Country and crossover since 1920s and my favorite artists of all genres too...
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Continuation of the blog on address

Thursday, June 3, 2010

Earl Aycock

Earl Aycock, *01-11-1930, +18-10-2001
By Michel Ruppli, Praguefrank, Thieu Van De Vorst

22 August 1953 13:35-16:00 Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN - George McCormick andEarl Aycock aka George And Earl
G01 53-S-6128  I GUESS YOU DONT CARE  MGM  K11656/ BFX 15173
G02 53-S-6129  HI THERE SWEET THING  K11656/ BFX 15173
March 1955 Bradley Studios, 804 16th Ave. South, Nashville, TN - George And Earl  (George McCormick, Earl Aycock)
G03 YW-7710  (IF YOU) GOT ANYTHING GOOD (YOU BETTER SAVE IT, SAVE IT)  Mercury 70605x45/BFX-15173
G04 YW-7711  SWEET LITTLE MISS BLUE EYES  70632x45/BFX-15173
G05 YW-7712  GOIN‘ STEADY WITH THE BLUES  70632x45/BFX-15173
G06 YW-7713  CAN I  70605x45/BFX-15173
September 1955 poss. Bradley Studios, 804 16th Ave. South, Nashville, TN - George and Earl  (George McCormick,Earl Aycock)
G07 YW-7753  HEARTACHES  70683x45
G08 YW-7754  CRY BABY VRY 70773x45
G09 YW-7755  TAKE A LOOK AT MY BABY 70773x45
G10 YW-7756  DON’T, DON’T, DON’T  70683x45
February or March 1956 poss. Music City Recordings, 804 16th Ave. South, Nashvile, TN – George and Earl (George McCormick vcl, Earl Aycock vcl, Joe Edwards gt, Ray Edenton rh gt, Bob Moore bass, Buddy Harman drums. Producer: Dee Kilkpatrick)
G11 YW-12686  REMEMBER AND REGRET 70935x45
G12 YW-12687  ELEVEN ROSES  70935x45
G13 YW-12688  DONE GONE  70852x45/TH-676
G14 YW-12689  BETTE STOP, LOOK AND LISTEN  70852x45/TH-676
Ca 1956 Nashville, TN – Earl Aycock
Gearl Aycock uncredited track on Dixie EP
ca April 1957 Bradley Film & Recording Studio, 804 16th Ave. South, Nashville, TN – Earl Aycock (Producer: Pappy Daily)
002 YW-14946  I’M COMIN’HOME  MG-20282
003 YW-14948  THE SAME TWO LIPS MG-20282
Early 1958 Nashville – Earl Aycock
004 THE LOVE THAT THRILLS Allstar 7164
005 MAGIC WORDS  Allstar 7164
Ca 1960 Nashville, TN – Earl Aycock

Bear Family [GER] BFX-15173 Goin' Steady With The Blues
: Your High Tone Ways; Fifty Fifty Honky Tonkin'; Hi There Sweet Thing; I'm Just Passing Through; I Guess You Don't Care; Flutterbug; Sundown Train; Don't Add An Ex To Your Name; Got Anything; Weet Little Miss Blue Eyes; Can I; I Don't Know Nothing About Nothing; Don't Fix Up The Dog House; I'll Keep Your Name On File; Gold Wedding Band; Goin' Steady With The Blues - 85 George McCormick/George and Earl*


MGM (1953) as by George And Earl
K 11656 Hi There Sweet Thing / I Guess You Won't Care – 01-54
Mercury (1955-56) as by George And Earl
70605-X45 Got Anything Good / Can I – 04-55
70632-X45 Goin' Steady With The Blues / Sweet Little Miss Blue Eyes – 06-55
70683x45 Don't, Don't, Don't / (All You've Given Me Is) Heartaches - 09-55
70773x45 Cry, Baby, Cry / Take A Look At My Darlin' – 12-55
70852x45 Done Gone / Stop, Look And Listen - 04-56
70935x45 Remember And Regret / Eleven Roses – 07-56
Allstar (1958)
7164 Love That Thrills / Magic Words - 03-58 (rev. March 31)


Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.