE YOU MINE) Vocalion 04896/OHCS-122
032 SC 168 WHAT DOES THE DEEP SEA SAY unissued
033 SC 169 IT WON'T BE LONG TILL I'LL BE LEAVING Vocalion 04692 Conqueror 9243/OHCS-122
034 SC 170 WHEN IT`S TIME FOR THE WHIPPOORWILL TO SING unissued
for later recordings of Jack Anglin see Johnny and Jack
ALBUMS
Old Homestead OHCS-122 South's Favorite Trio: Don't Say Goodbye If You Love Me; They're All Going Home But One; Uncle Eph's Gopt The Coon; Bye And Bye You'll Soon Forget; No Drunkards Can Enter There; Just Inside The Pearly Gates; Money Cannon Buy Your Soul; It's An Unfriendly World; Where The Soul Of Man Never Dies; It Won't Be Long Till I'll Be Leaving; When You Don't Others Do; Southern Whoopee Song; I Loved You Better Then You Know; You Give Me Your Love (And I'll Give You Mine) - 79
SINGLES
ARC/Columbia (1937-38) Vocalion label except where is noted
03904 Bye And Bye You'll Soon Forget Me / Uncle Eph's Got The Coon - 02-38 (Also on Meloton M 8-02-52)
8985 They Are All Going Home But One / Don't Say Goodbye When You Go - 04-38 (Conqueror)
04078 No Drunkards Can Enter There / Just Inside The Pearly Gates - 05-38
04579 Money Cannot Buy Your Soul / It's An Unfriendly World - 01-39
04692 Where The Soul Of Man Never Dies / It Won't Be Long Till I'll Be Leaving - 03-39
04774 Southern Whoopie Song / When You Don't Others Do - 04-39
04896 You Give Me Your Love / I Loved You Better Than You Know - 07-39
9243 Where The Soul Of Man Never Dies / It Won't Be Long Till I'll Be Leaving - 07-39 (reissue, released on Conqueror)
SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY
Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Saturday, April 25, 2009
Friday, April 24, 2009
Country Pardners
by Praguefrank
SESSIONS
January 1956 RCA Victor Studio, Methodist Television, Radio & Film Commission, 1525 McGavock St., Nashville, TN – The Country Pardners (Bill Price [vcl/gt], Bobby Simpson [banjo], Carlos Brock [mandolin], ? [bass], Dale Potter [fiddle])
001 G2-WB-0219 HAVE MERCY ON YOU RCA Victor 47-6530
002 G2-WB-0220 MAPLE ON THE HILL 47-6433
003 G2-WB-0221 ANOTHER OLD DOG IN THE RACE 47-6530/Rounder 1014
004 G2-WB-0222 EVER-READY KISSES 47-6433
August 1956 RCA Victor Studio, Methodist Television, Radio & Film Commission, 1525 McGavock St., Nashville, TN – The Country Pardners (Bill Price [vcl/gt], Bobby Simpson [banjo], Millard Presley [mandolin], Bob Moore [bass], Gordon Terry [fiddle] + Dale Gentry [el gt], poss. Chet Atkins [rh gt])
005 G2-WB-5333 YOU'LL FORGET 47-6665
006 G2-WB-5334 PLEASURE KISSES 47-6665
007 G2-WB-5335 I CHOSE THE WRONG GIRL 47-6738
008 G2-WB-5336 PRETTY POLLY 47-6738
ROUNDER 1014 THE EARLY DAYS OF BLUEGRASS, VOLUME 2
SINGLES
RCA Victor (1956)
47-6433 Maple On The Hill / Ever-Ready Kisses - 03-56
47-6530 Have Mercy On You / Another Old Dog In The Race - 05-56
47-6665 You'll Forget / Pleasure Kisses - 09-56
47-6738 I Chose The Wrong Girl / Pretty Polly - 12-56
SESSIONS
January 1956 RCA Victor Studio, Methodist Television, Radio & Film Commission, 1525 McGavock St., Nashville, TN – The Country Pardners (Bill Price [vcl/gt], Bobby Simpson [banjo], Carlos Brock [mandolin], ? [bass], Dale Potter [fiddle])
001 G2-WB-0219 HAVE MERCY ON YOU RCA Victor 47-6530
002 G2-WB-0220 MAPLE ON THE HILL 47-6433
003 G2-WB-0221 ANOTHER OLD DOG IN THE RACE 47-6530/Rounder 1014
004 G2-WB-0222 EVER-READY KISSES 47-6433
August 1956 RCA Victor Studio, Methodist Television, Radio & Film Commission, 1525 McGavock St., Nashville, TN – The Country Pardners (Bill Price [vcl/gt], Bobby Simpson [banjo], Millard Presley [mandolin], Bob Moore [bass], Gordon Terry [fiddle] + Dale Gentry [el gt], poss. Chet Atkins [rh gt])
005 G2-WB-5333 YOU'LL FORGET 47-6665
006 G2-WB-5334 PLEASURE KISSES 47-6665
007 G2-WB-5335 I CHOSE THE WRONG GIRL 47-6738
008 G2-WB-5336 PRETTY POLLY 47-6738
ROUNDER 1014 THE EARLY DAYS OF BLUEGRASS, VOLUME 2
SINGLES
RCA Victor (1956)
47-6433 Maple On The Hill / Ever-Ready Kisses - 03-56
47-6530 Have Mercy On You / Another Old Dog In The Race - 05-56
47-6665 You'll Forget / Pleasure Kisses - 09-56
47-6738 I Chose The Wrong Girl / Pretty Polly - 12-56
Sunday, April 12, 2009
Priscilla Mitchell
*18-09-1941 Marietta, GA, +24-09-2014
By Michel Ruppli, Praguefrank, Thieu Van De Vorst
SESSIONS
1958 poss. National Recording Company Studio, Atlanta, GA – Priscilla Mitchell
001 EVERY GIRL NRC-5002
002 OUT OF MY DREAMS NRC-5002
8 July 1964 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky, * and Priscilla Mitchell (Producer: Jerry Kennedy) (Producer: Shelby Singleton)
003 2-30572 MORE THAN WE DESERVE* 72416/61035
November 1964 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky, * and Priscilla Mitchell (Producer: Jerry kennedy)
004 2-33332 YES, MR. PETERS* 72416/SR-61035
January 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell aka Sadina (unknown musicians. Producer: Jerry Kennedy)
005 2-33354 TERRY Smash S-1968
006 2-33355 WHO AM I KIDDIN’ S-1968 1979
February 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell aka Sadina
007 2-33422 I WANT THAT BOY S-1979
008 2-33423 IT COMES AND GOES S-2005 72499
009 2-33424 TEEN YEARS S-2005 72499
