SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
hillbilly@centrum.cz
praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Monday, July 9, 2012

Donna Ramsey

*1953 Sault Ste. Marie, CAN
2nd version
by Michel Ruppli, Ian Gosling, Praguefrank
SESSIONS
1969 poss. Toronto, Ontario, CAN – Donna Ramsey
001 X47039 BITTERSWEET Capitol 72578 2689/ST-6316
002 X47040 I WON’T CHANGE FOR YOU 72578 2689/ST-6316
29 January 1970 [no 13376] Nashville, TN – Donna Ramsey
003 80088 SILVER THREADS AND GOLDEN NEEDLES Capitol ST-6316
004 80089 COOL GREEN WATERS 72608 2913/ST-6316
005 80090 PAGE TWO 72608 2913/ST-6316
006 80091 SNOWBIRD ST-6316
30 January 1970 [no 13377] Nashville, TN – Donna Ramsey
007 80092 INVISIBLE TEARS ST-6316
008 80093 SANDS OF TIME ST-6316
009 80094 HEAVEN IS HERE unissued
010 80095 JUST BIDING MY TIME ST-6316
1970 poss. Toronto, Ontario, CAN – Donna Ramsey
011 TO SAVE MY HEART ST-6316
012 DON’T TAKE IT OUT ON ME ST-6316
1971 poss. Toronto, Ontario, CAN – Donna Ramsey
013 SOMETHING IN YOUR FACE Astra AS-45305
014 THERE MUST BE A REASON Astra AS-45305
1971 poss. Toronto, Ontario, CAN – Donna Ramsey
015 IT'S GONNA BE A NICE WARM CHRISTMAS AS-45320
016 LONELY CHRISTMAS AS-45320
1972 poss. Toronto, Ontario, CAN – Donna Ramsey (w. The Lauria Bower Singers. Orche. cond. by John Arpin)
017 THE WORLD NEEDS A MELODY Arpeggio ARPS-1019/ARPS 100005 Can. Tal. Libr. S 5168
018 SOMETHING IN YOUR FACE Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
019 HELP ME MAKE IT THROUGH THE NIGHT Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
020 THAT'S ALL PART OF LOSING Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
021 MISSING YOU Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
022 PAVE YOUR WAY Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
023 I WON'T MENTION IT AGAIN Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
024 REASON TO BELIEVE Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
025 THERE MUST BE A REASON Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
026 I'LL BE A ROVER Arpeggio ARPS-1019/ARPS 100005 Can. Tal. Libr. S 5168
027 WITH HIS HAND IN MINE Arpeggio ARPS 100005 Can. Tal. Libr. S 5168
1976 poss. Toronto, Ontario, CAN – Donna Ramsey
028 FAMILIAR OLD WAY Broadland BR 2185X
029 NOTHING TO LOSE BUT YOUR LONELINESS Broadland BR 2185X
1977 poss. Toronto, Ontario, CAN – Donna Ramsey
030 BEFORE YOU SAY GOODBYE BR 2216X
031 HOLD ON TO A LITTLE BIT OF LOVE BR 2216X

ALBUMS
Capitol [CAN] ST-6316 Cool Green Waters: Cool Green Waters; Silver Threads & Golden Needles; Page Two; Snowbird; Invisible Tears; Sands Of Time; I Won't You; Bittersweet; Just Bidin' My Time; To Save My Heart; Don't Take It Out On Me - 71
Arpeggio [CAN] ARPS 10005 The World Needs A Melody: The World Needs A Melody; Something In Your Face; Help Me Make It Through The Night; That's All Part Of Losing; Missing You; Pave Your Way; I Won't Mention It Again; Reason To Believe; There Must Be A Reason; I'll Be A Rover; With His Hand In Mine – 72 (also on Canadian Talent Library S-5168).


SINGLES
Capitol (1969-70)
2689 Bittersweet / I Won’t Change For You - 69
2913 Cool Green Waters / Page Two - 70
SINGLES
Capitol [CAN] (1969-70)
72578 I Won't Change For You / Bitter Sweet – 69 (US: 2689)
72608 Cool Green Water / Page Two – 70 (US: 2913)
Astra [CAN] (1971)
AS-45305 Something In Your Face / There Must Be A Reason - 71
AS-45320 It's Gonna Be A Nice Warm Christmas / Lonely Christmas - 71
Arpeggio [CAN]
ARPS-1019 I'll Be A Rover / The World Needs A Melody - 72
Broadland [CAN]
BR 2185X Familiar Old Way / Nothing To Lose But Your Loneliness - 76
BR 2216X Before You Say Goodbye /Hold On To A Little Bit Of Love - 77

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.