SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
hillbilly@centrum.cz
praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Tuesday, May 24, 2011

Ginny Arnell



Virginia Mazarro, *02-11-1942 New Haven, CT
by Michel Ruppli, Praguefrank, Robert Burg
SESSIONS


11 February 1959 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City - Gene Pitney and Ginny Arnell aka Jamie and Jane (Gordon Sullivan [gt] + more unknown musicians. Producer: Harry Meyerson)
J01 106555 SNUGGLE UP BABY 9-30862/ BCD-15724
J02 106556 STROLLING 9-30862/ BCD-15724
8 June 1959 [14:00-17:30] Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City -Gene Pitney and Ginny Arnell aka Jamie and Jane (Don Arnone [gt], Al Casamenti [gt], Gordon Sullivan [gt], Sandy Block [bass], Bobby Donaldson [drums], Moe Wechsler [piano], Al Klink [sax] + vocal chorus. Producer: Harry Meyerson)
J03 107527 FAITHFUL OUR LOVE 9-30934/ BCD-15724
J04 107528 CLASSICAL ROCK AND ROLL 9-30934/ BCD-15724
ca November 1959 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City - Ginny Arnell
001 108306 MISTER SAXOPHONE 9-31033
002 108307 BRAND NEW 9-31033
ca May 1960 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City - Ginny Arnell (orch. dir. by Jack Pleis)
003 109137 CARNIVAL (MANHA DE CARNAVAL) 9-31104
004 109138 WE 9-31104
September 1960 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City - Ginny Arnell (Giny Arnell [vcl] + orchestra dir. by Jack Pleis)
005 109645 LOOK WHO’S TALKIN‘ 9-31190
006 109646 TELL ME WHAT YOU SAID 9-31190
ca September 1961 poss. New York City – Ginny Arnell
007 61-WA-112 TRIBUTE TO YOU Warwick M 671
008 61-WA-113 NO ONE CARES Warwick M 671
Early 1962 poss. New York City – Ginny Arnell
009 62-WA-3 MARRIED TO YOU M 680
010 62-WA-4 HE LIKES ME BETTER THAN ROCK AND ROLL M 680 
22 March 1963 poss. Nashville, TN – Ginny Arnell
011 63-XY-547 I’M CRYING TOO unissued
012 63-XY-548 TROUBLE’S BACK IN TOWN unissued
013 63-XY-549 I SAW HIM unissued
014 63-XY-550 LOOKING, COOKIE, YA YA unissued
May 1963 New York City – Ginny Arnell (Ginny Arnell [vcl] + orchestra dir. by Charlie Calello)
015 63-XY-370 I'M CRYING TOO K 13146 / Poker 742493
016 63-XY-371 TROUBLE'S BACK IN TOWN K 13146/ Poker 742493
017 63-XY-372 LOOKING, COOKIE, YA YA unissued
29 August 1963 New York City – Ginny Arnell (Ginny Arnell [vcl] + orchestra dir. by Al Gorgoni)
018 63-XY-758 DUMB HEAD K 13177/SE-4228 Poker 742493
019 63-XY-759 HOW MANY TIMES CAN ONE HEART BREAK? K 13177/SE-4228 Poker 742493
10 September 1963 poss. New York City – Ginny Arnell
020 63-XY-756 WATCH WHAT YOU DO WITH MY BABY SE-4228 Poker 742493
021 63-XY-757 YOU PULLED A FAST ONE SE-4228 Poker 742493
26 February 1964 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – Ginny Arnell (Ginny Arnell [vcl] + orchestra dir. by Bill McElhiney or Ray Stevens)
022 64-XY-434 HE'S MY LITTLE DEVIL K 13226/SE-4228 Poker 742493
023 64-XY-435 I DON’T WANT YOU THIS WAY SE-4228 Poker 742493
024 64-XY-436 I WISH I KNEW WHAT DRESS TO WEAR K 13226/SE-4228 Poker 742493
025 64-XY-437 LET ME MAKE YOU SMILE AGAIN K13248/SE-4228 Poker 742493
026 64-XY-438 I'M SO AFRAID OF LOVING YOU K13403/SE-4228 Poker 742493
027 64-XY-439 PORTRAIT OF A FOOL K13309/SE-4228 Poker 742493
1964 [overdub session] poss. New York City – Ginny Arnell (overdubbed on instrumental master 63-XY-762)
027 64-XY-505 YESTERDAY’S MEMORIES K13248/SE-4228 Poker 742493
1964 [overdub session] poss. New York City – Ginny Arnell (overdubbed on instrumental master 61-XY-339 by Billy Mure Orchestra)
028 64-XY-586 AND THIS IS MINE SE-4228 Poker 742493
9 November 1964 poss. Nashville, TN – Ginny Arnell (Ginny Arnell [vcl] + orchestra dir. by A. Jeffreys)
029 64-XY-807 JUST LIKE A BOY K13309/ Poker 742493
14 April 1965 New York City – Ginny Arnell (Ginny Arnell [vcl] + orchestra dir. by Teddy Randazzo)
030 65-XY-408 A LITTLE BIT OF LOVE CAN HURT K 13362/ Poker 742493
031 65-XY-409 B-I-L-L-WHY? K 13362/ Poker 742493
032 65-XY-410 I'M GETTIN' MAD K13403/ Poker 742493

