SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
hillbilly@centrum.cz
praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Wednesday, April 1, 2009

Kay Adams

Princetta Kay Adams, *09-04-1941 Knox City, TX
by Michel Ruppli, Praguefrank, Rene Pavlik, Kent Heineman, Thieu Van De Vorst, Russell Rosen
SESSIONS
1965 [no 12535] Hollywood, CA – Kay Adams [purchased masters, registered July 19]

001 60246 DON'T TALK ABOUT TROUBLE TO ME Tower 177/ST 5069
002 60247 HONKY TONK HEARTACHE Tower 177/ST 5069
1965 [no 12535] Hollywood, CA – Kay Adams (Cliffie Stone Group)[purchased masters, registered July 19]
003 60254 ANYMORE Tower 235/ ST-5069
004 60255 I CRIED AT YOUR WEDDING ST-5069
005 60256 BE NICE TO EVERYBODY Tower 329/ST-5069
2 December 1965 [no 12639] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Cliffie Stone Group)
006 60374 ROLL OUT THE RED CARPET Tower 201/ ST-5069
007 60375 SHE DIDN'T COLOR DADDY ST-5069
008 60376 OLD HEART GET READY Tower 235/ST-5069
7 February 1966 [no. 12729, 14:30-17:30, 17:30-18:30] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Dick Curless and Kay Adams (Gene Moles [gt], Red Simpson [gt], Ralph Mooney [steel], Bob Morris [bass], Helen Price [drums], George French [piano]. Producer: Buck Owens)
009 60469 YOU YOU ONLY YOU ST 5025
010 60470 TERRIBLE TANGLED WEB ST 5025
011 60471 DEVIL LIKE ME NEEDS AN ANGEL LIKE YOU Tower 226/ST 5025
012 60472 NO FOOL LIKE AN OLD FOOL Tower 226/ST 5025
7 February 1966 [no. 12731] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Dick Curless and Kay Adams (Gene Moles [gt], Red Simpson [gt], Ralph Mooney [steel], Bob Morris [bass], Helen Price [drums], George French [piano]. Producer: Buck Owens)
013 60477 OLD STANDBY ST 5025
014 60478 TOO LATE ST 5025
015 60479 I CAN'T STOP MY LOVING YOU ST 5025
016 60480 FOREVER AND EVER ST 5025
017 60481 CONGRATULATIONS YOU'RE ABSOLUTY RIGHT ST 5025
018 60482 HEART TALK ST 5025
019 60483 HIGHWAYMAN Tower 219
24 May 1966 [no 12897] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Producer: Cliffie Stone)
020 60665 BIG MAC ST-5033
021 60666 LITTLE PINK MAC Tower 269/ST-5033
022 60667 SECOND FIDDLE ST-5033
023 60668 WALK THE FLOOR ST-5033
024 60669 THE WORST IS YET TO COME ST-5033
25 May 1966 [no 12899] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Producer: Cliffie Stone)
025 60672 BIG, BIG DAY TOMORROW ST-5033
026 60673 SIX DAYS A-WAITING Tower 329/ ST-5033 ST 5069 4-94919-2
027 60674 THE REASON WE'RE TOGETHER ST-5033
028 60675 OLD FASHIONED CRY ST-5033
029 60676 THAT'LL BE THE DAY ST-5033
16 August 1966 [no 14043] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Jerry Naylor and Kay Adams/*Kay Adams (Producer: Joe Allison)
030 60807 COTTONWOOD TREE ST-5045
031 60808 CABIN OF LOVE ST-5045
032 60809 HEY THERE,PRETTY GIRL ST-5045
033 60815 YOU TAUGHT ME EVERYTHING I KNOW* ST-5045
17 August 1966 [no 14045] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Jerry Naylor, Ray Sanders and Kay Adams (Producer: Joe Allison)
034 60811 RIVER OF LOVE (VOKA,JN) ST-5045
6 September 1966 [no 14068] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Kay Adams (Producer: Joe Allison)
035 60829 YOU TAUGHT ME EVERYTHING Tower 294
7 September 1966 [no 14069] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA - Kay Adams (Producer: Joe Allison)
