by Bengt Wahlström, Praguefrank, Bill Daniels
SESSIONS
around 1960 Ray Vernon Studio, Washington, D.C. – Janice Ward
001 DOUBLE CROSSIN‘ SWEETIE PIE
002 unknown title
21 April 1961 RCA Victor Studio, 1611 Hawkins St., Nashville, TN - Janice Ward (Janice Ward [vcl], Ray Edenton [gt], Bob Moore [bass] + unknown musicians)
003 MO-660 DOUBLE CROSSIN' SWEETIE PIE 45-442
004 MO-661 WHEN A GIRL GIVES HER HEART (TO A BOY) 45-442
005 MY LOVE IS MAKE BELIEVE unissued
006 THREE STEPS TO THE PHONE unissued
possibly two more unissued tracks recorded for Monument in 1961, details untraced
SINGLES
?
Double Crossin‘ Sweetie Pie / ?
Monument (1961)
45-442 Double Crossin' Sweetie Pie / When A Girl Gives Her Heart (To A Boy) – 05-61 (rev. May 29)
SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY
Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Any help welcome!
praguefrank@seznam.cz
Continuation of the blog on address
http://countrydiscoghraphy2.blogspot.cz/
Wednesday, February 16, 2011
Slim Rhodes
Ethmer Cletus Rhodes, *1913 Pocahontas, AR, +10-03-66
by Praguefrank, Bill Daniels, Xavier Maire, Mario Manciotti, Carl La Fong, Thieu Van DeVorst
SESSIONS
July 1950 Memphis Recording Service, 706 Union Ave., Memphis, TN - Slim Rhodes
001 3754 unknown title
002 3755 SAVE A LITTLE LOVE FOR ME Gilt-Edge 5015
003 3756 unknown title
004 3757 SKUNK HOLLOW BOOGIE 5015
ca. December 1950 Memphis Recording Service, 706 Union Ave., Memphis, TN – Slim Rhodes
005 3969 SIXTY DAYS 5026
006 3970 TIME MARCHES ON 5034
007 3971 HOT FOOT RAG 5034
008 3972 MEMPHIS BOUNCE 5026
ca. April 1951 Memphis Recording Service, 706 Union Ave., Memphis, TN – Slim Rhodes
009 4099 RED, WHITE AND BLUE 5044
010 5000 OZARK BOOGIE 5044
23 February 1955 Sun Studio, 706 Union Ave., Memphis, TN – Slim Rhodes (Slim Rhodes [gt], Dottie Rhodes-Moore [vcl-1], Dusty Rhodes [vcl-1/fiddle], Brad Suggs [vcl-2/gt], John Hughey [steel], Speck Rhodes [bass])
011 U144 DON'T BELIEVE -2 Sun 216
012 U145 UNCERTAIN LOVE -1 216
013 U158 THE HOUSE OF SIN -1 225
014 U159 ARE YOU ASHAMED OF ME? -2 225
2 February 1956 Sun Studio, 706 Union Ave., Memphis, TN – Slim Rhodes (Slim Rhodes [gt], Dottie Rhodes-Moore [vcl-1], Dusty Rhodes [vcl-1/fiddle], Brad Suggs [vcl-2/gt], John Hughey [steel], Speck Rhodes [bass], W.S. Holland [drums])
015 U188 GONNA ROMP AND STOMP -1 238
016 U189 BAD GIRL -2 238
14 August 1956 Sun Studio, 706 Union Ave., Memphis, TN – Slim Rhodes & Sandy Brooks (Slim Rhodes [gt], Sandy Brooks [vcl], Brad Suggs [gt], John Hughey [steel], Speck Rhodes [bass], Johnny Bernero [drums])
017 U216 TAKE AND GIVE 256
018 U217 DO WHAT I DO 256
1958 Sun Studio, 706 Union Ave., Memphis, TN – Slim Rhodes
019 I’VE NEVER BEEN SO BLUE Sun unissued
ALBUMS
Cotton Town Jubilee LP-102 The Rhodes Show On The Road: Slim's Boogie; Black Mountain Rag; Anybody But Me; Uncertain Love; Mary Ann Regrets; Speck Down At Skunk Hollow; I Don't Love Nobody; Watching My World Fall Apart; Little Shirt That Mama Made For Me; Just A Closer Walk With Thee; Take Me Back To Memphis; Slim’s Boogie – 63 (radio shows: Slim Rhodes,Dusty Rhodes, Dottie Rhodes, John Hughey, Gordon Rhodes, Perry Kay Rhodes, recording info unknown)
