Country and crossover since 1920s and my favorite artists of all genres too...
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Continuation of the blog on address

Tuesday, May 18, 2010

Bob Flannery

By Michel Ruppli

4 September 1949 [no 1437]Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA – Bob Flannery
001 4982-1 REVENGE Capitol 57-40240
002 4983-1 WON'T YOU COME INTO MY HEART? 57-40240
003 4997-2 I'VE LOST YOU SO WHY SHOULD I CARE? 57-40259
004 4998-1 I'LL KEEP SMILING 57-40259
6 February 1950 [no 1643] poss. Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA – Bob Flannery
005 5569-1 MIRROR ON THE WALL F976
006 5570-1 THORNS IN MY HEART F976
6 February 1950 [no 1644] poss. Capitol Recording Studio, 5515 Melrose Ave., Hollywood, CA – Bob Flannery & Phyllis Brown
007 5571-7 SECOND HAND HEART F894

Capitol (1949-50)
57-40240 Won‘t You Come Into My Heart / The Revenge – 09-49
57-40259 I’ll Keep Smiling / I’ve Lost You, So Why Should I Care – 11-49
F894 Second Hand Heart / We Get Along So Well Together – 02-50 w. Phyllis Brown
F976 Mirror On The Wall / Thorns In My Heart – 04-50

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Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.