036 60832 I CRIED (UNTIL I CAN'T CRY NO MORE)* ST-5045
037 60833 WHERE DID THE GOOD TIMES GO* Tower 294/ST-5045
5 December 1966 Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Mark Shannon/*Kay Adams (Cliffie stone Band Producer: Scott Turner)
038 61011 ROCKS IN MY HEAD* Tower 305
039 61012 TRAPPED* Tower 305/ST-5069
6 June 1967 [no. 15125] Las Vegas, NV – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
040 61437 WHO WILL BUY THE WINE ST-5087
041 61438 TILL TEMPTATION GETS THE BETTER OF ME ST-5087
5 July 1967 [no. 15132] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
042 61473 ALCOHOL AND TEARS ST-5087
043 61474 I LET A STRANGER (BUY THE WINE) 360/ST-5087
044 61475 THE DAY YOU LEFT ME ST-5087
045 61476 CLOSE UP THE HONKY TONKS ST-5087
6 July 1967 [no. 15133] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams (Gene Moles [gt], Red Simpson [gt], Tommy Collins [gt], Ralph Mooney [steel], Bob Morris, [bass] Helen Price [drums], George French [piano]. Producer: Scott Turner)
046 61477 HUSBAND STEALER ST-5087
047 61478 GET OUT OF MY HEART Tower 395/ST-5087
048 61479 CHEATIN' GOOD TIME ST-5087
049 61480 BOTTLE BABY ST-5087
31 July 1968 [no 15302] Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN – Kay Adams
050 62278 TOO USED TO BEING WITH YOU Tower 470
051 62279 EMPTY ARMS unissued
052 62280 GOOD MIORNING LOVE Tower 470
1 October 1968 [no. 15306, O.S. Killer¢s Three] poss. Columbia Recording Studio, 804 16th Ave. South, Nashville 3, TN - Dick Curless [-1], Kay Adams [-2], Merle Haggard [–3], Bonnie Owens [-4], Honeysuckle Spring [-5], Don Epperson [-6] (unknown musicians)
053 62293 MAYBE YOU'LL APPRECIATE ME SOMEDAY –2 Tower 445/ST-5141
054 62294 GONNA HAVE A GOOD TIME –2 Tower 445/ST-5141
30 March 1970 [no 20203] Hollywood, CA - Kay Adams [Ovation masters, purchased by Capitol in November 20,1972]
055 00005/79402 STEP ASIDE GIRL Ovation unissued/Capitol 3551
056 00006/79405 LET GEORGE DO IT Ovation OV/1015
057 00007/79403 SECOND HAND SUGAR SPOON Ovation unissued/Capitol 3551
058 00008/79404 YOU BETTER NOT DO THAT Ovation OV/1015
18 April 1973 [no 20365] Capitol Recording Studio, 1750 North Vine St., Hollywood 28, CA – Kay Adams
059 90022 AIN'T IT FUNNY 3692
060 90023 REASON TO FEEL 3692
061 90024 I CAN, I CAN 3624
062 90025 HEARTS OF STONE 3624
1975 unknown – Kay Adams
063 I NEVER GOT TO NASHVILLE Granite G-521
064 ELI WHITNEY  Granite G-521
065 COUNTRY DREAMER G-525
066 HENRY IN THE CENTERFOLD G-525
1978 unknown – Kay Adams
067 YOU SHOW ME YOURS AND I'LL SHOW YOU MINE Frontline FLS-704 / FLR 704 Randall 101  
068 YOU'RE THE LAST THING ON MY MIND  Frontline FLS-704/ FLR 704 Randall 101  
069 STAND ON MY OWN TWO KNEES  Frontline FLR 704 Randall 101  
070 FOR OLD TIMES SAKE  Frontline FLR 704 Randall 101  
071 THAT DON'T MEAN I MISS YOU  Frontline FLR 704 Randall 101  
072 SLIPPED AWAY  Frontline FLR 704 Randall 101
073 YOU JUST LOVED THE LEAVIN' OUT OF ME  Frontline FLR 704 Randall 101
074 YOU CAN'T FIGHT A MEMORY  Frontline FLR 704 Randall 101  
075 KISS IT AND MAKE IT ALL BETTER  Frontline FLR 704 Randall 101
076 A COAT YOU WORE  Frontline FLR 704 Randall 101   
according to Kay Adams she recorded two more albums for Frontline which very probably remained unissued /info from Russell Rosen/
1990s unknown – Kay Adams and BR5-49
077 MAMA WAS A ROCK, PAPA WAS A ROLLING STONE