? The Cotton Jubilee Transcriptions: [Slim Rhodes:] Slim's Boogie; Black Mountain Rag; Anybody But Me; Uncertain Love; Mary Ann; I Don't Love Nobody; Watching My World Fall Apart; Little Shirt That Mama Made For Me; Just A Closer Walk With Thee; Take Me Back To Memphis; [Sonny Williams:] If You'll Be A Baby; Too Much Competition; Play Me A Country Song; Making Up For Lost Time; The Tears That Never Fell; I'd Give It All To Be With You; Honky Tonk Blues; This Old Town's Not Big Enough; Footprints On The Floor; Cotton Patch Hop - (transcriptions, all Slim Rhodes tracks for CTJ LP-102)
BACM [UK] CD D 630 Slim Rhodes and His Mountaineers – Memphis Bounce: Steel Guitar Rag; Carroll County Blues; The Leaf Of Love; South; Sally Goodin; Big Eared Mule; You Should Have Thought Of That Before; Tennessee Border; John Henry; Kentucky Waltz; Forgive Me One More Time; Spanish Two Step; Rubber Doll Rag; Saturday Night Rag; Freight Train Boogie; Red Wing; Beaumont Rag; Soldiers Joy; Down In Nashville, Tennessee; All The World Is Lonely Now; San Antonio Rose; Memphis Bounce; Mother's Only Sleeping; Skunk Hollow Boogie; Draggin' The Bow – 04-19
SINGLES
Gild-Edge (1950-51)
5015 Save A Little Love For Me / Skunk Hollow Boogie - 50
5026 Sixty Days / Memphis Bounce – 51 (also on Maple Leaf G-303)
5034 Time Marches On / Hot Foot Rag - 51
5044 Red, White And Blue / Ozark Boogie - 51
Sun (1955-58)
216 Don't Believe / Uncertain Love – 04-55 (rev. Apr. 30)
225 The House Of Sin / Are You Ashamed Of Me? – 08-55 (rev, Oct. 22)
238 Gonna Romp And Stomp / Bad Girl – 04-56 (rev. April 28)
256 Take And Give / Do What I Do – 11-56 w. Sandy Brooks (rev. Jan. 5, 1957)
TRANSCRIPTIONS EPs
by Praguefrank, Bill Daniels, Xavier Maire, Mario Manciotti, Carl La Fong, Thieu Van DeVorst
SESSIONS
July 1950 Memphis Recording Service, 706 Union Ave., Memphis, TN - Slim Rhodes
001 3754 unknown title
002 3755 SAVE A LITTLE LOVE FOR ME Gilt-Edge 5015
003 3756 unknown title
004 3757 SKUNK HOLLOW BOOGIE 5015
ca. December 1950 Memphis Recording Service, 706 Union Ave., Memphis, TN – Slim Rhodes
005 3969 SIXTY DAYS 5026
006 3970 TIME MARCHES ON 5034
007 3971 HOT FOOT RAG 5034
008 3972 MEMPHIS BOUNCE 5026
ca. April 1951 Memphis Recording Service, 706 Union Ave., Memphis, TN – Slim Rhodes
009 4099 RED, WHITE AND BLUE 5044
010 5000 OZARK BOOGIE 5044
23 February 1955 Sun Studio, 706 Union Ave., Memphis, TN – Slim Rhodes (Slim Rhodes [gt], Dottie Rhodes-Moore [vcl-1], Dusty Rhodes [vcl-1/fiddle], Brad Suggs [vcl-2/gt], John Hughey [steel], Speck Rhodes [bass])
011 U144 DON'T BELIEVE -2 Sun 216
012 U145 UNCERTAIN LOVE -1 216
013 U158 THE HOUSE OF SIN -1 225
014 U159 ARE YOU ASHAMED OF ME? -2 225
2 February 1956 Sun Studio, 706 Union Ave., Memphis, TN – Slim Rhodes (Slim Rhodes [gt], Dottie Rhodes-Moore [vcl-1], Dusty Rhodes [vcl-1/fiddle], Brad Suggs [vcl-2/gt], John Hughey [steel], Speck Rhodes [bass], W.S. Holland [drums])
015 U188 GONNA ROMP AND STOMP -1 238
016 U189 BAD GIRL -2 238