May 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky and Priscilla Mitchell (Producer: Jerry Kennedy)
010 2-33529 LET'S DO WHAT'S RIGHT EVEN IF IT'S WRONG SR-61035
011 2-33530 ONE BY ONE SR-61035
012 2-33531 WE MUST HAVE BEEN OUT OF OUR MINDS SR-61035
013 2-33532 BACK STREET AFFAIR SR-61035
014 2-33533 DON'T LET ME CROSS OVER SR-61035
May 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky and Priscilla Mitchell (Producer: Jerry Kennedy)
015 2-33534 SLIPPIN' AROUND 72497/ SR-61035
016 2-33535 WE MUST LOOK IN THE MIRROR SR-61035
017 2-33536 JUST BETWEEN THE TWO OF US SR-61035
018 2-33537 TROUBLE ON OUR LINE 72497/ SR-61035
019 2-33538 WE COULDN'T TELL A CHILD SR-61035
February 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky and Priscilla Mitchell (Producer: Jerry Kennedy)
020 2-38251 TRUE LOVE SR-61078
021 2-38252 MY ARMS ARE A HOUSE SR-61078
022 2-38253 ALONE WITH YOU SR-61078
023 2-38254 TOGETHER AGAIN SR-61078
024 2-38255 LET IT BE ME SR-61078
025 2-38256 TO EACH HIS OWN SR-61078
February 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky and Priscilla Mitchell (Producer: Jerry Kennedy)
026 2-38257 MY LOVE SR-61078
027 2-38258 DEAR HEART SR-61078
028 2-38259 THEN I'LL STOP LOVING YOU SR-61078
029 2-38260 I'LL TAKE MY CHANCES WITH YOU SR-61078
030 2-38261 YOU ARE THE ONE SR-61078
031 2-38262 ABOVE AND BEYOND SR-61078
March 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell (Producer: Jerry Kennedy)
032 2-38290 SWEET TALK 72565
033 2-38291 ALMOST EVERYTHING A LONELY GIRL NEEDS 72565
034 2-38292 JUST LOOK AT THE LAUGHTER 72635
September 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell and Roy Drusky (Producer: Jerry Kennedy)
035 2-38381 I'LL NEVER TELL ON YOU 72650
036 2-38382 SIGNALS ON THE PHONE unissued
037 2-38383 BED OF ROSES 72650
038 2-38384 I NEVER GOT ON YOU unissued
October 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell (Producer: Jerry Kennedy)
039 2-39412 ACRES OF HEARTACHES 72635
040 2-39413 HE’S NOT FOR REAL 72681
041 2-39414 TAKE ME HOME TO YOUR MAMA 72681
October 1968 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell (Producer: Jerry Kennedy)
042 2-41029 YOUR OLDE HANDY MAN 72757
043 2-41030 COLD COLD WORLD unissued
044 2-41031 WHO'S CHEATING WHO? 72757
April 1968 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell (Producer: Jerry Kennedy)
045 2-41116 NATCH’ILLY AIN’T NO GOOD 72807
046 2-41117 YOU’RE GONNA BE SORRY 72807
ALBUMS
Mercury MG-21035/SR-61035 Love's Eternal Triangle: Yes, Mr. Peters; One By One; Back Street Affair; Trouble On Our Line; We Must Have Been Out Of Our Minds; Just Between The Two Of Us; We Must Look In The Mirror; Slippin' Around; We Couldn't Tell A Child; Don't Let Me Cross Over; Let's Do What's Right Even If It's Wrong; More Than We Deserve – 08-65 w. Roy Druskyl (reissued on Wing SRW-16361 We Belong Together in 1968 with 2 songs ommited)
Mercury MG-21078/SR-61078 Together Again: My Arms Are A House; My Love; Dear Heart; Let It Be Me; Above And Beyond; True Love; I'll Take My Chances With You; Alone With You; Together Again; To Each His Own; Then I'll Stop Loving You; You Are The One – 05-66 w. Roy Drusky
SINGLES
NRC (1958)
NRC-5002 Every Girl / Out Of My Dreams - 58
Mercury (196568)
72416 Yes, Mr. Peters / More Than We Deserve - 04-65 w. Roy Drusky
72497 Slippin' Around / Trouble On Our Line - 10-65 w. Roy Drusky
72499 It Comes And Goes / Teen Years - 10-65
72565 Sweet Talk / Almost Everything A Lonely Girl Needs - 04-66
72635 Acres Of Heartaches / Look At The Laughter - 10-66
72650 I'll Never Tell On You / Bed Of Roses - 02-67 w. Roy Drusky
72681 Take Me Home To Your Mama / He's Not For Real - 05-67
72757 Who's Cheating Who? / Your Old Handy Man - 11-67
72807 Natch'illy Ain't No Good / You're Gonna Be Sorry - 05-68
C-35010 Yes, Mr. Peters / Slippin' Around – ca. 70 w. Roy Drusky (reissue)
1958 poss. National Recording Company Studio, Atlanta, GA – Priscilla Mitchell
001 EVERY GIRL NRC-5002
002 OUT OF MY DREAMS NRC-5002
8 July 1964 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky, * and Priscilla Mitchell (Producer: Jerry Kennedy) (Producer: Shelby Singleton)
003 2-30572 MORE THAN WE DESERVE* 72416/61035
November 1964 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky, * and Priscilla Mitchell (Producer: Jerry kennedy)
004 2-33332 YES, MR. PETERS* 72416/SR-61035
January 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell aka Sadina (unknown musicians. Producer: Jerry Kennedy)
005 2-33354 TERRY Smash S-1968
006 2-33355 WHO AM I KIDDIN’ S-1968 1979
February 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell aka Sadina
007 2-33422 I WANT THAT BOY S-1979
008 2-33423 IT COMES AND GOES S-2005 72499
009 2-33424 TEEN YEARS S-2005 72499
May 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky and Priscilla Mitchell (Producer: Jerry Kennedy)
010 2-33529 LET'S DO WHAT'S RIGHT EVEN IF IT'S WRONG SR-61035
011 2-33530 ONE BY ONE SR-61035
012 2-33531 WE MUST HAVE BEEN OUT OF OUR MINDS SR-61035
013 2-33532 BACK STREET AFFAIR SR-61035
014 2-33533 DON'T LET ME CROSS OVER SR-61035
May 1965 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky and Priscilla Mitchell (Producer: Jerry Kennedy)
