By Henk Scholts
SESSIONS
30 June 1939 Gayoso Hotel, Memphis, TN – Alley Boys Of Abbeville (Sidney Guidry [vcl/gt], Murphy Guidry [vcl/gt], Lourse Toutch Leger [steel], Maxie Toutchet [drums], Frank Mailhes [vcl/fiddle])
001 MEM-1-1 PUORQUOIS TE EN PEN Vocalion 05423/JSP 77715
002 MEM-2-1 MOI ET MA BELLE (ME AND MY PRETTY ONE) CK46220 CBS 467250 2
003 MEM-3-1 APRES JENGLER A TOI (THINKING OF YOU) 05057/ CK46220 CBS 467250 2 JSP 7749
004 MEM-4-1 ES CE QUE TU PENSE JAMAIS A MOI? (DO YOU EVER THINK OF ME) 05424/ CK46220 CBS 467250 2
005 MEM-5-1 TU PEU DEPEND SI MOI (YOU CAN DEPEND ON ME) 05167 /RBF 21
006 MEM-6-1 SE TOUTE SAIN CINNE MOI MA SAINE (I WONDER IF YOU FEEL THE WAY I DO) 05058/ CK46220 CBS 467250 2
007 MEM-7-1 JOLIE PETITE FILLE (PRETTY LITTLE GIRL) unissued/CK46220 CBS 467250 2
008 MEM-8-1 TO MA QUITE SEUL (THE PRISONER’S SONG) 05423/ CK46220 CBS 467250 2 JSP 7749
1 July 1939 Gayoso Hotel, Memphis, TN – Alley Boys Of Abbeville (Sidney Guidry [vcl/gt], Murphy Guidry [vcl/gt], Lourse Toutch Leger [steel], Maxie Toutchet [drums], Frank Mailhes [vcl/fiddle])
009 MEM-9-1 TU PEUS PAS ME FAIRE CE (YOU CAN’T PUT THAT MONKEY ON MY BACK) 05058/Proper 91 JSP 7749
010 MEM-10-1 JOLIE PETITE BLONDE (SMALL PRETTY BLONDE) 05167/RBF 21 CK46220 CBS 467250 2 JSP 7749
011 MEM-11-1 QUIEL ESPOIRE (WHAT’S THE USE) 05424/ CK46220 CBS 467250 2 JSP 7749
012 MEM-12-1 ABBEVILLE BREAKDOWN 05168/ CK46220 CBS 467250 2 JSP 7749
013 MEM-13-1 POURQUOI TU M¢AIME PAS unissued/C4K-47911
014 MEM-14-1 TE BONNE POUR MOIR ESTERE (I DON’T CARE WHAT YOU USED TO BE) 05057/ CK46220 CBS 467250 2
015 MEM-15-1 JE VOUS T‘AIME LESSAIR PLEURER/JE VAS JAMAIS LESSAIR PLEURER (I’LL NEVER LET YOU CRY) 05168/ CK46220 CBS 467250 2 JSP77115
016 MEM-16-1 TE A PAS RAISON unissued/CK46220 CBS 467250 2
SINGLES
Vocalion (1939)
05057 Apres jengles a toi (Thinking of you) / Te bonne pour moi estere (I don’t care what you used to be) – 09-39
05058 Se toute sain comme moi ma saine (I wonder if you feel the way I do) / Tu peus pas me faire ce (You can't put that monkey on my back) – 09-39
05167 Tu peu depend si moi (You can depend on me) / Jolie petite blonde (Small pretty blonde) – 10-39
05168 Abbeville breakdown / Je vous t’aime lessair pleurer (I’ll never let you cry) - 10-39
05423 Pourquois te en pen / Tu ma quite seul (The prisoner’s song) – 03-40
05424 Es ce que tu pense jamais a moi (Do you ever think of me) / Quel espoire (What’s the use) – 03-40
SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY
Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Wednesday, July 7, 2010
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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