SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Thursday, December 24, 2009

Uncle Jimmy Thompson

by Tony Russell, Thieu Van De Vorst

SESSIONS
1 November 1926 Atlanta, GA - Uncle Jimmy Thompson (Jimmy Thompson [fiddle/accordion], Eva Thompson Jones [piano])
001 W143002-2  BILLY WILSON Columbia 15118 D/LP 542 CO-3522 BACM CD D 702
002 W143003  HIGH BORN LADY  unissued
003 W143004-2  KARO 15118 D/ LP 542 CO-3522 BACM CD D 702
004 W143005  MISSISSIPPI SAWYER  unissued
COUNTY LP 542 EARLY STRINGBANDS VOL.2 (1976); COUNTY CO-3522 NASHVILLE EARLY STRINGBANDS VOL.2 (2000); BACM CD D 702 COUNTRY MUSIC UNCLES (UK, May 2023)
5 April 1930 Knoxville, TN –  Uncle Jimmy Thompson (Jimmy Thompson [fiddle/speach], Eva Thompson Jones [piano], Bill Brown [speach])
005 K-8092  HIGH BORN LADY  unissued
006 K-8093  LYNCHBURG  Vocalion 5456/BACM CD D 702
007 K-8094  UNCLE JIMMYS FAVORITE FIDDLING PIECES  Vocalion 5456/CO 3522 BACM CD D 702
008 K-8095  GOLDEN BEAUTY WALTZ  unissued




SINGLES
Columbia (1926)
15118-D Billy Wilson / Karo – ca. 12-26
Vocalion (1930)
5456 Uncle Jimmy's Favorite Fiddlin' Piece / Lynchburg - 15-10-30

Fargo Tanner

SESSIONS
by Praguefrank
ca. February or March 1975 poss. Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Fargo Tanner
001 C 153 DON’T DROP IT Avco CAV-612
002 C 154? I GO CRAZY (BUT I CAN'T LET YOU GO) CAV-612

SINGLES
Avco (1975)
CAV-612 001 Don't Drop It / I Go Crazy (But I Can't Let You Go) - 06-75

Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.