by Praguefrank, Michel Ruppli
SESSIONS
ca. 6 November 1957 unknown - Johnny Ferguson as by Johnny Ferg
001 103830 WHAT A SAD SAD DAY THAT WILL BE Decca 9-30572
002 103831 CANDY LOVE 9-30572
30 June 1958 Bradley Film and Recording Studio, 804 16th Ave. South, Nashville, TN - Johnny Ferguson
003 105311/NA 10306 TILL SCHOOL STARTS AGAIN 9-30731
004 105312/NA 10307 LAST DATE 9-30731
27 March 1959 [22:00-01:30] Bradley Film And Recording Studio, 804 16th Ave. South, Nashville, TN - Johnny Ferguson
005 59-XY-480 AFTERGLOW MGM K12789
006 59-XY-481 WALKIN‘ FOR THE SANDMAN K12789
5 October 1959 Bradley Film And Recording Studio, 804 16th Ave. South, Nashville, TN - Johnny Ferguson
007 59-XY-1031 ANGELA JONES K12855
008 59-XY-1032 BLUE SERGE AND WHITE LACE K12855
ca June 1960 unknown – Johnny Ferguson
009 60-XY-737 FLUTTER, FLUTTER K 12905
010 I UNDERSTAND JUST HOW YOU FEEL
ca 15 September 1960 poss. Bradley Film And Recording Studio, 804 16th Ave. South, Nashville, TN - Johnny Ferguson
011 60-XY-957 THE VALLEY OF LOVE K 12960
012 60-XY-962 NO ONE CAN LOVE YOU (LIKE I DO) K 12960
SINGLES
Decca (1958)
9-30572 What A Sad Sad Day That Will Be / Candy Love – 02-58 (rev. Feb. 17)
9-30731 Last Date / 'Til School Starts Again – 08-58 (rev. Sept. 1)
MGM (1959-1960)
K 12789 Afterglow / Waitin' For The Sandman – 05-59
K 12855 Angela Jones / Blue Serge And White Lace - 12-59
K 12905 Flutter, Flutter / I Understand Just How You Feel – 04-60
K 12960 The Valley Of Love / No One Can Love You (Like I Do) - 10-60
SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY
Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Wednesday, May 9, 2012
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
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