Country and crossover since 1920s and my favorite artists of all genres too...
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Continuation of the blog on address

Wednesday, December 23, 2009

Brother Phelps

By Praguefrank

ca. March 1993 Nashville, TN – Brother Phelps (Ricky Lee Phelps [vcl/gt], Doug Phelps [vcl/bas gt]. Producer: Rickey Lee Phelps, Doug Phelps)
001 LET GO Asylum 7-64614 7-64558/61544-2
002 WHAT GOES AROUND Asylum 61544-2
003 WERE YOU REALLY LIVIN' Asylum 7-64598/61544-2
004 EVER-CHANGING WOMAN Asylum 7-64517/61544-2
005 HOT WATER Asylum 61544-2
006 EVERYTHING WILL WORK OUT FINE Asylum 7-64614/61544-2
007 INSIDE OUTSIDE Asylum 61544-2
008 PLAYIN' HOUSE Asylum 7-64598/61544-2
009 FOUR-LEAF CLOVER Asylum 61544-2
010 EAGLE OVER AGAIN Asylum 7-64558/61544-2
011 WATCH YOUR STEP Asylum 7-64517/61544-2 -
ca. November 1994 Nashville, TN – Brother Phelps (Ricky Lee Phelps [vcl/gt], Doug Phelps [vcl/bas gt] + Larry Byrom [gt], Albert Lee [gt], Billy Joe Walker, Jr.[rh gt], Sam Bush [mandolin], Paul Franklin/John Hughey [steel], Glenn Worf/Mike Brignardello [bass gt], Paul Leim/Martin Kickliter [drums], Richard Ripani [piano/Hammond organ], Jim Horn [horns] + Nashville String Machine. Producer: Rickey Lee Phelps, Doug Phelps, Kyle Lehning)
012 ANY WAY THE WIND BLOWS Asylum 7-64461/61724-2
013 DOWN INTO MUDDY WATER Asylum 61724-2
014 MARY ANN IS A PISTOL Asylum 61724-2
015 NOT SO DIFFERENT AFTER ALL Asylum 7-64436/61724-2
016 WALLS Asylum 61724-2
017 CINDERELLA Asylum 61724-2
018 I AIN'T EVER SATISFIED Asylum 61724-2
019 RAGTOP Asylum 61724-2
020 THE OTHER KIND Asylum 61724-2
021 JOHNNY B. Asylum 7-64436/61724-2
022 LOOKOUT MOUNTAIN Asylum 7-64461/61724-2

Asylum 61544-2 Let Go:
Let Go; What Goes Around; Were You Really Livin'; Ever-Changing Woman; Hot Water; Everything Will Work Out Fine; Inside Outside; Playin' House; Four-Leaf Clover; Eagle Over Again; Watch Your Step - 13-08-93
Asylum 61724-2 Anyway The Wind Blows: Any Way The Wind Blows; Down Into Muddy Water; Mary Ann Is A Pistol; Not So Different After All; Walls; Cinderella; I Ain't Ever Satisfied; Ragtop; The Other Kind; Johnny; Lookout Mountain – 07-03-95

Asylum (1993-95)
7-64614 Let Go / Everything Will Work Out Fine - 05-93
7-64598 Were You Really Livin' / Playin' House - 07-10-93
7-64558 Eagle Over Angel / Let Go - 03-94
7-64517 Ever-Changing Woman / Watch Your Step - 04-08-94
7-64461 Anyway The Wind Blows / Lookout Mountain - 01-95
7-64436 Not So Different After All / Johnny B. - 06-06-95

Chuck Bowers

*16-05-1921 Wiuchita, KS
By Praguefrank, Michel Ruppli

1955 unknown - Chuck Bowers and The Stardusters
001 CY BOOGIE Blue Ribbon 101
002 I DON'T SEE ME Blue Ribbon 101
ca Fall 1955 Kansas City, KS – Chuck Bowers
003 5001 WAND'RING SHOES Choice 841
004 5002 PINBALL BOOGIE Choice 841
005 PIG PEN BOOGIE Choice 845/Rowyna Music RW 5024
006 TOTIN' WATER Choice 845
18 April 1957 Bradley Film and Recording Studio, 804 16th Ave. South, Nashville, TN – Chuck Bowers (unknown musicians + Anita Kerr Singers. Producer: Paul Cohen)
007 102355/NA 9805 TILL MY BABY COMES HOME Decca 9-30356/Doghouse CD 003 Fantastic Voyage CD 098
008 102356/NA 9806 BIG JIM BOWIE 9-30356
20 November 1957 Bradley Film and Recording Studio, 804 16th Ave. South, Nashville, TN – Chuck Bowers (unknown musicians + Anita Kerr Singers. Producer: Owen Bradley)
009 103633/NA 10009 YOU AND I ARE IN THE SAME MOOD 9-30578
010 103634/NA 10010 BLABBER MOUTH SIDEWALK STROLL 9-30578

Blue Ribbon (1955)
101 Cy Boogie / I Don't See Me – 55
Choice (1955)
45-841 Pinball Boogie / Wand'ring Shoes – 55
45-845 Pig Pen Boogie / Totin' Water – 04-56
Decca (1957)
9-30356 Till My Baby Comes Home / Big Jim Bowie – 06-57 (rev. June 17)
9-30578 You And I Are In The Same Mood / Blabber Mouth Sidewalk Stroll – 03-58 (rev. March 10)


Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.