ALBUMS
Tower T/ST-5025 A Devil Like Me Needs An Angel Like You:
You, You, Only You; Terrible Tangled Web; A Devil Like Me Needs An Angel Like You; No Fool Like An Old Fool; Old Standby; Too Late; I Can't Stop (My Lovin' You); For Ever And Ever; Congratulations, You're Absolutely Right; Heart Talk – 04-66 w. Dick Curless
Tower T/ST-5033 Wheels And Tears: Little Pink Mack; Six Days Awaiting; The Reason We're Together; Walk The Floor; Big Mack; That'll Be The Day; Second Fiddle; Big, Big Day Tomorrow; Old Fashioned Cry; The Worst Is Yet To Come – 09-66 (reissued on Sundazed SC 9002 in 2004)
Tower T/ST-5069 Make Mine Country: Six Days A'waiting; Old Heart Get Ready; Anymore; Don't Talk Trouble To Me; Trapped; Roll Out The Red Carpet; I Cried At Your Wedding; Honky Tonk Heartache; Be Nice To Everybody; She Didn't Color Daddy – 05-67
Tower T/ST-5087 Allcohol And Tears: Alcohol And Tears; I Let A Stranger (Buy The Wine); 'Til Temptation Gets The Better Of Me; Close Up The Honky Tonks; The Day You Left Me; Husband Stealer; Get Out Of My Heart; Cheatin' Good Time; Bottle Baby; Who'll Buy The Wine – 11-67
Frontline FLR-704/Randall 101 Made For Love: You Show Me Your and I'll Show You Mine; Stand On My Own Two Knees; For Old Times Sake; That Don't Mean I Miss You; Slipped Away; You Just Loved The Leavin' Out Of Me; You're the Last Thing On My Mind; You Can't Fight A Memory; Kiss It and Make It All Better; A Coat You Wore - 78

SINGLES
Tower (1965-68)
177 Don't Talk About Trouble To Me / Honky Tonk Heartaches - 10-65
201 Roll Out The Carpet / She Didn't Color Daddy - 01-66
226 A Devil Like Me With An Angel Like You / No Fool Like An Old Fool - 05-66 w. Dick Curless 235 Anymore / Old Heart, Get Ready - 06-66
269 Little Pink Mack / That'll Be The Day - 09-66
294 Where Did The Good Times Go / You Taught Me Everything I Know - 11-66
305 Trapped / Rocks In My Head - ca. 01-67
329 Six Days A-Waitin' / Be Nice To Everybody - 04-67
360 Husband Stealer / I Let A Stranger - 08-67
395 Big Mac / Get Out Of My Heart - 01-68
445 Gonna Have A Good Time / Maybe You'll Appreciate Me Someday - 10-68
470 Good Morning Love / Too Used To Being With You - 69
Ovation (1970)
OV/1015 Let George Do It / You Better Not Do That - 70
Capitol (1973)
3551 Step Aside Girl / Second Hand Sugar Spoon - 02-73
3624 Hearts Of Stone / I Can, I Can - 06-73
3692 Reason To Feel / Ain't It Funny (How The Heart Rules The Mind) - 09-73
Granite (1975)
G-521 I Never Got To Nashville / Eli Whitney - 75
G-525 Country Dreamer / Henry In The Centerfold - 75
Frontline (1978)
FLS-704 You Show Me Yours And I'll Show You Mine / You're The Last Thing On My Mind - 78

 

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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.