SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Saturday, September 25, 2010

Jodimars

2nd version
By Michel Ruppli, Praguefrank

SESSIONS

July 1955 [demo session] unknown – The Jodimars (Marshall Lyttle, Charlie Hess, Bob Simpson, Joe D’ Ambrosio [tenor sax])
00001 FLIP FLOP AND FLY RSRCD-007
00002 ROCK-A-BEATIN' BOOGIE RSRCD-007
5 October 1955 [no.5296] Capitol Recording Studio, 151 W, 46th St., New York City – The Jodimars (Dick Richards [vcl], Charlie Hess [gt], Marshall Lyttle [bass], Jim Buffington [drums, Bob Simpson [piano], Joe D’ Ambrosio [tenor sax])
001 20891 WELL NOW DIG THIS Capitol F3285/SPE 6608 BDL-1031 RSRCD-007
002 20892 DANCE THE BOP F3360/ SPE 6608 BDL-1031 RSRCD-007
003 20893 LET'S ALL ROCK TOGETHER F3285/SPE 6608 BDL-1031 RSRCD-007
004 20894 NATURAL DITTY unissued/RSRCD-007
4 January 1956 [no.5324] Capitol Recording Studio, 151 W, 46th St., New York City - The Jodimars (Dick Richards [vcl], Charlie Hess [gt], Marshall Lyttle [vcl/bass], Jim Buffington [drums, Bob Simpson [piano], Joe D’ Ambrosio [tenor sax]) 005 20968 (BOOM BOOM) MY BAYOU BABY F3360/ SPE 6608 BDL-1031 RSRCD-007
006 20969 SO LONELY unissued/ SPE 6608 BDL-1031
17 April 1956 [no.5369] Capitol Recording Studio, 151 W, 46th St., New York City – The Jodimars (Dick Richards [vcl], Charlie Hess [gt], Marshall Lyttle [vcl/bass], Jim Buffington [drums, Bob Simpson [piano], Joe D’ Ambrosio [tenor sax])
007 21088 EAT YOUR HEART OUT ANNIE F3512/ SPE 6608 BDL-1031 RSCD-007
008 21089 LOTSA LOVE F3436/ SPE 6608 BDL-1031 RSCD-007
009 21090 RATTLE MY BONES F3436/ SPE 6608 BDL-1031 RSCD-007
010 21091 CRA-Z unissued/RSRCD-007
24 April 1956 [no.5373] Capitol Recording Studio, 151 W, 46th St., New York City – The Jodimars (Dick Richards [vcl], Charlie Hess [gt], Marshall Lyttle [vcl/bass], Jim Buffington [drums, Bob Simpson [piano], Joe D’ Ambrosio [tenor sax])
011 21103 FORTY CUPS OF COFFEE unissued
012 21104 RATTLE SHAKIN' DADDY F3512/ SPE 6608 BDL-1031 RSCD-007
013 20969 [remake] SO LONELY unissued
3 October 1956 [no.5436] Capitol Recording Studio, 151 W, 46th St., New York City – The Jodimars (Dick Richards [vcl], Charlie Hess [gt], Marshall Lyttle [vcl/bass], Jim Buffington [drums, Bob Simpson [piano], Joe D’ Ambrosio [tenor sax])
014 21234 MIDNIGHT F3588/ SPE 6608 BDL-1031 RSRCD-007
015 21235 CLARABELLA F3577/ SPE 6608 BDL-1031 RSRCD-007
5 October 1956 [no.5438] Capitol Recording Studio, 151 W, 46th St., New York City – The Jodimars (Dick Richards [vcl], Charlie Hess [gt], Marshall Lyttle [vcl/bass], Jim Buffington [drums, Bob Simpson [piano], Joe D’ Ambrosio [tenor sax])
016 21240 CLOUD 99 F3633/ SPE 6608 BDL-1031 RSRCD-007
017 21241 LATER F3633/ SPE 6608 BDL-1031 RSRCD-007
018 21242 I CAN’T HOLD STILL unissued
ca. December 1956 [poss. demo session] Capitol Recording Studio, 151 W, 46th St., New York City – The Jodimars (Dick Richards [vcl], Charlie Hess [gt], Marshall Lyttle [vcl/bass], Jim Buffington [drums, Bob Simpson [piano], Joe D’ Ambrosio [tenor sax])
01801 DIM, DIM THE LIGHTS (I WANT SOME ATMOSPHERE) unissued
22 January 1957 [no.5478] Capitol Recording Studio, 151 W, 46th St., New York City – The Jodimars (Dick Richards [vcl], Charlie Hess [gt], Marshall Lyttle [vcl/bass], Jim Buffington [drums, Bob Simpson [piano], Joe D’ Ambrosio [tenor sax])
019 21347 GUESS WHAT unissued
020 21348 HURRY BACK TO ME unissued
021 21349 SANDY – instr.- unissued
1957 unknown – The Jodimars
022 P-137/ZTSP-27286 SHOO SUE (GET AWAY FROM ME) President 1017
023 P-138/ZTSP-27287 STORY TELLING BABY 1017
January 1958 poss. Master Recorders, 533 North Fairfax Ave., Hollywood, CA – The Jodimars
024 IM 1453 BE MY LOVE TONIGHT unissued/RSRCD-007
025 IM 1454 BRING ALONG YOUR LOVE unissued/ RSRCD-007
026 IM 1455 HONEY BABY unissued/ RSRCD-007
027 IM 1456 HIP SHAKIN' BABY unissued/ RSRCD-007
1959 poss. Las Vegas, NV – The Jodimars
028 ONE GRAIN OF SAND Milestone 107
029 TIME (IS ENDLESS) 107

ALBUMS
Ember/Specialty [UK] SPE 6608 Well Now Dig This: Well Now Dig This; Dance The Bop; Let's All Rock Together; My Bayou Baby; Eat Your Heart Out Annie; Lotsa Love; Rattle My Bones; Rattle Shakin' Daddy; Clara-Bella; Midnight; Cloud 99; Later – 70 (reissued on Bulldog BDL-1031 in 1979)
Rockstar [UK] RSRCD-007 Let's All Rock Together: [Jodimars:] Flip Flop And Fly [Demo]; Rock-A-Beatin' Boogie [Demo]; Natural Ditty; So Lonely; Cra-Z; Well Now Dig This; Let's All Rock Together; Dance The Bop; Bayou Baby; Lotsa Love; Rattle My Bones; Eat Your Heart Out Annie; Midnight; Rattle Shakin' Daddy; Clara-Bella; Cloud 99; Later; Hip Shakin' Baby; Be My Love Tonight; Honey Baby; Brong Along Your Lovin'; [Bill Haley:] Interview [20/2/57]; That's How I Got To Memphis; Ain't Love Funny Ha Ha Ha [22/10/68]; Jingle Bell Rock; Rockin' Around The Christmas Tree; Flup Flop And Fly; Interview [3/5/68] - 94


SINGLES
Capitol (1955-56)
F3285 Well Now Dig This / Let's All Rock Together - 11-55
F3360 Dance The Bop / Boom Boom My Bayou Baby - 02-56
F3436 Rattle My Bones / Lotsa Love - 05-56
F3512 Rattle Shakin' Daddy / Eat Your Heart Out Annie - 08-56
F3588 Clarabella / Midnight - 11-56
F3633 Cloud 99 / Later -02-57
President (1957)
1017 Shoo-Sue / Story Telling Baby - 57
Milestone (1959)
107 One Grain Of Sand / Time (Is Endless) - 59

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.