*06-09-1911 Hastings, IA, +06-10-1948
by Henk Scholts, Hillbilly Researcher
SESSIONS
9 February 1940 Atlanta, GA - Byron Parker and his Mountaineers (Byron Parker [bass vcl], Clyde Robbins [tnr vcl/gt], Leonard Stokes [vcl/mandolin/gt], DeWitt ‘Snuffy’ Jenkins [banjo], Homer Sherrill [bari vcl/fiddle]
001 047637-1 LITTLE PAL Bluebird B-8521 Montgomery WardM-8723 Regal Zonophone G24892/Old Homestead OHCS 169 OHCD 4169
002 047638-1 I'M SORRY, THAT'S ALL I CAN SAY B-8521 M-8723 G24892/OHCS 169 OHCD 4169
003 047639-1 THE FAMILY CIRCLE B-8476 M-8722/OHCS 169 OHCD 4169
004 047640-1 A BEAUTIFUL LIFE B-8476 M-8722/OHCS 169 OHCD 4169
005 047641-1 WE SHALL RISE B-8551 MW M-8724/OHCS 169 OHCD 4169
006 047642-1 OH DARLING COME BACK B-8551 MW M-8724/OHCS 169 OHCD 4169
007 047643-1 CARROLL COUNTY BLUES B-8432 MW M-8721/OHCS 169 OHCD 4169
008 047644-1 UP JUMPED THE DEVIL B-8432 M-8721/OHCS 169 RCA LPV-552 OHCD 4169
10 October 1940 Atlanta, GA - Byron Parker and his Mountaineers (Byron Parker [vcl], Clyde Robbins [tnr vcl/gt], Leonard Stokes [vcl/gt], DeWitt ‘Snuffy’ Jenkins [banjo], Homer Sherrill [fiddle], band vcl [-1])
009 054596-1 C & N.W. RAILROAD BLUES B-8673 M-8874/OHCS 169 OHCD 4169
010 054597-1 PEANUT SPECIAL -1 B-8673 M-8874/OHCS 169 OHCD 4169
011 054598-1 THE LETTER THAT WENT TO GOD B-8633 M-8873/OHCS 169 OHCD 4169
012 054599-1 TELL HER NOT TO WAIT FOR ME B-8708 M-8875/OHCS 169 OHCD 4169
013 056500-1 I LOVE MY SAVIOR B-8633 M-8873/OHCS 169 OHCD 4169
014 056501-1 HE IS MY FRIEND AND GUIDE B-8771 M-8876/OHCS 169 OHCD 4169
015 056502-1 THAT'S WHY I'M BLUE B-8771 M-8876/OHCS 169 OHCD 4169
016 056503-1 MARRIED LIFE BLUES B-8708 M-8875/OHCS 169 Rounder 1013 OHCD 4169
September 1946 Radio Station WIS, Columbia, SC - Byron Parker (The old hired hand) & his Hillbillies
017 D246 GONNA LAY DOWN MY OLD GUITAR 5017/Rounder 1013 OHCD 4169
018 D247 IF YOU COULD BE THE SAME 5017/OHCD 4169
019 D248 GETHSEMANE 5018/OHCD 4169
020 D249 CAN THE LORD DEPEND ON YOU 5018/OHCD 4169
January 1947 Radio Station WIS, Columbia, SC - Byron Parker (The old hired hand) & his Hillbillies
021 D309 THE OLD COUNTRY CHURCH 5022/OHCD 4169
022 D310 I’LL HAVE A NEW LIFE 5022/OHCD 4169
023 D311 GONNA RAISE A RUCKUS TONIGHT 5024
024 D312 I’LL LOVE YOU ‘TIL I DIE 5024
1947 unknown - Byron Parker’s Hillbillies
025 I DON’T LOVE NOBODY Red Barn 1192/OHCD-4169
026 THOSE BLUES DON’T WORRY ME 1192/OHCD-4169
possibly from session above:
027 WHEN I MAKE THAT LAST MOVE ?/OHCD-4169
028 THE LETTER THAT WENT TO GOD ?/OHCD-4169
ALBUMS
Old Homestead OHCS-169 Bluegrass Roots: Little Pal; I’m Sorry That’s All I Can Say; The Family Circle; A Beautiful Life; We Shall Rise; Oh Darling Come Back; Carrol County Blues; Up Jumped The Devil; C& NW Railroad Blous; Peanut Special; The Letter That Went To God; Tell Her Not To Wait For Me; I Love My Saviour; He’s My Friend And Guide; That’s Why I’m Blue; Married Life Blues - 85
Old Homestead OHCD-4169 Byron Parker & His Mountaineers: Little Pal; I'm Sorry That's All I Can Say; Family Circle;Beautiful Life; We Will Rise;Oh Darling Come Back;Carroll County Blues; Peanut Special; Letter That Went To God; Tell Her Not To Wait For Me; I Love My Saviour; He Is My Friend And Guide; That's Why I'm So Blue; Married Life Blues;Gonna Lay Down My Old Guitar;If You Could Be The Same; I'll Have A New Life;Gethsemane; Can The Lord Depend On You; Old Country Church; Don't Love Nobody; Those Blues Don't Worry My Mind; When I Make That Last Move; The Letter That Went To God – 01
SINGLES
Bluebird
B-8432 Up Jumped The Devil / Carroll County Blues
B-8476 A Beautiful Life / The Family Circle
B-8521 I'm Sorry, That's All I Can Say / Little Pal
B-8551 Oh Darling Come Back / We Shall Rise
B-8633 I Love My Savior / The Letter That Went To God
B-8673 Peanut Special / C & N.W. Railroad Blues
B-8708 Married Life Blues / Tell Her Not To Wait For Me
B-8771 He Is My Friend And Guide / That's Why I'm Blue
Montgomery Ward
M-8721 Carroll County Blues / Up Jumped The Devil
M-8722 The Family Circle / A Beautiful Life
M-8723 Little Pal / I'm Sorry, That's All I Can Say
M-8724 We Shall Rise / Oh Darling Come Back
M-8873 I Love My Savior / The Letter That Went To God
M-8874 C & N.W. Railroad Blues / Peanut Special
M-8875 Married Life Blues / Tell Her Not To Wait For Me
M-8876 That's Why I'm Blue / He Is My Friend And Guide
Regal Zonophone [AUS]
G24892 I'm Sorry, That's All I Can Say / Little Pal
De Luxe (1946-1947)
5017 Gonna Lay Down My Old Guitar / If You Could Be The Same – 46
5018 Gethsemane / Can The Lord Depend On You - 46
5022 The Old Country Church / I’ll Have A New Life – 47
5024 Gonna Raise A Ruckus Tonight / I’ll Love You ‘Til I Die - 47
Red Barn (1947)
1192 I Don’t Love Nobody / Those Blues Don’t Worry Me – 47
unknown (possibly Red Barn)
? When I Make That Last Move / The Letter That Went To God – 47?
SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY
Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Tuesday, August 16, 2011
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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