SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
hillbilly@centrum.cz
praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Sunday, July 10, 2011

Jerry Crutchfield



*10-08-1934 Paducah, KY
By Praguefrank, Bill Daniels, Michel Ruppli
SESSIONS also member of Country Gentlemen (RCA), The Escort
ca. July 1960 unknown – Jerry Crutchfield and His Band
001 MB-15138 E'WAN AMEA 45-16124
002 MB-15139 ROCK ME EASY 45-16124
003 MB-15140 E'WAN AMEA 4-16125
004 MB-15141 I'LL FOREVER BE LOVIN' YOU 45-16125
1962 unknown – Jerry Crutchfield and Orchestra (Producer: Gerald Nelson)
005 FD 481 THAT HAPPY FEELING Felsted 45-8645
006 FD 482 ALASKAN LOVE SONG Felsted 45-8645
ca. November 1962 unknown – Jerry Crutchfield and His Combo
007 MB-17569 THE BO-BIT, PART 1 45-16426
008 MB-17570 THE BO-BIT, PART 2 45-16426
23 April 1964 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN - Jerry Crutchfield (unknown musicians. Producer: Owen Bradley)
009 114824/NA 12922 DANCING IN THE STREETS Coral 62416
010 114825/NA 12923 SOMETHING COOL unissued
011 114826/NA 12924 DON‘T LET THE SUN CATCH YOU CRYING Coral 62416
012 114827/NA 12925 EAST OF MIDNIGHT unissued

SINGLES
Dot (1960-62)
45-16124 E’wan Amea / Rock Me Easy – 08-60 (rev. Sept. 5)
45-16125 I’ll Forever Be Lovin‘ You / E’wan Amea – 03-61 (rev. March 20)
45-16426 The Bo-Bit, Pt.1 / The Bo-Bit, Pt.2 – 12-62 (rev. Jan. 19)
Felsted (1962)
45-8645 That Happy Feeling /  Alaskan Love Song – 05-62 (rev. May 19)
Coral (1964)
62416 Dancing In The Streets / Don’t Let The Sun Catch You Crying - 64
 

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.