SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Friday, August 19, 2011

Turner Brothers

2nd version
l Turner with acknowledgements to Dave Sax, Richard Weize, Michel Ruppli, John Burton, Dick Grant, Bill Daniels, Mario Manciotti & Praguefrank
The above DISCOGRAPHY ORIGINALLY appeared in THE HILLBILLY RESEARCHER #8 - 1990.
SESSIONS
Spring 1947 E. T. Herzog Recording Studio, 811 Race St., Cincinnati, OH – Turner Brothers (Ulysses Red Turner [vcl], Monroe Lige Turner [vcl],Roy Lanham [gt] + unknown musicians)
001 H-101 THE LEAF OF LOVE Radio Artists 202 Imperial 45-8076/CCD-326
002 H-102 CORENE CORENA Radio Artists 203/CCD-326
003 H-103 KENTUCKY Radio Artists 201/CCD-326
004 H-104 COULD YOU TAKE ME BACK 204 Imperial 45-8075/CCD-326
005 H-105 GOD’S OWN LITTLE LAMB 202/CCD-326
006 H-106 ARE YOU LIVING FOR JESUS 203
007 H-107 I’LL FLY AWAY Radio Artists unissued/Imperial 45-8076
008 H-108 A MOTHER’S LOVE Radio Artists 201/CCD-326
1947 poss. E. T. Herzog Recording Studio, 811 Race St., Cincinnati, OH – Turner Brothers (Ulysses Red Turner [vcl], Monroe Lige Turner [vcl],Roy Lanham [gt],
009 H-145 ALL NIGHT LONG 204 Imperial 45-8075/CCD-326
010 +KNEEL AT THE CROSS Radio Artists unissued/Imperial 45-8076
+probably from this session, more tracks possibly recorded
ca. September 1947 E. T. Herzog Recording Studio, 811 Race St., Cincinnati, OH - Turner Brothers (Ulysses Red Turner [vcl], Monroe Lige Turner [vcl] + unknown musicians)
011 973 WHEN THE FIRE COMES DOWN Mercury 6056/CCD-326
012 974 RAINBOW IN THE SKY 6056/CCD-326
013 975 TO BE OR NOT TO BE 6089/CCD-326
014 976 GOD‘S RIVER OF BLESSING 6089
January 1948 E. T. Herzog Recording Studio, 811 Race St., Cincinnati, OH - Turner Brothers (Red & Lige) (Ulysses Red Turner [vcl], Monroe Lige Turner [vcl] + unknown musicians)
015 1685/N-129 YOU‘LL CRY FOR ME 6059/CCD-326
016 1686/N-130 YOU ASK ME WHY I‘M CRYIN‘ 6134/CCD-326
017 1687/N-131 I‘LL LIVE MY LIFE FOR YOU 6059/CCD-326
018 1688/N-132 WHY DID YOU LEAVE ME? 6184/CCD-326
019 1689/N-133 SOMETHING‘S WRONG 6134/CCD-326
020 1690/N-134 IT‘S BETTER TO BE ALONE 6184/CCD-326
021 1691/N-135 I TRADED MY HEART FOR A MEMORY unissued
022 1692/N-136 IT‘S GOODBYE unissued
ca. Mid 1948 E. T. Herzog Recording Studio, 811 Race St., Cincinnati, OH - Turner Brothers (Red & Lige) (Ulysses Red Turner [vcl], Monroe Lige Turner [vcl] + unknown musicians)
023 H 183 THE FALLEN LEAF WALTZ [THE FALLEN TREE WALTZ*] Radio Artists 234 Imperial 45-8071*
024 H 184 BOOG-BOOG-BOOGIE Radio Artists 234 Imperial 45-8071/CCD-326
025 H-185? WHEN WE ALL SINGS AROUND THE THRONE 235
026 H-186 MATTHEW TWENTY FOUR 245/CCD-326
027 H-187 PRECIOUS MEMORIES 245/CCD-326
028 H 188 HONKY TONK MAMA Radio Artists 243/CCD-326
029 H-189 BEAUTIFUL ROSE 243/CCD-326
030 H-190 WHEN THE HARVEST DAYS ARE OVER* 235
*issued as by Red & Lige
10 November 1954 E. T. Herzog Recording Studio, 811 Race St., Cincinnati, OH - Turner Brothers (Zeke Turner [vcl/gt], Ulysses Red Turner [vcl] + Byron P. Yelton [bass], Elmer Jack Volks [drums], Clifford Lash [piano])
031 E4-LB-5981 GET YOUR DAD BURN FINGERS OFF ME „X“ 4X-0085/CCD-326
032 E4-LB-5982 A LITTLE FELLER LIKE MINE* „X“ 4X-0121/CCD-326
033 E4-LB-5983 DON’T FETCH IT* „X“ 4X-0121/CCD-326
034 E4-LB-5984 THE WORLD WOULD BE A BETTER PLACE IF IT WAS A FARM „X“ 4X-0085/CCD-326
*released as by Kentucky Boys,** as by Zeke And Red

ALBUMS
Cattle Compact [GER] CCD-326 Turner Brothers/Kentucky Boys - Honky Tonk Mama: Honky Tonk Mama; You’ll Cry For Me; When The Fire Comes Down; A Mother’s Love; It’s Better To be Alone; Matthew Twnety-Four; Corene Corena; Siomething’s wring; Could You Take Me Back; You Ask Me Why I’m Crying; Rainbow In The ky; Why Did You Leave Me?; All Night Long; Precious Memories; I’ll Live My Life For You; To Be Or Not To Be; The Fallen Leaf Waltz; Kentucky; Boog Boog Boogie; Beautiful Rose; God’s Own Little Lamb; The Leaf Of Love; Get Your Dad Burn Fingers Off Me; A Little Feller Like Mine; Don’t Fetch It; The World Would Be A Better Place If It Was A Farm - 06

SINGLES
Radio Artists (1947)
201 A Mother’s Love / Kentucky – 24-05-47
203 Corene Corena / Are You Living For Jesus – 24-05-47 (rev. May 31)
204 Could You Take Me Back / All Night Long – 31-05-47 (reissued on Imperial 45-8075 in January 1950)
202 God’s Own Little Lamb / The Leaf Of Love – 20-12-47 (rev. Dec. 20)
45-8076 Kneel At The Cross / I’ll Fly Away – 01-50
Mercury (1947-48)
6056 When The Fire Comes Down / Rainbow In The Sky – 01-10-47
6059 You’ll Cry For Me / I‘ll Live My Life For You – 01-10-47 (re-released 15-06-48)
6089 To Be Or Not To Be / God?S River Of Blessing - 07-02-48
6134 You Ask Me Why I‘m Cryin? / Something’s Wrong – 18-09-48 (rev. Oct. 1)
6184 Why Did You Leave Me? / It‘s Better To Be Alone – 09-04-49
Radio Artists (1948)
234 Boog-Boog-Boogie / The Fallen Trees Waltz – 25-09-48 (rev.Oct. 30, reissued on Imperial 45-8071}
235 When We All Sing Around The Throne / [Red & Lige:] When Harvest days Are Over – 25-09-48
243 Honky Tonk Mama / Beautiful Rose – 19-02-49
245 Matthew Twenty Four / Precious Memories - 49
„X“ (1954)
4X-0085 Get Your Dad Burn Fingers Off Me / The World Would Be A Better Place If It Was A Farm – 55 as by Zeke and Red
4X-0232 A Little Feller Like Mine / Don’t Fetch I – 55 as by Kentucky Boys


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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.