015 2-33534 SLIPPIN' AROUND 72497/ SR-61035
016 2-33535 WE MUST LOOK IN THE MIRROR SR-61035
017 2-33536 JUST BETWEEN THE TWO OF US SR-61035
018 2-33537 TROUBLE ON OUR LINE 72497/ SR-61035
019 2-33538 WE COULDN'T TELL A CHILD SR-61035
February 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky and Priscilla Mitchell (Producer: Jerry Kennedy)
020 2-38251 TRUE LOVE SR-61078
021 2-38252 MY ARMS ARE A HOUSE SR-61078
022 2-38253 ALONE WITH YOU SR-61078
023 2-38254 TOGETHER AGAIN SR-61078
024 2-38255 LET IT BE ME SR-61078
025 2-38256 TO EACH HIS OWN SR-61078
February 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Roy Drusky and Priscilla Mitchell (Producer: Jerry Kennedy)
026 2-38257 MY LOVE SR-61078
027 2-38258 DEAR HEART SR-61078
028 2-38259 THEN I'LL STOP LOVING YOU SR-61078
029 2-38260 I'LL TAKE MY CHANCES WITH YOU SR-61078
030 2-38261 YOU ARE THE ONE SR-61078
031 2-38262 ABOVE AND BEYOND SR-61078
March 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell (Producer: Jerry Kennedy)
032 2-38290 SWEET TALK 72565
033 2-38291 ALMOST EVERYTHING A LONELY GIRL NEEDS 72565
034 2-38292 JUST LOOK AT THE LAUGHTER 72635
September 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell and Roy Drusky (Producer: Jerry Kennedy)
035 2-38381 I'LL NEVER TELL ON YOU 72650
036 2-38382 SIGNALS ON THE PHONE unissued
037 2-38383 BED OF ROSES 72650
038 2-38384 I NEVER GOT ON YOU unissued
October 1966 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell (Producer: Jerry Kennedy)
039 2-39412 ACRES OF HEARTACHES 72635
040 2-39413 HE’S NOT FOR REAL 72681
041 2-39414 TAKE ME HOME TO YOUR MAMA 72681
October 1968 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell (Producer: Jerry Kennedy)
042 2-41029 YOUR OLDE HANDY MAN 72757
043 2-41030 COLD COLD WORLD unissued
044 2-41031 WHO'S CHEATING WHO? 72757
April 1968 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Priscilla Mitchell (Producer: Jerry Kennedy)
045 2-41116 NATCH’ILLY AIN’T NO GOOD 72807
046 2-41117 YOU’RE GONNA BE SORRY 72807
ALBUMS
Mercury MG-21035/SR-61035 Love's Eternal Triangle: Yes, Mr. Peters; One By One; Back Street Affair; Trouble On Our Line; We Must Have Been Out Of Our Minds; Just Between The Two Of Us; We Must Look In The Mirror; Slippin' Around; We Couldn't Tell A Child; Don't Let Me Cross Over; Let's Do What's Right Even If It's Wrong; More Than We Deserve – 08-65 w. Roy Druskyl (reissued on Wing SRW-16361 We Belong Together in 1968 with 2 songs ommited)
Mercury MG-21078/SR-61078 Together Again: My Arms Are A House; My Love; Dear Heart; Let It Be Me; Above And Beyond; True Love; I'll Take My Chances With You; Alone With You; Together Again; To Each His Own; Then I'll Stop Loving You; You Are The One – 05-66 w. Roy Drusky
SINGLES
NRC (1958)
NRC-5002 Every Girl / Out Of My Dreams - 58
Mercury (196568)
72416 Yes, Mr. Peters / More Than We Deserve - 04-65 w. Roy Drusky
72497 Slippin' Around / Trouble On Our Line - 10-65 w. Roy Drusky
72499 It Comes And Goes / Teen Years - 10-65
72565 Sweet Talk / Almost Everything A Lonely Girl Needs - 04-66
72635 Acres Of Heartaches / Look At The Laughter - 10-66
72650 I'll Never Tell On You / Bed Of Roses - 02-67 w. Roy Drusky
72681 Take Me Home To Your Mama / He's Not For Real - 05-67
72757 Who's Cheating Who? / Your Old Handy Man - 11-67
72807 Natch'illy Ain't No Good / You're Gonna Be Sorry - 05-68
C-35010 Yes, Mr. Peters / Slippin' Around – ca. 70 w. Roy Drusky (reissue)
Saturday, April 4, 2009
Ira Louvin
Ira Lonnie Loudermilk, *21-04-1924 Section, AL, +20-06-1965
By Michel Ruppli, Praguefrank,Thieu Van De Vorst, David Epstein
SESSIONS
21 February 1964 [no 11233]Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Ira Louvin (Producer: Marvin Hughes)
001 51416 WHO THROW DAT ROCK 5190/ST-2413 King KMCD-5120
002 51417 MAKE BELIEVE IT˘S ME 5190/ST-2413 King KMCD-5120
003 51418 SOMETHING HAS JUST GOT TO GIVE ST 2413 King KMCD-5120
004 51419 THESE TWO EYES ST 2413 King KMCD-5120
19 February 1965 [no 11883] Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Ira Louvin (Producer: Marvin Hughes)
005 51574 EMPTY VALLET AND A BROKEN HEART ST 2413 King KMCD-5120
006 51575 YOU˘RE LOOKING FOR AN ANGEL 5428/ ST 2413 King KMCD-5120
007 51576 IT AIN˘T FUNNY ENOUGH ST 2413 King KMCD-5120
008 51577-7 YODEL, SWEET MOLLY 5428/ST 2413 King KMCD-5120
008A 51577-12 YODEL, SWEET MOLLY ST 2413 King KMCD-5120
4 March 1965 [no 13008] Nashville, TN – Ira Louvin [purchased masters, mastered August 30 ]
009 52055 THE RIGHT SIDE OF THE ROAD ST 2413 King KMCD-5120
010 52056 LIFE IS TOO SHORT ST 2413 King KMCD-5120
011 52057 THE BOTTOM OF THE BOTTLE ST 2413 King KMCD-5120
012 52058 THE MASTER OF THE UNIVERSE ST 2413 King KMCD-5120
1965 [no 13030] Nashville, TN – Ira Louvin [purchased masters, mastered November 23]
013 52070 I WISH I COULD SAY I WONDER unissued/King KMCD-5120
014 52071 YOU‘RE AS WELCOME AS THE FLOWERS IN MAY unissued/King KMCD-5120
015 52072 THIS IS THE DOOR unissued/King KMCD-5120
ALBUMS
