SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
hillbilly@centrum.cz
praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Monday, May 21, 2012

Joe Greene

By Praguefrank
SESSIONS
November 1967 High Point, NC – Kenny Baker and Joe Greene
001 BOATING UP County 714
002 REUBEN'S BRIDGE County 714
003 GOLDENROD WALTZ County 714
004 BIRDIE County 714
005 CALLAHAN County 714
006 LIVE AND LET LIVE County 714
007 FRIDAY NIGHT WALTZ County 714
008 STONEY CREEK County 714
009 DONE GONE County 714
010 HIGH POINT County 714
011 LEATHER BREECHES County 714
June or July 1969 Nashville, TN – Joe Greene (Joe Greene [fiddle], Chubby Wise [gt], J.D. Crowe [banjo], Roland White [mandolin], Benny Williams [bass]. Producer: David Freeman)
012 DALEY'S REEL County 722
013 CATTLE IN THE CORN County 722
014 KATY HILL County 722
015 BIG JOE County 722
016 PADDY ON THE TURNPIKE County 722
017 MONEY MUSK County 722
018 DUSTY MILLER County 722
019 KINGSPORT County 722
020 GREY EAGLE County 722
021 TURKEY BUZZARD County 722
022 SALT RIVER County 722
023 ROAD TO JENKINS County 722


ALBUMS
County 714 High Country: Boating Up; Reuben's Bridge; Goldenrod Waltz; Birdie; Callahan; Live And Let Live; Friday Night Waltz; Stoney Creek; Done Gone; High Point; Leather Breeches – ca. 05-68 w. Kenny Baker
County 722 Joe Greene's Fiddle Album: Daley's Reel; Cattle In The Corn; Katy Hill; Big Joe; Paddy On The Turnpike; Money Musk; Dusty Miller; Kingsport; Grey Eagle; Turkey Buzzard; Salt River; Road To Jenkins – 01-70

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.