Country and crossover since 1920s and my favorite artists of all genres too...
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Continuation of the blog on address

Thursday, May 6, 2010

Foggy River Boys

by Michel Ruppli

30 December 1949 Castle Studio At The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Foggy River Boys
001 75654/NA 2070 RAG MOP Deccca 9-46214
002 75655/NA 2071 I'M SO LONESOME I COULD CRY 9-46214
1 October 1952 Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville 3, TN – Red Foley,* & Foggy River Boys (Producer: Paul Cohen)
000 83514/NA 2844 MY DESIRE ED-2601
000 83515/NA 2845 HE'S THERE * ED-2601
000 83516/NA 2846 HOOT OWL BOOGIE 9-29894
September 1954 Decca Recording Studio, 5505 Melrose Ave., Hollywood, CA – Foggy River Boys
003 L 7894 IN THE HOUSE OF THE LORD 9-29300
004 L 7895 COMPANY’S COMIN‘ 9-29300
005 L 7896 I WANNA GO THERE 9-29481
006 L 7897 TROUBLED RIVERS 9-29481
4 April 1955 Bradley Studio, 804 16th Ave. South, Nashville 3, TN – Foggy River Boys
007 87722/BR 9082 GLORY, GLORY, CLEAR THE ROAD 9-29631
008 87723/BR 9083 YES, I’M SATISFIED 9-29631
009 87724/BR 9084 HE¢S NOT DISAPPOINTED IN ME unissued
010 87725/BR 9085 MY FOGGY RIVER IS CALLING ME unissued
5 April 1955 Bradley Studio, 804 16th Ave. South, Nashville 3, TN – Red Foley & Foggy River Boys
000 87726/BR 9086 TAKE MY HAND PRECIOUS LORD 9-30010
000 87727/BR 9087 SOMEDAY, SOMEWHERE 9-30010/VL-3745
13 December 1955 Bradley Studio, 804 16th Ave. South, Nashville 3, TN – Foggy River Boys
011 89008/NA 9250 INSIDE THE GATE 9-29796/VL-73790
012 89009/NA 9251 DEEP WATERS unissued
013 89010/NA 9252 THE DEVIL AND HIS SUITCASE 9-29706/VL-73790

9-46214 I'm So Lonesome I Could Cry / Rag Mop – 02-50
9-29300 Company's Comin' / In The House Of The Lord – 10-54
9-29481 I Wanna Go There / Troubled Rivers – 03-55
9-29631 Glory, Glory, Clear The Road / Yes, I'm Satisfied – 08-55
9-29796 Inside The Gate / The Devil In His Suitcase – 01-56

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Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.