Capitol T/ST-2413 The Unforgettable Ira Louvin: Empty Wallet And A Broken Heart; Yodel, Sweet Molly; It Ain't Funny Enough; The Bottom Of The Bottle; Make Believe It's Me; Who Throw Dat Rock; Life Is Too Short; These Two Eyes; Something Has Just Got To Give; You're Looking For An Angel; The Right Side Of The Road; The Master Of The Universe – 65 (reissued in 2000 on King KMCD-5120 The Complete Recordings Of Ira Louvin with 3 added songs: This Is The Door; I Wish I Could Say I Wonder; You're As Welcome As The Flowers In May)
SINGLES
Capitol (1964-65)
5190 Make Believe It's Me / Who Threw Dat Rock – 10-05-64
5428 Yodel Sweet Molly / You're Looking For An Angel - 05-65
By Michel Ruppli, Praguefrank,Thieu Van De Vorst, David Epstein
SESSIONS
21 February 1964 [no 11233]Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Ira Louvin (Producer: Marvin Hughes)
001 51416 WHO THROW DAT ROCK 5190/ST-2413 King KMCD-5120
002 51417 MAKE BELIEVE IT˘S ME 5190/ST-2413 King KMCD-5120
003 51418 SOMETHING HAS JUST GOT TO GIVE ST 2413 King KMCD-5120
004 51419 THESE TWO EYES ST 2413 King KMCD-5120
19 February 1965 [no 11883] Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Ira Louvin (Producer: Marvin Hughes)
005 51574 EMPTY VALLET AND A BROKEN HEART ST 2413 King KMCD-5120
006 51575 YOU˘RE LOOKING FOR AN ANGEL 5428/ ST 2413 King KMCD-5120
007 51576 IT AIN˘T FUNNY ENOUGH ST 2413 King KMCD-5120
008 51577-7 YODEL, SWEET MOLLY 5428/ST 2413 King KMCD-5120
008A 51577-12 YODEL, SWEET MOLLY ST 2413 King KMCD-5120
4 March 1965 [no 13008] Nashville, TN – Ira Louvin [purchased masters, mastered August 30 ]
009 52055 THE RIGHT SIDE OF THE ROAD ST 2413 King KMCD-5120
010 52056 LIFE IS TOO SHORT ST 2413 King KMCD-5120
011 52057 THE BOTTOM OF THE BOTTLE ST 2413 King KMCD-5120
012 52058 THE MASTER OF THE UNIVERSE ST 2413 King KMCD-5120
1965 [no 13030] Nashville, TN – Ira Louvin [purchased masters, mastered November 23]
013 52070 I WISH I COULD SAY I WONDER unissued/King KMCD-5120
014 52071 YOU‘RE AS WELCOME AS THE FLOWERS IN MAY unissued/King KMCD-5120
015 52072 THIS IS THE DOOR unissued/King KMCD-5120
ALBUMS
Capitol T/ST-2413 The Unforgettable Ira Louvin: Empty Wallet And A Broken Heart; Yodel, Sweet Molly; It Ain't Funny Enough; The Bottom Of The Bottle; Make Believe It's Me; Who Throw Dat Rock; Life Is Too Short; These Two Eyes; Something Has Just Got To Give; You're Looking For An Angel; The Right Side Of The Road; The Master Of The Universe – 65 (reissued in 2000 on King KMCD-5120 The Complete Recordings Of Ira Louvin with 3 added songs: This Is The Door; I Wish I Could Say I Wonder; You're As Welcome As The Flowers In May)
SINGLES
Capitol (1964-65)
5190 Make Believe It's Me / Who Threw Dat Rock – 10-05-64
5428 Yodel Sweet Molly / You're Looking For An Angel - 05-65
Friday, April 3, 2009
Farmer Boys
Bobby Adamson, *20-09-1933 Hot Springs, AR
Woody Wayne Murray, *11-09-1933 ?, AR
by Cary Ginell, Richard Weize, Thieu Van De Vorst
SESSIONS
12 January 1955 [no. 3675] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA - Farmer Boys (Bobby Adamson [ld vcl], Woody Wayne Murray [ld vcl/hmny vcl], Roy Nichols [el gt], Lewis Tally [rh gt], Bill Woods [mandolin], poss. Cliffie Stone [bass], Johnny Cuviello [drums], Jelly Sanders [fiddle]. Producer: Ken Nelson)
001 13501-7 YOU LIED F3246/CMH 235 CCL 1122 BCD 15579
002 13502-6 YOU’RE A HUMDINGER F3077/ CMH 235 CCL 1122 BCD 15579
003 13503-4 I’M JUST TOO LAZY F3077/ CMH 235 CCL 1122 BCD 15579
004 13504-12 ONIONS, ONIONS F3162/ CMH 235 CCL 1122 BCD 15579
28 April 1955 [no. 3762] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA - Farmer Boys (Bobby Adamson [ld vcl], Woody Wayne Murray [ld vcl/hmny vcl], Roy Nichols [el gt], Lewis Tally [rh gt], Bill Woods [mandolin], poss. Cliffie Stone [bass], Johnny Cuviello [drums], Jelly Sanders [fiddle]. Producer: Ken Nelson)
12 January 1955 [no. 3675] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA - Farmer Boys (Bobby Adamson [ld vcl], Woody Wayne Murray [ld vcl/hmny vcl], Roy Nichols [el gt], Lewis Tally [rh gt], Bill Woods [mandolin], poss. Cliffie Stone [bass], Johnny Cuviello [drums], Jelly Sanders [fiddle]. Producer: Ken Nelson)
001 13501-7 YOU LIED F3246/CMH 235 CCL 1122 BCD 15579
002 13502-6 YOU’RE A HUMDINGER F3077/ CMH 235 CCL 1122 BCD 15579
003 13503-4 I’M JUST TOO LAZY F3077/ CMH 235 CCL 1122 BCD 15579
004 13504-12 ONIONS, ONIONS F3162/ CMH 235 CCL 1122 BCD 15579
28 April 1955 [no. 3762] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA - Farmer Boys (Bobby Adamson [ld vcl], Woody Wayne Murray [ld vcl/hmny vcl], Roy Nichols [el gt], Lewis Tally [rh gt], Bill Woods [mandolin], poss. Cliffie Stone [bass], Johnny Cuviello [drums], Jelly Sanders [fiddle]. Producer: Ken Nelson)
005 13781-13 LEND A HELPIN' HAND F3162/ CMH 235 CCL 1122 BCD 15579
006 13782-13 IT PAYS TO ADVERTISE F3246/ CMH 235 CCL 1122 BCD 15579
007 13783-3 CHARMING BETSY F3322/ CMH 235 CCL 1122 BCD 15579
008 13784-11 FLIP FLOP F3322/ CMH 235 CCL 1122 BCD 15579
006 13782-13 IT PAYS TO ADVERTISE F3246/ CMH 235 CCL 1122 BCD 15579
007 13783-3 CHARMING BETSY F3322/ CMH 235 CCL 1122 BCD 15579
008 13784-11 FLIP FLOP F3322/ CMH 235 CCL 1122 BCD 15579
31 May 1956 [no. 4388] Capitol Recording Studio, 1710 North Vine St., Hollywood, CA – Farmer Boys (Bobby Adamson [ld vcl], Woody Wayne Murray [ld vcl/hmny vcl], Roy Nichols [el gt], Lewis Tally [rh gt], Bill Woods [mandolin], Fuzzy Owen [steel], Cliffie Stone [bass], Johnny Cuviello [drums], Jelly Sanders [fiddle]. Producer: Ken Nelson)
