by Michel Ruppli, Praguefrank
SESSIONS
19 November 1957 Bradley Film & Recording Studio, 804 16th Ave. South, Nashville 3, TN – Pat Shannon
001 103768/NA 10003 MAYBELLE Decca 9-30545
002 103769/NA 10004 KNOCK, KNOCK (WHO’S THERE) 9-30545
28 April 1958 Bradley Film & Recording Studio, 804 16th Ave. South, Nashville 3, TN – Pat Shannon
003 104939/NA 10244 AWAITING LOVE 9-30666
004 104940/NA 10245 YOU’RE SO WILD 9-30666
005 104941/NA 10246 DON'T RUN BABY unissued
9 September 1958 Bradley Film & Recording Studio, 804 16th Ave. South, Nashville 3, TN – Pat Shannon
006 105624/NA 10377 SUMMER’S OVER 9-30751
007 105625/NA 10378 WE FOUND LOVE 9-30751
11 March 1959 Bradley Film & Recording Studio, 804 16th Ave. South, Nashville 3, TN – Red Foley & Pat Shannon
008 106827/NA 10649 ROCKIN¢ CHAIR 9-31056 ED-2693
ca. March 1959 unknown – Pat Shannon
009 106893 SUMMERTIME’S COMIN‘ 9-30905
010 106894 THE SNAKE AND THE BOOKWORM 9-30905
15 October 1959 Bradley Film & Recording Studio, 804 16th Ave. South, Nashville 3, TN – Pat Shannon
011 108302/NA 10885 EVERYTHING BUT YOU 9-31072
012 108303/NA 10886 SO HAPPY NOW 9-31072
ca May 1968 unknown – Pat Shannon
013 CANDY APPLE COTTON CANDY Warner 7210
014 SHE SLEEPS ALONE 7210
1969 unknown – Pat Shannon (Producer: Dick Glasser)
015 396? BACK TO DREAM AGAIN Uni 55191
016 MOODY Uni 55191/73079
ca 1970 unknown – Pat Shannon (Producer: Dick Glasser)
017 SHE MAKES ME WARM Uni 73079
018 BACK TO DREAMIN’ AGAIN Uni 73079
019 MELODY Uni 73079
020 IT’S SO EASY Uni 73079
021 IT’S BEEN A LONG TIME COMING Uni 73079
022 DON’T TAKE YOUR LOVE Uni 73079
023 COME BACK Uni 73079
024 FEELINGS Uni 73079
025 ONE HUNDRED AND TWO TIMES A DAY Uni 55229/73079
026 THE STORY OF YOUR LIFE Uni 55229
1971 unknown – Pat Shannon (Producer: Dick Glasser)
026 9732 I AIN’T GOT TIME ANYMORE Amos 152
027 Unknown title 152
028 LIAR 163
029 SOMETHING’S COMIN‘ MY WAY 163
29 November 1973 [no 20632] Hollywood, CA – Pat Shannon
030 90740 ELEANOR JONES Capitol 3802
031 90933 102 TIMES A DAY 3802
ALBUMS
Uni 73079 Back To Dreaming Again: She Makes Me Warm; Moody; 102 Times A Day; Back To Dreamin' Again; Melody; It's So Easy; It's Been A Long Time Coming; Don't Take Your Love; Come Back/Feelings
SINGLES
Decca (1957-60)
9-30545 Maybelle / Knock, Knock (Who's There) – 01-58
9-30666 You're So Wild / Awaiting Love – 06-58
9-30751 Summer's Over / We Found Love - 10-58
9-30905 Summertime's Comin' / The Snake And The Bookworm – 06-59
9-31056 *Rockin' Chair / Blues In My Red Wagon Blues - 02-60 Red Foley, * & Pat Shannon
9-31072 Everything But You / So Happy Now – 03-60
Warner Brothers (1968)
7210 Candy Apple Cotton Candy / She Sleeps Alone – 05-68
Uni (1969)
55191 Back To Dream Again / Moody – 69
55229 One Hundred And Two Times A Day / The Story Of Your Life - 70
Amos (1971)
152 I Ain’t Got Time Anymore / ? – 71
163 Liar / Something’s Comin‘ My Way - 71
Capitol (1973)
3802 Eleanor Jones/One Hundred And Two Times A Day – 12-73
SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY
Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Tuesday, July 27, 2010
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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