3rd version
By Lillies Ohlson, Michel Ruppli, Praguefrank, Robert Platt, Dick Grant, Mario Manciotti, Carl LaFong
Also spelled as Deuce Spriggens
SESSIONS see also Tex Williams, Carolina Cotton
1945 Hollywood – Fuzzy Knight and Deuce Spriggen’s Western Band
001 T-E-X-A-S WITH A CAPITAL "T". Jewel T-7000/CD D 279
002 THE HEP AND THE SQUARE T-7000/CD D 279
(Released Monday 5th November 1945)
April 1946 poss. Hollywood, CA - Deuce Spriggins
003 340 WHAT’S THE MATTER WITH YOU Mercury unissued
004 341 I’VE BEEN DOWN IN TEXAS unissued
May 1946 poss. Hollywood, CA - Deuce Spriggins and
His Western Band, *with Carolina Cotton
005 355 WHAT'S THE MATTER WITH YOU Mercury 6010/Krazy Kat KKCD-27 CD D 279
006 356 I‘VE BEEN DOWN IN TEXAS 6010*/Krazy Kat KKCD-27 CD D 279
007 357 FIREBALL
008 358 GOODBYE MY LOVE
KRAZY KAT KKCD-27 SWINGIN’ WEST, VOL. 2 (UK)
ca July 1947 Universal Recorders, 6757 Hollywood Blvd., Hollywood, CA - Deuce Spriggins & His Western Band (Joaquin Murphey [steel] + unknown musicians)
009 352? SMOKE SMOKE SMOKE (THAT CIGARETTE) CST-263/CD D 279
010 353 WHO BROKE THE LOCK ON THE HEN HOUSE DOOR CST-264/CD D 279
011 354? OH, I WENT AND GOT A BUCKET FOR MY TEARS CST-263/CD D 279
012 355 TEN MORE MILES DOWN THE ROAD CST-264/CD D 279
ca October 1947 Universal Recorders, 6757 Hollywood Blvd., Hollywood, CA - Deuce Spriggins & His Western Band (Joaquin Murphey [steel] + unknown musicians)
013 362 PEEKIN-PEEKIN-PEEKIN (THE KEYHOLE SONG) Coast CST-267 CST-001/Krazy Kat KKCD-27 CD D 279
014 363? THE PEANUT POLKA CST-268
015 364? SHE’S A REAL GONE OAKIE CST-268
016 365 LOADED PISTOL LOADED DICE Coast CST-267 CST-001/CD D 279
3 February 1949 [no.1183] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA - Deuce Spriggens with Tex Williams' Orchestra
017 3945 SUNFLOWER 15405
018 3946 RED HOT MAMA 15405
27 December 1949 [no 1571] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA - Deuce Spriggens with Tex Williams Orchestra
019 5302 WHO CLIPPED SAMSON’S HAIR F40279
020 5320 MOSEY ON F40279
26 September 1950 [no 1920] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA – Deuce Spriggins & Bucky Tibbs (Norma Jean "Bucky" Tibbs [vcl*] + unknown musicians)
021 6632-6 THIS SUSPENSE IS KILLIN' ME* Capitol F1477
022 6633 I BRING YOU A PRESENT F1288
023 6634 BUTTERFINGERS* F1288
024 6635-3 DON'T KINDLE THE FLAME* F1477
21 June 1951 [no 2252] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA – Deuce Spriggins ( Deuce Spriggens [vcl/bass], Jimmie Widener [vcl-1], Ossie Godson [piano-2] + unknown musicians)
025 7688 TIPPY TOEIN' WOMAN F1833
026 7689-4 WHISKEY,WHISKEY F1833
027 7690-2 THE PLAYER PIANO BOOGIE -2 F1730
028 7691-11 EMPTY HANDS,EMPTY HEART -1 F1730
16 October 1951 [no 2346] Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA – Deuce Spriggins ( Deuce Spriggens [vcl] + unknown musicians)
029 9153-11 HUNGOVER F1981
030 9154-18 CALM,COOL AND COLLECTED F1981
ALBUMS
BACM [UK] CD D 279 Down The Trail To San Antone: Smoke Smoke Smoke (That Cigarette); Who Broke The Lock On The Hen House Door; Oh I Went And Got A Bucket For My Tears; Ten More Miles Down The Road; Peekin-Peekin-Peekin (The Keyhole Song); The Peanut Polka; She’s A Real Gone Oakie; Loaded Pistol - Loaded Dice; Texas With A Capitol T; The Hep And The Square; Who Broke The Lock On The Henhouse Door; Idaho-Ho; I Learned To Love You Too Late; What’s The Matter With You; When Payday Rolls Around; Down The Trail To San Antone; If You Ever Come To Texas; Missouri; Wabash Cannonball; When Payday Rolls Around; Wave To Me My Lady; I’d Love To Be A Cowgirl; Little Rock Getaway; Idaho-Ho; Cachita; Rosetta – 09 (singles and transciptions)