009 15498-7 OH! HOW IT HURTS F3569/ CMH 235 CCL 1122 BCD 15579
010 15499-24 SOMEHOW, SOMEWAY, SOMEDAY F3476/ CMH 235 CCL 1122 BCD 15579
011 15500-14 COOL DOWN MAME F3569/ CMH 235 CCL 1122 BCD 15579 BCD-15624
012 15501-5 MY BABY DONE LEFT ME F3476/ CMH 235 CCL 1122 BCD 15579 BCD-15624
BEAR FAMILY BCD-15624 THAT'LL FLAT GIT IT VOL.3 / ROCKABILLY FROM THE VAULTS OF CAPITOL RECORDS (GER, 1992)
21 February 1957 [no.4815] Capitol Recording Studio, 1710 North Vine St., Hollywood, CA – Farmer Boys (Bobby Adamson [ld vcl], Woody Wayne Murray [ld vcl/hmny vcl], + The Desert Stars: Gene Breeden [el gt], Buck Owens [rh gt], Norman Hamlet [steel], Bud Mills [bass], Richard Stokes [drums], Jelly Sanders [fiddle]. Producer: Kenny Nelson)
013 16544-7 FLASH, CRASH AND THUNDER F3732/ CMH 235 CCL 1122 BCD 15579
014 16600-8 YEARNING, BURNIG HEART F3827/ CMH 235 CCL 1122 BCD 15579
015 16604-10 NO ONE F3827/ CMH 235 CCL 1122 BCD 15579
016 16613-12 SOMEONE TO LOVE F3732/ CMH 235 CCL 1122 BCD 15579
ALBUMS
009 15498-7 OH! HOW IT HURTS F3569/ CMH 235 CCL 1122 BCD 15579
010 15499-24 SOMEHOW, SOMEWAY, SOMEDAY F3476/ CMH 235 CCL 1122 BCD 15579
011 15500-14 COOL DOWN MAME F3569/ CMH 235 CCL 1122 BCD 15579 BCD-15624
012 15501-5 MY BABY DONE LEFT ME F3476/ CMH 235 CCL 1122 BCD 15579 BCD-15624
BEAR FAMILY BCD-15624 THAT'LL FLAT GIT IT VOL.3 / ROCKABILLY FROM THE VAULTS OF CAPITOL RECORDS (GER, 1992)
21 February 1957 [no.4815] Capitol Recording Studio, 1710 North Vine St., Hollywood, CA – Farmer Boys (Bobby Adamson [ld vcl], Woody Wayne Murray [ld vcl/hmny vcl], + The Desert Stars: Gene Breeden [el gt], Buck Owens [rh gt], Norman Hamlet [steel], Bud Mills [bass], Richard Stokes [drums], Jelly Sanders [fiddle]. Producer: Kenny Nelson)
013 16544-7 FLASH, CRASH AND THUNDER F3732/ CMH 235 CCL 1122 BCD 15579
014 16600-8 YEARNING, BURNIG HEART F3827/ CMH 235 CCL 1122 BCD 15579
015 16604-10 NO ONE F3827/ CMH 235 CCL 1122 BCD 15579
016 16613-12 SOMEONE TO LOVE F3732/ CMH 235 CCL 1122 BCD 15579
ALBUMS
CMH [GER] CMH 235 The
Farmer Boys: You Lied; You're A Humdinger; I'm Just Too Lazy; Onions, Onions; Lend
A Helpin' Hand; Charming Betsy; It Pays To Advertise; Flip Flop; Oh! How It
Hurts; Somehow, Someway, Someday; Cool Down Mame; Flash, Crash And Thunder; My
Baby Done Left Me; No One; Yearning, Burning Heart – ca 74 (reissued in 1975 on
CCL [NED] 1122 and in 1991 on Bear
Family BCD 15579 Flash,Crash and Thunder, both reissues have different order of
tracks)
SINGLES
Capitol (1955-57)
F3077 You're A Humdinger / I'm Just Too Lazy - 03-55
F3162 Lend A Helpin' Hand / Onions, Onions - 06-55
F3246 It Pays To Advertise / You Lied - 10-55
F3322 Flip Flop / Charming Betsy - 01-56
F3476 Somehow, Someway, Someday / My Baby Done Left Me - 07-56
F3569 Cool Down Mame / Oh! How It Hurts - 11-56
F3732 Flash, Crash And Thunder / Someone To Love - 06-57
F3827 Yearning, Burning Heart / No One - 10-57
Wednesday, April 1, 2009
Kay Adams
Princetta Kay Adams, *09-04-1941 Knox City, TX
by Michel Ruppli, Praguefrank, Rene Pavlik, Kent Heineman, Thieu Van De Vorst, Russell Rosen, Lennart Gustavsson, Tore Brennodden
SESSIONS
1965 [no 12535] Hollywood, CA – Kay Adams [purchased masters, registered July 19]
ALBUMS
Tower T/ST-5025 A Devil Like Me Needs An Angel Like You: You, You, Only You; Terrible Tangled Web; A Devil Like Me Needs An Angel Like You; No Fool Like An Old Fool; Old Standby; Too Late; I Can't Stop (My Lovin' You); For Ever And Ever; Congratulations, You're Absolutely Right; Heart Talk – 04-66 w. Dick Curless
Tower T/ST-5033 Wheels And Tears: Little Pink Mack; Six Days Awaiting; The Reason We're Together; Walk The Floor; Big Mack; That'll Be The Day; Second Fiddle; Big, Big Day Tomorrow; Old Fashioned Cry; The Worst Is Yet To Come – 09-66 (reissued on Sundazed SC 9002 in 2004)
Tower T/ST-5069 Make Mine Country: Six Days A'waiting; Old Heart Get Ready; Anymore; Don't Talk Trouble To Me; Trapped; Roll Out The Red Carpet; I Cried At Your Wedding; Honky Tonk Heartache; Be Nice To Everybody; She Didn't Color Daddy – 05-67
Tower T/ST-5087 Allcohol And Tears: Alcohol And Tears; I Let A Stranger (Buy The Wine); 'Til Temptation Gets The Better Of Me; Close Up The Honky Tonks; The Day You Left Me; Husband Stealer; Get Out Of My Heart; Cheatin' Good Time; Bottle Baby; Who'll Buy The Wine – 11-67
by Michel Ruppli, Praguefrank, Rene Pavlik, Kent Heineman, Thieu Van De Vorst, Russell Rosen, Lennart Gustavsson, Tore Brennodden
SESSIONS
1965 [no 12535] Hollywood, CA – Kay Adams [purchased masters, registered July 19]
001 60246 DON'T TALK ABOUT TROUBLE TO ME Tower 177/ST 5069
002 60247 HONKY TONK HEARTACHE Tower 177/ST 5069
1965 [no 12535] Hollywood, CA – Kay Adams (Cliffie Stone Group)[purchased masters, registered July 19]
003 60254 ANYMORE Tower 235/ ST-5069
004 60255 I CRIED AT YOUR WEDDING ST-5069
005 60256 BE NICE TO EVERYBODY Tower 329/ST-5069
2 December 1965 [no 12639] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Cliffie Stone Group)
006 60374 ROLL OUT THE RED CARPET Tower 201/ ST-5069