ALBUMS
MGM E/SE-4228 Meet Ginny Arnell:
I Wish I Knew What Dress To Wear; I'm So Afraid Of Loving You; Watch What You Do With My Baby; How Many Times Can One Heart Break; Dumbhead; Portrait Of A Fool; He's My Little Devil; Yesterday's Memories; Let Me Make You Smile Again; You Pulled A Fast One; This Is Mine; I Don't Want You This Way – 05-64
Poker 742493 Meet Ginny Arnell: I Wish I Knew What Dress To Wear; I'm So Afraid Of Loving You; Watch What You Do With My Baby; How Many Times Can One Heart Break; Dumbhead; Portrait Of A Fool; He's My Little Devil; Yesterday's Memories; Let Me Make You Smile Again; You Pulled A Fast One; This Is Mine; I Don't Want You This Way; I'm Crying Too; Trouble's Back In Town; Just Like A Boy; Billy Why?; A Little Bit Of Love Can Hurt; I'm Getting Mad – 04-03-08 (reissued of SE-4228 + bonus tracks)

SINGLES

Decca (1959)
9-30862 Snuggle Up Baby / Strolling – 03-59 Jamie and Jane
9-30934 Faithful Our Love / Classical Rock And Roll – 07-59 Jamie and Jane (rev. July 20)
9-31033 Mister Saxophone / Brand New – 01-60 (rev. Feb. 1)
9-31104 Carnival (Manha De Carnaval) / We – 06-60
9-31190 Look Who’s Talkin‘ / Tell Me What You Said – 12-60 (rev. Dec. 19)
Warwick (1961-62)
M671 No One Cares / Tribute To You – 10-61 as Ginny Arnel
M680 Married To You / He Likes Me Better Than Rock And Roll – 03-62
MGM (1963-65)
K 13146 I'm Crying Too / Trouble's Back In Town – 06-63
K 13177 Dumb Head / How Many Times Can One Heart Break? – 10-63 (rev. Oct. 12)
K 13226 He's My Little Devil / I Wish I Knew What Dress To Wear – 03-64 (rev. March 28)
K 13248 Let Me Make You Smile Again / Yesterdays Memories – 06-64
K 13309 Portrait Of A Fool / Just Like A Boy – 01-65
K 13362 A Little Bit Of Love Can Hurt / B-I-L-L-Why? – 05-65 (rev. June 5)
K 13403 I'm Gettin' Mad / I'm So Afraid Of Loving You – 10-65 (rev. Oct. 23)
 

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.