Country and crossover since 1920s and my favorite artists of all genres too...
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Continuation of the blog on address

Tuesday, August 25, 2009

Al Rogers

20 November 1949 [10:15-13:45] Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Al Rogers (Chet Atkins [gt], Harold Bradley [gt], ? [bass], Tommy Jackson [fiddle], Owen Bradley [piano])
002 49-S-6085 FOREVER ISN`T LONG ENOUGH 10600
004 49-S-6087 DEEP WATER K10816/CCD-319
1 April 1950 [10:30-13:30] Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Al Rogers
006 50-S-6039 NEVER TO BE FORGOTTEN K11228/CCD-319
007 50-S-6040 I`M GETTING NOWHERE, FAST K11228/CCD-319
008 50-S-6041 SHUFFLE BOOGIE BELLHOP 10709/CCD-319
26 February 1951 [14:00-17:00] Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Al Rogers
009 51-S-6016 ONE TRUE LOVE K11012
010 51-S-6017/51-XY-139 (I`M GLAD) YOU`RE JUST A MEMORY unissued
011 51-S-6018 TAKING CHANCES WITH… unissued
012 51-S-6019 THE BLUES WON`T EVER LEAVE ME K11012/BACM CD D 231 (va)
5 October 1952 [no.2793?] unknown, TX – Al Rogers & His Rocky Mountain Boys
013 10751 ALL THE TIME Capitol F2322/CCD-319
014 10752 CA CARD GAME OF LOVE unissued
015 10753 COUNTRY BOOGIE – TENNESSEE unissued
016 10754 HONKY TONK HEAVEN F2322/CCD-319
017 10755 EBERYBODY`S TALKIN` unissued
21 February 1953 [no.2937] poss. Hollywood, CA – Al Rogers & His Rocky Mountain Boys
018 11151 ALL ALONE, ALL ALONE F2435/CCD-319
019 11152 TOO BLUE TO CARE F2435/CCD-319
020 11153 AM I SEEING THINGS unissued
021 11154 I HOPE IT WILL BE ME unissued
ca May 1954 RCA Victor Studio, 1016 North Sycamore St., Hollywood, CA – Al Rogers With His Rocky Mountain Boys
022 E4-LB-3168 AIN'T SPOKEN FOR „X“ 4X-0061/CCD-319
023 E4-LB-3169 MIRROR 'CROSS THE BAR „X“ 4X-0029
024 E4-LB-3170 WORKIN' MAN BLUES „X“ 4X-0064/CCD-319
025 E4-LB-3171 THE HYDROGEN BOMB „X“ 4X-0029
MGM & Capitol sessions compilled using Michel Ruppli - MGM/Capitol discographies

Cattle Compact [GER] CCD-319 Tom Anderson & Rogers - Two Short-Lived Hillbilly Careers:
[Tom Anderson:] A Million Tears; As The Hands Go 'round The Clock; Everybody's Beau; If Your Heart Had A Window; Love Goes On Like A Ball Game; My Heart Couldn't See; My Heart's In A Whirl; My Worried, Troubled Mind; Night Time; No More Blues From You; Sweet Love; The Moon And I; [Al Rogers:] All Alone, All Alone; All The Time; Deep Water; Gee, But It's Lonesome Out Tonight; Honky-tonk Heaven; I Ain't Spoken Fer; I'm Gettin' Nowhere, Fast; It Wouldn't Be The Same (without You); Never To Be Forgotten; Shuffle-boogie Bellhop; Too Blue To Care; Workin' Man's Blues - 17-07-06


MGM (1949-)
10600 Please Bring Back The Sunshine / Forever Isn`t Long Enough – 01-50
10709 Shuffle Boogie Bellhop / It Wouldn`t Be The Same Without You – 05-50
K 10816 Deep Water / Gee, But It`s Lonesome Out Tonight – 10-50
K 11012 One True Love / The Blues Won`t Ever Leave Me – 07-51
K 11228 Never To Be Forgotten / I`m Getting Nowhere Fast – 04-52
Capitol (1952)
F2322 All The Time / Honky Tonk Heaven – 12-52
F2435 Too Blue To Care / All Alone, All Alone – 04-53
X (1954)
4X-0029 Mirror `Cross The Bar / Hydrogen Bomb - 54
4X-0064 I Ain`t Spoken For / Workin` Man Blues – ca. 08-54


Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.