007 60375 SHE DIDN'T COLOR DADDY ST-5069
008 60376 OLD HEART GET READY Tower 235/ST-5069
7 February 1966 [no. 12729, 14:30-17:30, 17:30-18:30] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Dick Curless and Kay Adams (Gene Moles [gt], Red Simpson [gt], Ralph Mooney [steel], Bob Morris [bass], Helen Price [drums], George French [piano]. Producer: Buck Owens)
009 60469 YOU YOU ONLY YOU ST 5025
010 60470 TERRIBLE TANGLED WEB ST 5025
011 60471 DEVIL LIKE ME NEEDS AN ANGEL LIKE YOU Tower 226/ST 5025
012 60472 NO FOOL LIKE AN OLD FOOL Tower 226/ST 5025
7 February 1966 [no. 12731] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Dick Curless and Kay Adams (Gene Moles [gt], Red Simpson [gt], Ralph Mooney [steel], Bob Morris [bass], Helen Price [drums], George French [piano]. Producer: Buck Owens)
013 60477 OLD STANDBY ST 5025
014 60478 TOO LATE ST 5025
015 60479 I CAN'T STOP MY LOVING YOU ST 5025
016 60480 FOREVER AND EVER ST 5025
017 60481 CONGRATULATIONS YOU'RE ABSOLUTY RIGHT ST 5025
018 60482 HEART TALK ST 5025
019 60483 HIGHWAYMAN Tower 219
24 May 1966 [no 12897] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Producer: Cliffie Stone)
020 60665 BIG MAC ST-5033
021 60666 LITTLE PINK MAC Tower 269/ST-5033
022 60667 SECOND FIDDLE ST-5033
023 60668 WALK THE FLOOR ST-5033
024 60669 THE WORST IS YET TO COME ST-5033
25 May 1966 [no 12899] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Producer: Cliffie Stone)
025 60672 BIG, BIG DAY TOMORROW ST-5033
026 60673 SIX DAYS A-WAITING Tower 329/ ST-5033 ST 5069 4-94919-2
027 60674 THE REASON WE'RE TOGETHER ST-5033
028 60675 OLD FASHIONED CRY ST-5033
029 60676 THAT'LL BE THE DAY ST-5033
16 August 1966 [no 14043] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Jerry Naylor and Kay Adams/*Kay Adams (Producer: Joe Allison)
030 60807 COTTONWOOD TREE ST-5045
031 60808 CABIN OF LOVE ST-5045
032 60809 HEY THERE,PRETTY GIRL ST-5045
033 60815 YOU TAUGHT ME EVERYTHING I KNOW* ST-5045
17 August 1966 [no 14045] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Jerry Naylor, Ray Sanders and Kay Adams (Producer: Joe Allison)
034 60811 RIVER OF LOVE (VOKA,JN) ST-5045
6 September 1966 [no 14068] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Kay Adams (Producer: Joe Allison)
035 60829 YOU TAUGHT ME EVERYTHING Tower 294
7 September 1966 [no 14069] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Kay Adams (Producer: Joe Allison)
036 60832 I CRIED (UNTIL I CAN'T CRY NO MORE)* ST-5045
037 60833 WHERE DID THE GOOD TIMES GO* Tower 294/ST-5045
5 December 1966 Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Mark Shannon/*Kay Adams (Cliffie stone Band Producer: Scott Turner)
038 61011 ROCKS IN MY HEAD* Tower 305
039 61012 TRAPPED* Tower 305/ST-5069
6 June 1967 [no. 15125] Las Vegas, NV – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
040 61437 WHO WILL BUY THE WINE ST-5087
041 61438 TILL TEMPTATION GETS THE BETTER OF ME ST-5087
5 July 1967 [no. 15132] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
042 61473 ALCOHOL AND TEARS ST-5087
043 61474 I LET A STRANGER (BUY THE WINE) 360/ST-5087
044 61475 THE DAY YOU LEFT ME ST-5087
045 61476 CLOSE UP THE HONKY TONKS ST-5087
6 July 1967 [no. 15133] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
046 61477 HUSBAND STEALER ST-5087
047 61478 GET OUT OF MY HEART Tower 395/ST-5087
048 61479 CHEATIN' GOOD TIME ST-5087
049 61480 BOTTLE BABY ST-5087
31 July 1968 [no 15302] Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Kay Adams
050 62278 TOO USED TO BEING WITH YOU Tower 470
051 62279 EMPTY ARMS unissued
052 62280 GOOD MIORNING LOVE Tower 470
1 October 1968 [no. 15306, O.S. Killer¢s Three] poss. Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN - Dick Curless [-1], Kay Adams [-2], Merle Haggard [–3], Bonnie Owens [-4], Honeysuckle Spring [-5], Don Epperson [-6] (unknown musicians)
053 62293 MAYBE YOU'LL APPRECIATE ME SOMEDAY –2 Tower 445/ST-5141
054 62294 GONNA HAVE A GOOD TIME –2 Tower 445/ST-5141
30 March 1970 [no 20203] Hollywood, CA - Kay Adams [Ovation masters, purchased by Capitol in November 20,1972]
055 00005/79402 STEP ASIDE GIRL Ovation unissued/Capitol 3551
056 00006/79405 LET GEORGE DO IT Ovation OV/1015
057 00007/79403 SECOND HAND SUGAR SPOON Ovation unissued/Capitol 3551
058 00008/79404 YOU BETTER NOT DO THAT Ovation OV/1015
18 April 1973 [no 20365] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams
059 90022 AIN'T IT FUNNY 3692
060 90023 REASON TO FEEL 3692
061 90024 I CAN, I CAN 3624
062 90025 HEARTS OF STONE 3624
1975 poss. Hollywood, CA – Kay Adams (Producer: Cliffie Stone)
002 60247 HONKY TONK HEARTACHE Tower 177/ST 5069
1965 [no 12535] Hollywood, CA – Kay Adams (Cliffie Stone Group)[purchased masters, registered July 19]
003 60254 ANYMORE Tower 235/ ST-5069
004 60255 I CRIED AT YOUR WEDDING ST-5069
005 60256 BE NICE TO EVERYBODY Tower 329/ST-5069
2 December 1965 [no 12639] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Cliffie Stone Group)
006 60374 ROLL OUT THE RED CARPET Tower 201/ ST-5069
007 60375 SHE DIDN'T COLOR DADDY ST-5069
008 60376 OLD HEART GET READY Tower 235/ST-5069
