Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

Continuation of the blog on address

Wednesday, February 2, 2011


By Praguefrank
1995 Masterfonics Studios, 28 Music Sq. East, Nashville TN – Emilio (Producer: Barry Beckett)
001 EVEN IF I TRIED Capitol 58507/8-32392-2
002 I THINK WE'RE ON TO SOMETHING Capitol 8-32392-2
003 IT'S NOT THE END OF THE WORLD Capitol 58432/8-32392-2
004 LONG AS I GOT YOU Capitol 8-32392-2
005 ANY LITTLE LIE Capitol S7-19514/8-32392-2
006 LIFE IS GOOD Capitol 8-32392-2
007 HONKY TONK HABITS Capitol 8-32392-2
008 THERE'LL BE NO MORE CRYING Capitol 58507/8-32392-2
009 I WAS THERE Capitol 8-32392-2
010 HAVE I TOLD YOU LATELY Capitol 58432/8-32392-2
011 HACE CUANTO ME DICKO QUE TE AMO Capitol 8-32392-2
012 NO ESEL FIN DEL MUNDO Capitol 8-32392-2
1997 Nashville, TN – Emilio (Emilio Navarra [vcl], Don Potter [ac gt], Brent Rowan [el gt], Paul Franklin [steel], Michael Rhodes/Joe Chemay [bass], Eddie Bayers [drums], Tom Roady [percussion], Larry Franklin [fiddle], Phil Naish/Bobby Ogdin/Barry Beckett [keyboards] + Dennis Wilson, Curtis "Mr. Harmony" Young, Harry Stinson, John Wesley Ryles [bck vcl]. Producer: Barry Beckett)
013 I'D LOVE YOU TO LOVE ME Capitol S7-19514/8-52180-2
014 SOMEBODY'S EVERYTHING Capitol 8-52180-2
015 THE BOTTOM OF YOUR HEART Capitol S7-19603/8-52180-2
016 FOREVER SEVENTEEN Capitol 8-52180-2
017 SHE GIVES Capitol S7-19603/8-52180-2
018 SHE LOVES ME SHE LOVES ME NOT Capitol 8-52180-2
019 TAKE IT FROM SOMEONE WHO KNOWS Capitol 8-52180-2
020 A DOLL LIKE YOU Capitol 8-52180-2
021 SOMEBODY STOP ME Capitol 8-52180-2
022 STUCK ON YOUR LOVE Capitol 8-52180-2

Capitol Nashville 7243-8-32392-2-1 Life Is Good: Even If I Tried; I Think We're On To Something; It's Not The End Of The World; Long As I Got You; Any Little Lie; Life Is Good; Honky Tonk Habits; There'll Be No More Crying; I Was There; Have I Told You Lately; Hace Cuanto Me Dicko Que Te Amo; No Esel Fin Del Mundo – 26-09-95
Capitol Nashville 7243-8-52180-2 It's On The House: I'd Love You To Love Me; Somebody's Everything; The Bottom Of Your Heart; Forever Seventeen; She Gives; She Loves Me She Loves Me Not; Take It From Someone Who Knows; A Doll Like You; Somebody Stop Me; Stuck On Your Love – 01-07-97

Capitol (1995-97)
S7-18846 It's Not The End Of The World / Have I Told You Lately - 08-95 (cassette version: 58432)
58507 Even If I Tried / There'll Be No More Crying - 01-96 (cassette)
S7-19514 I'd Love You To Love Me / Any Little Lie - 01-97 (cassette version 58632)
S7-19603 She Gives / The Bottom Of Your Heart - 05-97

Wayne Armstrong

By Praguefrank, Lennart Gustavsson

1972 unknown – Wayne Armstrong
002 116 I'D TAKE A CHANCE ON TOMORROW  Cutlass CC-115/116
Summer 1980 Ironside Studio, Nashville, TN – Wayne Armstrong (Producer: Willie Johnson)
Summer 1980 unknown – Wayne Armstrong (Producer: Annkim)

Cutlass (1972)                 
CC-115/116 The Most Beautiful Thing In The World (Is A Woman) / I'd Take A Chance On Tomorrow - 72                        
NSD (1980)          
NSD-57 Hot Sunday Morning / I Don't Want To Be Alone - 07-80


Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.