14 August 1956 Sun Studio, 706 Union Ave., Memphis, TN – Slim Rhodes & Sandy Brooks (Slim Rhodes [gt], Sandy Brooks [vcl], Brad Suggs [gt], John Hughey [steel], Speck Rhodes [bass], Johnny Bernero [drums])
017 U216 TAKE AND GIVE 256
018 U217 DO WHAT I DO 256
1958 Sun Studio, 706 Union Ave., Memphis, TN – Slim Rhodes
019 I’VE NEVER BEEN SO BLUE Sun unissued
ALBUMS
Cotton Town Jubilee LP-102 The Rhodes Show On The Road: Slim's Boogie; Black Mountain Rag; Anybody But Me; Uncertain Love; Mary Ann Regrets; Speck Down At Skunk Hollow; I Don't Love Nobody; Watching My World Fall Apart; Little Shirt That Mama Made For Me; Just A Closer Walk With Thee; Take Me Back To Memphis; Slim’s Boogie – 63 (radio shows: Slim Rhodes,Dusty Rhodes, Dottie Rhodes, John Hughey, Gordon Rhodes, Perry Kay Rhodes, recording info unknown)
? The Cotton Jubilee Transcriptions: [Slim Rhodes:] Slim's Boogie; Black Mountain Rag; Anybody But Me; Uncertain Love; Mary Ann; I Don't Love Nobody; Watching My World Fall Apart; Little Shirt That Mama Made For Me; Just A Closer Walk With Thee; Take Me Back To Memphis; [Sonny Williams:] If You'll Be A Baby; Too Much Competition; Play Me A Country Song; Making Up For Lost Time; The Tears That Never Fell; I'd Give It All To Be With You; Honky Tonk Blues; This Old Town's Not Big Enough; Footprints On The Floor; Cotton Patch Hop - (transcriptions, all Slim Rhodes tracks for CTJ LP-102)
BACM [UK] CD D 630 Slim Rhodes and His Mountaineers – Memphis Bounce: Steel Guitar Rag; Carroll County Blues; The Leaf Of Love; South; Sally Goodin; Big Eared Mule; You Should Have Thought Of That Before; Tennessee Border; John Henry; Kentucky Waltz; Forgive Me One More Time; Spanish Two Step; Rubber Doll Rag; Saturday Night Rag; Freight Train Boogie; Red Wing; Beaumont Rag; Soldiers Joy; Down In Nashville, Tennessee; All The World Is Lonely Now; San Antonio Rose; Memphis Bounce; Mother's Only Sleeping; Skunk Hollow Boogie; Draggin' The Bow – 04-19
SINGLES
Gild-Edge (1950-51)
5015 Save A Little Love For Me / Skunk Hollow Boogie - 50
5026 Sixty Days / Memphis Bounce – 51 (also on Maple Leaf G-303)
5034 Time Marches On / Hot Foot Rag - 51
5044 Red, White And Blue / Ozark Boogie - 51
Sun (1955-58)
216 Don't Believe / Uncertain Love – 04-55 (rev. Apr. 30)
225 The House Of Sin / Are You Ashamed Of Me? – 08-55 (rev, Oct. 22)
238 Gonna Romp And Stomp / Bad Girl – 04-56 (rev. April 28)
256 Take And Give / Do What I Do – 11-56 w. Sandy Brooks (rev. Jan. 5, 1957)
TRANSCRIPTIONS EPs
Langworth (early 1950’s) [incomplete]
WES 26 Kentucky Waltz; Carroll Country Blues / Beaumont Rag; Rubber
Doll Rag – ca 51
WES 30 Freight Train Boogie + 3 tracks
WES 51 Steel Guitar Rag + 3 tracks
WES 71 South + 3 tracks
WES 72 Hot Foot Rag + 3 tracks
WES 73 Sally Goodin; Cacklin‘ Hen / Twinkle Twinkle Little Star; John Henry – (MX: LNY 2845/6]
WES 71 South + 3 tracks
WES 72 Hot Foot Rag + 3 tracks
WES 73 Sally Goodin; Cacklin‘ Hen / Twinkle Twinkle Little Star; John Henry – (MX: LNY 2845/6]
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Acknowledgements
Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.