7 February 1966 [no. 12729, 14:30-17:30, 17:30-18:30] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Dick Curless and Kay Adams (Gene Moles [gt], Red Simpson [gt], Ralph Mooney [steel], Bob Morris [bass], Helen Price [drums], George French [piano]. Producer: Buck Owens)
009 60469 YOU YOU ONLY YOU ST 5025
010 60470 TERRIBLE TANGLED WEB ST 5025
011 60471 DEVIL LIKE ME NEEDS AN ANGEL LIKE YOU Tower 226/ST 5025
012 60472 NO FOOL LIKE AN OLD FOOL Tower 226/ST 5025
7 February 1966 [no. 12731] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Dick Curless and Kay Adams (Gene Moles [gt], Red Simpson [gt], Ralph Mooney [steel], Bob Morris [bass], Helen Price [drums], George French [piano]. Producer: Buck Owens)
013 60477 OLD STANDBY ST 5025
014 60478 TOO LATE ST 5025
015 60479 I CAN'T STOP MY LOVING YOU ST 5025
016 60480 FOREVER AND EVER ST 5025
017 60481 CONGRATULATIONS YOU'RE ABSOLUTY RIGHT ST 5025
018 60482 HEART TALK ST 5025
019 60483 HIGHWAYMAN Tower 219
24 May 1966 [no 12897] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Producer: Cliffie Stone)
020 60665 BIG MAC ST-5033
021 60666 LITTLE PINK MAC Tower 269/ST-5033
022 60667 SECOND FIDDLE ST-5033
023 60668 WALK THE FLOOR ST-5033
024 60669 THE WORST IS YET TO COME ST-5033
25 May 1966 [no 12899] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Producer: Cliffie Stone)
025 60672 BIG, BIG DAY TOMORROW ST-5033
026 60673 SIX DAYS A-WAITING Tower 329/ ST-5033 ST 5069 4-94919-2
027 60674 THE REASON WE'RE TOGETHER ST-5033
028 60675 OLD FASHIONED CRY ST-5033
029 60676 THAT'LL BE THE DAY ST-5033
16 August 1966 [no 14043] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Jerry Naylor and Kay Adams/*Kay Adams (Producer: Joe Allison)
030 60807 COTTONWOOD TREE ST-5045
031 60808 CABIN OF LOVE ST-5045
032 60809 HEY THERE,PRETTY GIRL ST-5045
033 60815 YOU TAUGHT ME EVERYTHING I KNOW* ST-5045
17 August 1966 [no 14045] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Jerry Naylor, Ray Sanders and Kay Adams (Producer: Joe Allison)
034 60811 RIVER OF LOVE (VOKA,JN) ST-5045
6 September 1966 [no 14068] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Kay Adams (Producer: Joe Allison)
035 60829 YOU TAUGHT ME EVERYTHING Tower 294
7 September 1966 [no 14069] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Kay Adams (Producer: Joe Allison)
036 60832 I CRIED (UNTIL I CAN'T CRY NO MORE)* ST-5045
037 60833 WHERE DID THE GOOD TIMES GO* Tower 294/ST-5045
5 December 1966 Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Mark Shannon/*Kay Adams (Cliffie stone Band Producer: Scott Turner)
038 61011 ROCKS IN MY HEAD* Tower 305
039 61012 TRAPPED* Tower 305/ST-5069
6 June 1967 [no. 15125] Las Vegas, NV – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
040 61437 WHO WILL BUY THE WINE ST-5087
041 61438 TILL TEMPTATION GETS THE BETTER OF ME ST-5087
5 July 1967 [no. 15132] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
042 61473 ALCOHOL AND TEARS ST-5087
043 61474 I LET A STRANGER (BUY THE WINE) 360/ST-5087
044 61475 THE DAY YOU LEFT ME ST-5087
045 61476 CLOSE UP THE HONKY TONKS ST-5087
6 July 1967 [no. 15133] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
046 61477 HUSBAND STEALER ST-5087
047 61478 GET OUT OF MY HEART Tower 395/ST-5087
048 61479 CHEATIN' GOOD TIME ST-5087
049 61480 BOTTLE BABY ST-5087
31 July 1968 [no 15302] Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Kay Adams
050 62278 TOO USED TO BEING WITH YOU Tower 470
051 62279 EMPTY ARMS unissued
052 62280 GOOD MIORNING LOVE Tower 470
1 October 1968 [no. 15306, O.S. Killer¢s Three] poss. Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN - Dick Curless [-1], Kay Adams [-2], Merle Haggard [–3], Bonnie Owens [-4], Honeysuckle Spring [-5], Don Epperson [-6] (unknown musicians)
053 62293 MAYBE YOU'LL APPRECIATE ME SOMEDAY –2 Tower 445/ST-5141
054 62294 GONNA HAVE A GOOD TIME –2 Tower 445/ST-5141
30 March 1970 [no 20203] Hollywood, CA - Kay Adams [Ovation masters, purchased by Capitol in November 20,1972]
055 00005/79402 STEP ASIDE GIRL Ovation unissued/Capitol 3551
056 00006/79405 LET GEORGE DO IT Ovation OV/1015
057 00007/79403 SECOND HAND SUGAR SPOON Ovation unissued/Capitol 3551
058 00008/79404 YOU BETTER NOT DO THAT Ovation OV/1015
18 April 1973 [no 20365] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams
059 90022 AIN'T IT FUNNY 3692
060 90023 REASON TO FEEL 3692
061 90024 I CAN, I CAN 3624
062 90025 HEARTS OF STONE 3624
1975 poss. Hollywood, CA – Kay Adams (Producer: Cliffie Stone)
063 G-521A I NEVER GOT TO NASHVILLE Granite G-521
064 G-521B ELI WHITNEY HERE'S TO YOU
Granite G-521
065 COUNTRY DREAMER G-525
065 COUNTRY DREAMER G-525
066 HENRY IN THE CENTERFOLD G-525
1978 unknown – Kay Adams
1978 unknown – Kay Adams
067 YOU SHOW ME YOURS AND I'LL SHOW YOU MINE Frontline
FLS-704 / FLR 704 Randall 101
068 YOU'RE THE LAST THING ON MY MIND Frontline FLS-704/ FLR 704 Randall 101
069 STAND ON MY OWN TWO KNEES Frontline FLR 704 Randall 101
070 FOR OLD TIMES SAKE
Frontline FLR 704 Randall 101
071 THAT DON'T MEAN I MISS YOU Frontline FLR 704 Randall 101
072 SLIPPED AWAY
Frontline FLR 704 Randall 101
073 YOU JUST LOVED THE LEAVIN' OUT OF ME Frontline FLR 704 Randall 101
