SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Thursday, November 22, 2012

Fairley Holden / Holden Brothers



*24-10-1916 Ellijay, GA, +03-10-1987
2nd version
By Praguefrank, Michel Ruppli
SESSIONS



1946 unknown – Fairley Holden/*Holden Brothers (Fairley Holden [vcl/gt], Milton „Jack Holden“ Jackson [vcl/gt] + unknown musicians)
H01 RV-1003 SWEETHEART MOUNTAIN ROSE* Contract 8151 BACM CD D 146
001 RV 1004 KEEP THEM COLD ICEY FINGERS OFF OF ME Contract 8151 BACM CD D 146
January 1947 unknown – Fairley Holden
002 1051A KEEP THEM COLD ICEY FINGERS OFF ME  Radio 1051/BACM CD D 146
003 1051B I KNOW YOU DON’T LOVE ME LIKE YOU USED TO Radio 1051/BACM CD D 146
February 1947 E. T. Herzog Recording Studio, 811 Race St., Cincinnati, OH - Fairley Holden and Six Ice Cold Papas (Fairley Holden [vcl/gt], Homer Haynes [gt], Jethro Burns [mandolin], prob. Tommy Covington [steel], Slim Miller or Bob Simmons [fiddle], Moon Mullican [piano])
004 K2297 KEEP THEM ICE COLD FINGERS OFF OF ME King 612/BACM CD D 146
005 K2298 PORT TO PORTAL PAY 612/BACM CD D 146
006 K2299 INTOXICATED RAT 628/BACM CD D 146
possibly from sessison above:
007 K2413 I’VE GOT BLUES TO SPARE 628/BACM CD D 146
June 1947 unknown – Holden Brothers featuring Emory Martin (Fairly Holden, Jack Holden, Emory Martin [banjo])
H02 1072A MOTHER'S NOT DEAD, SHE'S ONLY SLEEPING White Church 1072/1079 WIBW Round Up 1072
H03 1072B I’M DOING MY TIME  WIBW Round Up 1072 Red Barn
H04 1079A DUST ON THE BIBLE WIBW Round Up 1079 White Church 1072/1079
H05 1079B PARCEL OF LOVE WIBW Round Up 1079  Red Barn
ca. September 1947 King Recording Studio, 1540 Brewster Ave., Cincinnati, OH – Fairley Holden
008 K2527 THERE‘S MORE THAN ONE WAY TO SKIN A CAT 678/BACM CD D 146
009 K2528 M CRYING IN MY SLEEP¢THAT‘S WHY I Federal 45-10027/BACM CD D 146
010 K2529 COO SEE COO 678/BACM CD D 146
011 K2530 PAPA’S GETTING OLD 45-865/BACM CD D 146
012 K2531 FROM LEXINGTON TO LOUISVILLE Federal 45-10012/BACM CD D 146
013 K2532 HEARTBROKEN, LONESOME AND BLUE Federal 45-10022/BACM CD D 146
014 K2533 MOVE IT ON OVER 665/BACM CD D 146
015 K2534 I’M OH SO LONESOME unissued
December 1947 King Recording Studio, 1540 Brewster Ave., Cincinnati, OH - Fairley Holden
016 K2770 OOH, THAT NAGGIN‘ WIFE OF MINE 800//BACM CD D 146
017 K2771 LONG LONG DRESES 704/BACM CD D 146
018 K2772 YOU‘VE BEEN A BAD, BAD, LITTLE GIRL 800//BACM CD D 146
019 K2773 PUT SOME MEAT ON THE BONES 704/BACM CD D 146
020 K2774 GRAVEYARD BLUES 771/BACM CD D 146
021 K2775 SHE‘S SOME DAISY FOR NINETEEN YEARS OLD 741//BACM CD D 146
022 K2776 SWEET MAMA, PUT HIM IN LOW 771
023 K2777 DON‘T MONKEY AROUND MY WIDDE WHEN I‘M GONE 741//BACM CD D 146
December 1947 King Recording Studio, 1540 Brewster Ave., Cincinnati, OH - Fairley Holden
024 K2780 I‘M A MARRIED MAN Federal 45-10027/BACM CD D 146
025 K2781 LITTLE MAGGIE Federal 45-10022/BACM CD D 146
026 K2782 GRAVEYARD LIGHT unissued
027 K2783 THE LADY AND THE SOLDIER 45-10012/BACM CD D 146

ALBUMS
BACM CD D 146 I’ve Got Blues To Spare:
Keep Them Cold Icey Fingers Off Of Me; Port To Portal Pay; Intoxicated Rat; I’ve Got Blues To Spare; Move It On Over; There’s More Than One Way To Skin A Cat; Coo-Se-Coo; Put Some Meat On Them Bones; Long Long Dresses; Don’t Monkey ‘Round My Widder; She’s Some Daisy For 19 years Old; Graveyard Light; You’ve Been A Bad, Bad, Bad Little Girl; Oh That Naggin’ Wife Of Mine; It’ll Make A Change In Business All Around; Papa’s Getting Old; The Lady And The Soldier; From Lexington To Louisville; Little Maggie; Heartbroken, Lonesome And Blue; I’m A Married Man; That’s Why I’m Crying In My Sleep; Keep Them Cold Icey Fingers Off Of Me; Keep Them Cold Icey Fingers Offa Me; I Know You Don’t Love Me Like You Used To - 06


SINGLES
Contract (1946)
8151 Keep Them Cold Icy Fingers Off Of Me / [Holden Brothers:] Sweetheart Mountain Rose - 46
Radio (1947)
1051 Keep Them Cold Icy Fingers Off Of Me / I Know You Don’t Love Me Like You Used To – 03-47
King/*Federal (1947)
612 Keep Them Cold Icy Fingers Off Of Me / Port To Portal Pay – 25-03-47 (adv. March 29; rev. May 10)
628 I've Got Blues To Spare / Intoxicated - ca 06-47
665 Move It On Over / As Advertised [Cowboy Copas and Grandpa Jones] – 09-09-47 (adv. Sept. 5)
678 There's More Than One Way To Skin A Cat / Coo See Coo – 23-12-47 (rev. Jan. 17)
704 Put Some Meat On Them Bones / Long Long Dresses - 48
741 Don't Monkey Around My Widder When I'm Gone / She's Some Daisy For Nineteen Years Old – 05-10-48
771 Sweet Mama Put Him In Low / Graveyard Blues – 01-03-49
800 You've Been A Bad, Bad Little Girl / Oh That Naggin' Wife Of Mine – 28-06-49
45-865 Papa's Getting Old / I'll Make A Change In Business – 30-05-50
Federal
45-10012 From Lexington To Louisville / The Lady And The Soldier – 05-51  (adv. May 11)
45-10022 Heart Weary Lonesome And Blue / Little Maggie – 07-51
45-10027 That’s Why I’m Crying In My Sleep / I’m A Married Man – 09-51
WIBW Round Up (1947) Holden Brothers
1072 Mother's Not Dead, She's Only Sleeping / I’m Doing My Time  - 47
1079 Dust On The Bible / Parcel Of Love - 47
Red Barn ?  I’m Doing My Time / Dust On The Bible - 47
White Church 1072/1079 Dust On The Bible / Mother's Not Dead, She's Only Sleeping - 47

 

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.