SINGLES
Jewel (1945) Fuzzy Knight and Deuce Spriggen’s Western Band
T 7000 T-E-X-A-S With A Capital "T" / The Hep And The Square – 05-11-45
Mercury (1946)
6010 What's The Matter With You / I Been Down In Texas – 06-46
Coast (1947)
CST-263 Smoke, Smoke, Smoke That Cigarette / Oh, I Went And Got A Bucket For My Tears - 08-47
CST-264 Who Broke The Lock On The Henhouse Door / Ten More Miles Down The Road – 47
CST-267 Loaded Pistol Loaded Dice / Peekin-Peekin-Peekin – 47 (Australian issue on Coast CST-001)
CST-268 She’s A Real Gone Oakie / The Peanut Polka - 47
Capitol (1949-51)
15405 Sunflower / Red Hot Mama – 49 Deuce Spriggens with Thex Williams‘ Orchestra
F40279 Who Clipped Samson’s Hair / Mosey On - 50
F1288 [Bucky Tibbs:] Butter Fingers / [Deuce Spriggins:] I Bring You A Present – 50
F1477 Don't Kindle The Flame / The Suspense Is Killing You – 04-50 vcl Bucky Tibbs
F1730 Player Piano Boogie / Empty Hands - 51
F1833 Whiskey Whiskey / Tippey Toein' Woman – 10-51
F1981 Calm, Cool And Collected / Hungover – 02-52
SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY
Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Wednesday, July 4, 2012
Stan Robinson
by Praguefrank, Carl G. Cederblad
SESSIONS also member of The Appalachians
SESSIONS also member of The Appalachians
ca. November 1958 poss. RCA Victor Studio, 1611 Hawkins St.,
Nashville, TN - Stan Robinson
001 MO-511 MY HEART BEETS 45-402
002 MO-512 BOOM-A-DIP-DIP 45-402
ca. March 1959 poss. RCA Victor Studio, 1611 Hawkins St., Nashville, TN - Stan Robinson (Stan Robinson [vcl], Boots Randolph [sax] + unknown musicians)
001 MO-511 MY HEART BEETS 45-402
002 MO-512 BOOM-A-DIP-DIP 45-402
ca. March 1959 poss. RCA Victor Studio, 1611 Hawkins St., Nashville, TN - Stan Robinson (Stan Robinson [vcl], Boots Randolph [sax] + unknown musicians)
003 MO-538 NUTHING 45-405
004 MO-539 IF I WERE A FOOL 45-405
1960 poss. Nashville, TN – Stan Robinson
005 SO 731 START TO JUMP Totsy 601
006 SO 732 ST. JAMES INFIRMARY BLUES Totsy 601
1960 unknown – Stan Robinson (Producer: Buddy Smith)
007 5718 CAN SHE GIVE YOU FEVER Amy 810
008 5719 RHINOCEROS Amy 810
1961 unknown – Stan Robinson (Producer: L. Stalman – S.Jacobson)
009 5836 NORTH, SOUTH, EAST, WEST Amy 818
010 5837 EXODUS OF PEPE Amy 818
SINGLES
Monument (1958-1959)
45-402 Boom-A-Dip-Dip / My Heart Beats – 02-59 (rev. Feb. 23)
45-405 N-U-T-H-I-N-G / If I Were A Fool – 06-59 (rev. June 22)
Totsy (1960)
601 Start To Jump / St. James Infirmary Blues - 60
Amy (1960-61)
810 Can She Give You Fever / Rhinoceros – 09-60 (rev. Sept. 26)
818 North, South, East, West / Exodus Of Pepe – 03-61 (rev. Apr. 3)
004 MO-539 IF I WERE A FOOL 45-405
1960 poss. Nashville, TN – Stan Robinson
005 SO 731 START TO JUMP Totsy 601
006 SO 732 ST. JAMES INFIRMARY BLUES Totsy 601
1960 unknown – Stan Robinson (Producer: Buddy Smith)
007 5718 CAN SHE GIVE YOU FEVER Amy 810
008 5719 RHINOCEROS Amy 810
1961 unknown – Stan Robinson (Producer: L. Stalman – S.Jacobson)
009 5836 NORTH, SOUTH, EAST, WEST Amy 818
010 5837 EXODUS OF PEPE Amy 818
SINGLES
Monument (1958-1959)
45-402 Boom-A-Dip-Dip / My Heart Beats – 02-59 (rev. Feb. 23)
45-405 N-U-T-H-I-N-G / If I Were A Fool – 06-59 (rev. June 22)
Totsy (1960)
601 Start To Jump / St. James Infirmary Blues - 60
Amy (1960-61)
810 Can She Give You Fever / Rhinoceros – 09-60 (rev. Sept. 26)
818 North, South, East, West / Exodus Of Pepe – 03-61 (rev. Apr. 3)
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.