074 YOU CAN'T FIGHT A MEMORY
Frontline FLR 704 Randall 101
075 KISS IT AND MAKE IT ALL BETTER Frontline FLR 704 Randall 101
076 A COAT YOU WORE
Frontline FLR 704 Randall 101
according to Kay Adams she recorded two more albums for Frontline which very probably remained unissued /info from Russell Rosen/
1990s unknown – Kay Adams and BR5-49
according to Kay Adams she recorded two more albums for Frontline which very probably remained unissued /info from Russell Rosen/
1990s unknown – Kay Adams and BR5-49
077 MAMA WAS A ROCK, PAPA WAS A ROLLING STONE
ALBUMS
Tower T/ST-5025 A Devil Like Me Needs An Angel Like You: You, You, Only You; Terrible Tangled Web; A Devil Like Me Needs An Angel Like You; No Fool Like An Old Fool; Old Standby; Too Late; I Can't Stop (My Lovin' You); For Ever And Ever; Congratulations, You're Absolutely Right; Heart Talk – 04-66 w. Dick Curless
Tower T/ST-5033 Wheels And Tears: Little Pink Mack; Six Days Awaiting; The Reason We're Together; Walk The Floor; Big Mack; That'll Be The Day; Second Fiddle; Big, Big Day Tomorrow; Old Fashioned Cry; The Worst Is Yet To Come – 09-66 (reissued on Sundazed SC 9002 in 2004)
Tower T/ST-5069 Make Mine Country: Six Days A'waiting; Old Heart Get Ready; Anymore; Don't Talk Trouble To Me; Trapped; Roll Out The Red Carpet; I Cried At Your Wedding; Honky Tonk Heartache; Be Nice To Everybody; She Didn't Color Daddy – 05-67
Tower T/ST-5087 Allcohol And Tears: Alcohol And Tears; I Let A Stranger (Buy The Wine); 'Til Temptation Gets The Better Of Me; Close Up The Honky Tonks; The Day You Left Me; Husband Stealer; Get Out Of My Heart; Cheatin' Good Time; Bottle Baby; Who'll Buy The Wine – 11-67
Frontline FLR-704/Randall 101 Made For Love: You Show Me
Your and I'll Show You Mine; Stand On My Own Two Knees; For Old Times Sake;
That Don't Mean I Miss You; Slipped Away; You Just Loved The Leavin' Out Of Me;
You're the Last Thing On My Mind; You Can't Fight A Memory; Kiss It and Make It
All Better; A Coat You Wore - 78
Sundazed LP 5670C /CD 5670 Little Pink Mack: Little Pink Mack; Roll Out The Red Carpet; Let The Good Times Roll; Silver Threads And Golden Needles; Terrible Tangled Web (w. Dick Curless); Anymore; Rocks In My Head; I Let A Stranger Buy The Wine; Bottle Baby; Get Out Of My Heart; Big Mack; A Devil Like Me (Needs An Angel Like You) (w. Dick Curless); Number One Heel; Old Heart Get Ready; Six Days A'Waiting; Down, Down, Down; Loose Talk; You Don’t Have Very Far To Go; Honky Tonk Heartache; Be Nice To Everybody; She Didn’t Color Daddy*; Walk The Floor*; Toy Heart* - 03-11-23 (there is also version on LP 5670 with * omited; recordings from The Buck Owens‘ Ranch Show, 1966-1968)
SINGLES
Tower (1965-68)
177 Don't Talk About Trouble To Me / Honky Tonk Heartaches - 10-65
201 Roll Out The Carpet / She Didn't Color Daddy - 01-66
226 A Devil Like Me With An Angel Like You / No Fool Like An Old Fool - 05-66 w. Dick Curless 235 Anymore / Old Heart, Get Ready - 06-66
269 Little Pink Mack / That'll Be The Day - 09-66
294 Where Did The Good Times Go / You Taught Me Everything I Know - 11-66
305 Trapped / Rocks In My Head - ca. 01-67
329 Six Days A-Waitin' / Be Nice To Everybody - 04-67
360 Husband Stealer / I Let A Stranger - 08-67
395 Big Mac / Get Out Of My Heart - 01-68
445 Gonna Have A Good Time / Maybe You'll Appreciate Me Someday - 10-68
470 Good Morning Love / Too Used To Being With You - 69
Ovation (1970)
OV/1015 Let George Do It / You Better Not Do That - 70
Capitol (1973)
3551 Step Aside Girl / Second Hand Sugar Spoon - 02-73
3624 Hearts Of Stone / I Can, I Can - 06-73
3692 Reason To Feel / Ain't It Funny (How The Heart Rules The Mind) - 09-73
Granite (1975)
G-521 I Never Got To Nashville / Eli Whitney Here's To You - 75
G-525 Country Dreamer / Henry In The Centerfold - 75
Frontline (1978)
FLS-704 You Show Me Yours And I'll Show You Mine / You're The Last Thing On My Mind - 78
SINGLES
Tower (1965-68)
177 Don't Talk About Trouble To Me / Honky Tonk Heartaches - 10-65
201 Roll Out The Carpet / She Didn't Color Daddy - 01-66
226 A Devil Like Me With An Angel Like You / No Fool Like An Old Fool - 05-66 w. Dick Curless 235 Anymore / Old Heart, Get Ready - 06-66
269 Little Pink Mack / That'll Be The Day - 09-66
294 Where Did The Good Times Go / You Taught Me Everything I Know - 11-66
305 Trapped / Rocks In My Head - ca. 01-67
329 Six Days A-Waitin' / Be Nice To Everybody - 04-67
360 Husband Stealer / I Let A Stranger - 08-67
395 Big Mac / Get Out Of My Heart - 01-68
445 Gonna Have A Good Time / Maybe You'll Appreciate Me Someday - 10-68
470 Good Morning Love / Too Used To Being With You - 69
Ovation (1970)
OV/1015 Let George Do It / You Better Not Do That - 70
Capitol (1973)
3551 Step Aside Girl / Second Hand Sugar Spoon - 02-73
3624 Hearts Of Stone / I Can, I Can - 06-73
3692 Reason To Feel / Ain't It Funny (How The Heart Rules The Mind) - 09-73
Granite (1975)
G-521 I Never Got To Nashville / Eli Whitney Here's To You - 75
G-525 Country Dreamer / Henry In The Centerfold - 75
Frontline (1978)
FLS-704 You Show Me Yours And I'll Show You Mine / You're The Last Thing On My Mind - 78
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.