Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

Continuation of the blog on address

Saturday, June 9, 2012

Jim Carley

by Praguefrank
early 1966 unknown – Jim Carley, Johnny Adams and Flint Hill Boys
002 RECKON F-259
1969 unknown – Jim Carley, Johnny Adams and Flint Hill Boys
003 LOST ALL MY MONEY Am. Heritage DC-115-6
004 DON'T SAY GOODBYE Am. Heritage DC-115-6
005 TALLY HO Am. Heritage DC-115-6
006 LOVE & WEALTH Am. Heritage DC-115-6
007 WHY NOT CONFESS Am. Heritage DC-115-6
008 PLANT SOME FLOWERS Am. Heritage DC-115-6
009 FOGGY MOUNTAIN TOP Am. Heritage DC-115-6
011 SALTY DOG BLUES Am. Heritage DC-115-6
012 KISS ME ONE MORE TIME Am. Heritage DC-115-6
013 GOING BACK TO OLD KENTUCKY Am. Heritage DC-115-6

American Heritage DC 115-6 Dim Lights, Thick Smoke: Dim Lights, Thick Smoke; Lost All My Money; Don't Say Goodbye; Tally Ho; Love and Wealth; Why Not Confess; Plant Some Flowers; Foggy Mountain Top; Don't That Road Look Rough And Rocky; Salty Dog Blues; Kiss Me One More Time; Going Back To Old Kentucky – 69 Jim Carley, Johnny Adams and Flint Hill Boys

Rebel (1966)
F-259 Spring Fever Bloues / Reckon – 66 Jim Carley, Johnny Adams and Flint Hill Boys

Norvin Kelly

By Praguefrank
April 1954 poss. Castle Studio At The Tulane Hotel, 206 8th Ave. North, Nashville, TN – Norvin Kelly
001 CO 51381/?/ZSP-31769 I’M BACK IN YOUR ARMS AGAIN Columbia 4-21381
002 CO 51382/?/ZSP-31770 YOU CAN’T MAKE ME LIVE WITH THE BLUES 4-21381
003 CO 51383/?/ZSP-31771 YOU DIDN’T WANT A HOME 4-21279
004 CO 51384/?/ZSP-31772 WITHOUT YOU 4-21279

Columbia (1954)
4-21279 Without You / You Didn't Want A Home – 07-54 (rev. Sept. 14)
4-21381 I'm Back In Your Arms Again / You Can't Make Me Live With The Blues – 03-55


Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.